I think that both musicals and opera have a capacity to get to an inner emotional landscape.
The ideas for my books come about in two ways. There can be an intellectual idea that seems to be the reason for writing the book. [...] The other motive is unconscious. There is something deeply psychological and emotional that draws me to the material in the first place.
People have different ideas, emotional ideas, of what certain words mean, and they think of irony as something that's more associated with being cynical-it's kind of a put-down.
From the writing stage, I had envisioned a film that would be bright and light, even if the movie addresses adolescent unrest and self-destructive behavior. Talking about adolescence, I wanted to make a very musical film that was also a love story with a sensorial, sensual dimension and which had a strong emotional impact.
Hollywood has turned into an emotional Detroit.
Write straight into the emotional center of things. Write toward vulnerability. Don't worry about appearing sentimental. Worry about being unavailable; worry about being absent or fraudulent.
Hysteria is a chaotic and irrational emotional state caused by seeing how the world really operates.
Trust is the emotional glue that binds followers and leaders together.
An aphorism is a mental exercise, psychical, logical, linguistic, spiritual, ritual, emotional and rational, it is a major conceptual and literary activity, a mixture of prose and poetry that conveys, in addition to ideology, sympathy or antipathy.
At the heart of any successful film is a powerful story. And a story should be just that: a narrative with a beginning, middle, and end, powerful protagonists that audiences can identify with, and a dramatic arc that is able to capture and hold viewers' intellectual and emotional attention.
Songwriting is an emotional medium, and rock and roll is an emotional medium.
I think there's a false division people sometimes make in describing literary novels, where there are people who write systems novels, or novels of ideas, and there are people who write about emotional things in which the movement is character driven. But no good novels are divisible in that way.
New research shows that emotions have a separate system of nerve pathways, through the limbic system to the cortex, allowing emotional signals to avoid conscious control.
Intense pain often pushed me to make changes. The pain of the eating disorder pushed me into recovering from eating-disordered behaviors, and then the emotional turmoil I experienced without those behaviors (not knowing how to cope with perfectionism, feelings, and life in general) took me even further, so that I ultimately found serenity.
You look at somebody's work as an actor and you can see their emotional life being fed into it and you can kind of feel them through it.
Religion is (a) a pre-scientific system of explanation and technology; (b) a source of meaning, direction and emotional expression in life; (c) a means of social control; (d) a means of coping with uncertainty and death.
The White Savior Industrial Complex is not about justice. It is about having a big emotional experience that validates privilege.
Any athlete has massive reserves in their body and their emotional landscape.
I wanted to see if I could create something that is emotional between people. Existing games are about killing each other or killing something together. The idea of social emotion means people need to share feelings. At that moment, the players are in sync. The problem [with many games] is there's no chance to share emotion. Most of them are busy, [there are] explosions everywhere. So we got rid of all the background noise and we had to get rid of the guns.
I don't need legitimization to take part in Israeli productions; I am a good actress. To work in Israel is a financial investment for me. I do it for emotional, not artistic, reasons.
The reason writers are such fragile beings, Marcus, is that they suffer from two sorts of emotional pain, which is twice as much as a normal human being: the heartache of love and the heartache of books. Writing a book is like loving someone. It can be very painful.
A birth we embark on a good journey, seeking a destination of happiness. The journeys on our life-road facilitate development of our emotional, mental, physical and spiritual states-of-being, into a way of true power and wisdom. The Heart-center power, expressed as happiness and love, will guide us upward on a path away from frustration, bitter toil and travail. These journeys are directed inward, not outwardly in material mementos of ego and possession. The lesson is relearning that which has been suppressed and forgotten, in ourselves, since our earliest childhood.
Suddenly it all seemed luminously clear. Love had very little to do with fear and emotional sabotage; love had to do with trust.
Content is the emotional and informational bridge between commerce and consumer.
Friendship has no civil, and few emotional, rights in our society.
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