I love synthesizers and I love electronic music and I love the avant garde and I always want to try and have some kind of element of that in the music. So once the music is put down and recorded, that's when I start to tinker with it using synths.
Up until the rise of electronic music, if you were a musician in Portugal or Germany or Italy or Japan, and you didn't sing in English, you really were limited: You could be successful in the country where people understood your language. The world of electronic music is completely international. You have DJs from Finland making huge records for people in New Zealand, DJs in South Korea making huge records for people in France. By the fact that it doesn't cost anything to make, and that it transcends language, nation it accidentally accomplishes a lot of really remarkable things.
If anything I think we connect to what our parents were listening to when they were our age. I'm listening to a lot of classical and electronic music, like Aphex Twin, non-vocal music.
Electronic music right now is in its comfort zone, and it's not moving one inch.
Some people think electronic music is cold, but I think that has more to do with the people listening than the actual music itself.
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