I sold all my medium format equipment in 2005 after Canon came out with the 12 megapixel EOS 1Ds.
It's fair to say that Jews dominated basketball and that started in the 30s in all the big cities. I think it was simply because Jews lived in ghettoes and basketball is a great schoolyard game. You don't need a lot of space or equipment and you can adapt it to how many players you have.
The way to improve productivity is not to bring in experts to talk about inputs - seed, equipment and materials, pesticides or water supply. The way to start is to provide an assured market, a fair price, and a system through which rural producers can market their produce which is reasonably efficient and can transfer to them the maximum share of the consumers' money. If such a structure is erected, the producers will then seek the inputs and materials they need to increase their production and productivity.
If you're a champion, you have to have it in your heart. You can have the greatest coaches in the world, all the opportunities to play, and the greatest equipment, but if you don't have it inside, you're not going to make it. On the other hand, if you don't have any of those luxuries but you have heart and courage and the guts to go out there and grind it out, then you'll make it.
Over the decades, you got various companies involved in making escalators and you've got Metro varying between internal repair crews and contractors. They're dealing with old equipment, which of course is prone to break down, and the repair crews don't even know what's busted or who made the busted parts till they tear the things open. Then sometimes they have to go back to the shop and manufacture parts, because the original maker has gone out of business.
European films had art. And it was easy to make a European film. They didn't come from the studio system, they weren't shot in sound studios, and that's a good thing, because in the studio system those movies would never have had a chance. And since we were coming from Europe, it was natural for us to use that simple style. Small budgets, less equipment, that was just how it was.
Education is huge for me. I went to public school until I turned thirteen, and was lucky enough to afford college once I became successful as an actress. I cannot believe that quality education costs as much as it does in this country. Ghetto Film School is a remarkable public high school in New York City where students get to learn to express themselves through filmmaking, and have hands-on access to equipment.
One of the biggest things for me was driving two hours to the location everyday, and then having to lug out two carts of equipment alone, and I always had to consider - I was shooting on a beach - I'm like, "Okay, bring out the props first that no one will steal," because I have to leave it unattended for a couple minutes while I grab my second cart of things.
Using virtual world, a scientist in Japan can conduct an experiment using a special facility in California, watching the entire thing via a live stream - and possibly controlling the experimental equipment remotely. We can use that same kind of technology to control a robot on Mars.
I think if you're a lady playing a guitar, other ladies need to see you playing the guitar, and they don't need to see men come out and fix your equipment for you. It just looks incredibly pussy. So I just do it all myself.
It's always been difficult to make a good record. To be perfectly honest with you, it's really about the person that's pushing the buttons. No matter what type of equipment you have, you still have to have a certain talent to be able to make a good record.
Photographers do themselves a disservice by talking too much about the equipment they use. Consequently people don't take them seriously as creators in their own right. When people talk to writers about their work, they ask about their ideas and inspirations. When they talk to photographers, they ask about what cameras or film they use. That's wrong - as wrong as asking a writer what pencil and laptop he uses.
All over the world there are a lot of distributors that have the equipment for 3D but they don't have the movies really. The only source of 3D movies is Hollywood. Only Hollywood sends the 3D movies. So it was an option.
[My father] did get enough money to buy mules. We didn't have tractors, but he bought mules, wagons, cultivators and some farming equipment. As soon as he bought that and decided to rent some land, because it was always better if you rent the land, but as soon as he got the mules and wagons and everything, somebody went to our trough - a white man who didn't live very far from us - and he fed the mules Paris Green, put it in their food and it killed the mules and our cows.
The nuclear industry has this amazing record, even equipment from generations one and two. But nuclear mishaps tend to come in these big events - Chernobyl, Three Mile Island, and now Fukushima - so it's more visible.
The way I photograph... in many ways it's directed by chance and all my mistakes, which are often the best stuff. I found that no matter if it's the same tape, the same TV, and the same camera, I can never duplicate an image... your arm jiggles, there's just too much chance. And I never put it on pause, or use any of that fancy equipment.
What we need of equipment is this: let it possess as good a structure as the real-life content that surrounds us. We need more simplifications to free us for seeing.
Character is the salesperson's stock in trade. The product itself is secondary. Truthfulness, enthusiasm and patience are great assets to every salesperson. Without them, they couldn't go far. Courage and courtesy are essential equipment.
Some field days can be tough. I've worked inside fuel tanks with 3 foot ceilings, in -42 to +42 Celsius temperatures, in snow and smoke and hail, and I've dug through snow and ice and pavement to find legal evidence. I've worked clear through the night by headlamp, and I've flown in a rickety long-islander with propane tanks strapped into the other seats. I've jury-rigged missing equipment, broken into my own truck, and cut out an emergency helicopter pad with a machete. I've been hungry, cold, tired, lost, injured, and downright hopeless!
You really feel like you're on the cutting edge and you know you are because all the camera equipment you take for granted doesn't exist for 3-D. So all the cranes with all the stabilized heads, they don't work on 3-D because they're all built for lightweight camera packages. As soon as you kind of put two cameras together and all the other crap that they need and the cabling to go back to the computers, we've literally, the cranes on these movies, they break after a couple of days.
I always hate having to use the equipment after these huge buff guys who move, like, the entire rack of plates. Then I get on, and move two plates, you know like: CLANK! CLANK! "I'm the two plate guy!" CLANK! CLANK! "Anyone wanna spot me?" CLANK! CLANK!
I'm a collector, a tinkerer, and a tweaker, like a lot of people, and recording equipment is really easy to fetishize.
Digital piracy needs to be addressed. Without content protection, investment in content can't be supported. We need secure distribution. If you (telecommunications equipment and software makers) help us, we will make it easier for you to distribute our content.
Stories are one of the greatest gifts we can give to our children. Stories are equipment for life.
In Mississippi the important thing is hooch, not bar equipment.
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