As the captain, I was going to be having the dominant role in most of the episodes, and that was appealing. I wasn't interested in coming to Hollywood to sit around.
As time went on, I did campaign to lighten the character a little bit, to introduce some romance into the episodes, outside activities, horse riding and fencing and mountaineering.
I began directing episodes, which was a great light every couple of months. We never short-changed our audience, but it became something that you had to work at rather than something that was a pleasure.
We've heard from many teachers that they used episodes of Star Trek and concepts of Star Trek in their science classrooms in order to engage the students.
I didn't record any additional dialogue for this CD, they are excerpts pulled from existing episodes.
Businesses that have gone through an episode of hyperinflation become understandably alert to the threat of it: at the first hint of inflation, they're likely to increase prices, since they've learned that if they don't, and inflation hits, their businesses will be wrecked.
I had an unbelievable experience on '24'. We shot 198 episodes, and I was as excited about shooting the 198th as I was the first.
Some people think it's because '24' was jump-started by what happened on 9/11. That was never why we made the show. We started production six months prior to 9/11, and we'd already done ten episodes.
What makes me happy is just curling up in with my mom in her bed and watching a marathon of 'CSI' and 'Grey's Anatomy' episodes with pints of ice cream.
One of the best parts of Thanksgiving for me is re-watching some of the classic holiday blunders that have been depicted on television. I remember laughing uncontrollably on the set of 'That Girl' back in 1967 when we shot the episode, 'Thanksgiving Comes But Once A Year, Hopefully' during our second season.
Every first episode of a season has been crafted like another pilot.
Why does everyone think the future is space helmets, silver foil, and talking like computers, like a bad episode of Star Trek?
Sex in the City was a different kind of phenomenon because of the show itself is a phenomenon and to me that's successful because to resonate with women across the board for six years and have only one African-American actor pass through for one episode.
About 15 years later, I was given all 113 episodes on tape.
I hate recording all the shows for the week in one day, because I want to be able to mention current events and pop culture. If Madonna punches Britney in the face today, I want to reference that on 'Wine Library TV' tomorrow. Monday's episode is always the best, because it's hot off the press.
I got the first thing I auditioned for - a guest role on two episodes on 'All Saints,' and I don't think I had ever been that excited.
I suffer from manic-depressive disorder, and I've chosen not to take medication for it. Because of that, every once in a while I go through manic episodes and really depressed episodes.
We seemed to be trapped in an episode of One Life To Waste. It's all very dull.
When you film a reality show, it's so jumbled. They shoot episodes in all orders!
In nighttime series, the actor gets billing up front on every episode.
In a film you only get two hours to do this big arc and so you have to pick and choose your moments carefully, but with television you get to take your time and just take it episode by episode and discover new things.
My favorite 'Mister Rogers' episodes were always the ones where Mr. Rogers would go into the community.
I'll be in a series for three or four episodes, but then I'll be off the series, and downtime, as an actor, is a little more than most people understand. Most of the time you're just sitting around taking coffee with friends.
People don't appreciate that when you're on the Internet, it's a 24/7 job. Even if you're not releasing episodes, your show is living and breathing on the Internet because there's a community around it. Ninety percent of the work is after the web series is shot, and you have to constantly maintain your community, because it's all you have.
When Oscar Niemeyer died on December 5, 2012, ten days before his 105th birthday, he was universally regarded as the very last of the twentieth century's major architectural masters, an astonishing survivor whose most famous accomplishment, Brasilia, was the climactic episode of utopian High Modern urbanism.
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