Think what you would have been now, if instead of being fed with tales and old wives' fables in childhood, you had been crammed with geography and natural history!
I could end this with a moral, as if this were a fable about animals, though no fables are really about animals.
My parents read to me a lot as a kid, and I started writing very early, probably spurred on by Aesop's fables. Then they gave me The Lord of the Rings way too early for me to fully understand what I was reading, which was actually kind of cool. It was almost better - comprehension's overrated when you're reading.
Management and union may be likened to that serpent of the fables who on one body had two heads that fighting each other with poisoned fangs, killed themselves.
Friends such as we desire are dreams and fables, yet we never quite give up the hope of finding them.
The symmetry of form attainable in pure fiction can not so readily be achieved in a narration essentially having less to do with fable than with fact. Truth uncompromisingly told will always have its ragged edges.
I am thoroughly tired of the fable style of narrative and shall do my best to get up something entirely different and possibly little more worthy.
No matter how carefully records are kept and filed and computerized, they grow fuzzy with time. Stories grow by accretion. Tales accumulate--like dust. The longer the time lapse, the dustier the history--until it degenerates into fables.
I hate symbolic art in which the presentation loses all spontaneous movement in order to become a machine, an allegory -- a vain and misconceived effort because the very fact of giving an allegorical sense to a presentation clearly shows that we have to do with a fable which by itself has no truth either fantastic or direct; it was made for the demonstration of some moral truth.
Fable has strong shoulders that carry far more truth than fact can.
It is hard for many people to give up the religion in which they were born; to admit that their fathers were utterly mistaken, and that the sacred records of their country are but collections of myths and fables.
The fable of a god or gods visiting the earth did not originate with Christianity.
To me [Christianity] was all nonsense based on that profane compilation of fables called the Bible.
Write every day, line by line, page by page, hour by hour. Do this despite fear. For above all else, beyond imagination and skill, what the world asks of you is courage, courage to risk rejection, ridicule and failure. As you follow the quest for stories told with meaning and beauty, study thoughtfully but write boldly. Then, like the hero of the fable, your dance will dazzle the world.
Human beings have always told their histories and truths through parable and fable. We are inveterate storytellers.
Alice in Wonderland Syndrome. This is a mental illness. It is like looking through the wrong end of a pair of binoculars. It is as if you are living in a fantasy world of a fable. This is an interesting and sad syndrome. I’m sure that I have that syndrome. If it’s not it, then why the heck does my every moment with the ordinary girl feel like a fable?
The profession of a prostitute is the only career in which the maximum income is paid to the newest apprentice. It is the one calling in which at the beginning the only exertion is that of self-indulgence; all the prizes are at the commencement. It is the ever-new embodiment of the old fable of the sale of the soul to the Devil. The tempter offers wealth, comfort, excitement, but in return the victim must sell her soul, nor does the other party forget to exact his due to the uttermost farthing.
Christianity is an old metaphysical fiction, stuffed with fables, contradictions and absurdities: it was spawned in the fevered imagination of the Orientals, and then spread to our Europe, where some fanatics espoused it, where some intriguers pretended to be convinced by it and where some imbeciles actually believed it.
I think it better to keep a profound silence with regard to the Christian fables, which are canonized by their antiquity and the credulity of absurd and insipid people.
Not stories told by wolf or man to frighten children, of Wolfbane and of werewolves, of grasht and goblins and of silly vampires, fables to frighten cowards with the threat of evil and of sin. But the power that lives beyond those stories, and makes them strong indeed, that lives in nightmares and in sleep. That is ribbed into the very fabric of conscious being. The power of love and hate.
Better by far to embrace the hard truth than a reassuring fable. If we crave some cosmic purpose, then let us find ourselves a worthy goal.
The myriad-minded man, our, and all men's, Shakespeare, has in this piece presented us with a legitimate farce in exactest consonance with the philosophical principles and character of farce, as distinguished from comedy and from entertainments. A proper farce is mainly distinguished from comedy by the licence allowed, and even required, in the fable, in order to produce strange and laughable situations. The story need not be probable, it is enough that it is possible.
Death's a fable. Did not Heaven inspire your equal Elements with living Fire blown from the Spring of Life? Is not that breath Immortal? Come; ye are as free from death as He that made ye: Can the flames expire which he kindled?
The story of Romulus and Remus being suckled by a wolf is not a meaningless fable. The founders of every State which has risen to eminence have drawn their nourishment and vigor from a similar wild source. It was because the children of the Empire were not suckled by the wolf that they were conquered and displaced by the children of the Northern forests who were.
Something about the possession of a book - an object that can contain infinite fables, words of wisdom, chronicles of times gone by, humorous anecdotes and divine revelation - endows the reader with the power of creating a story, and the listener with a sense of being present at the moment of creation.
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