The best moments can't be preconceived. I've spent a lot of time in editing rooms, and a scene can be technically perfect, with perfect delivery and facial expression and timing, and you remember all your lines, and it is dead.
If the character is getting mad, getting upset or getting turned on, you're getting to see that in the facial tones and the skin tones. That's what I enjoy about acting. It can be very subtle, like that.
It is a truism, of course, that in "democratic" states the populace must be encouraged to imagine that it makes important decisions by voting, and must therefore be controlled by suitable propaganda, which implants ideas to which the voters respond as automatically as trained animals respond to words of command in a circus, thus leaving to the masses only a factitious choice between Tweedledum and Tweedledee on the basis of their preference for a certain kind of oratory, a hair-style, or a particular facial expression.
Precision marching is less important for the bridal party than maintaining the proper facial expresssions: The bridegroom must look awed; the bridesmaids, happy and excited; the father of the bride, proud; and the bride, demure. If the bridegroom feels doubtful, the bridesmaids, sulky, the father, worried, and the bride, blasé, nobody wants to know.
When you're wearing an animal costume and something bad happens, your facial expression doesn't change. The animal is deadpan the whole time. If you're skiing in a gorilla suit and you fall, you just see a gorilla who has no emotion. It's just a stoic gorilla, wildly falling down a hill, out of control.
The occupational hazard of being a Playboy Bunny is the aching facial muscles brought on by obligatory smiles.
A great Dermalogica facial every few weeks, and lots of sleep over the weekend are essentials. I also drink lots of water which really helps to hydrate the skin and keep it looking fresh.
In silent films, quite complex plots are built around action, setting, and the actors gestures and facial expressions, with a very few storyboards to nail down specific plot points.
All over the world when you test men and women for facial cue recognition, women test... better. Its a negotiation tool.
How often our involuntary facial motions testify to the thoughts we were keeping secret, and betray us to those around!
I have a very healthy growth of both head and facial hair. People always want to attribute further superhuman powers to me. It's funny the way the audience really seems to want me, Nick the actor, to exhibit the same machismo as Ron Swanson.
You must call up every strength you own And you can rip off the whole facial mask.
Don't have conversations taking place in empty space. Weave in background details of where the action (dialogue is a form of "action") is taking place. Don't have invisible people talking, either. Let the reader see them as they speak - their facial expressions and gestures. And by all means "cue" the speeches to the speakers.
I believe you've got to utilize what god gave you, so if you have facial hair, there are ways to look good while sporting it.
My actual beauty routine is pretty simple, I try and have a facial once in a while. I'm not a huge products girl. I have so much going on with work and kids, I just use moisturiser basically.
My golden time is after I drop the kids off at school. I'm usually working on my website (lifestyle site Goop) and checking emails but I try to do something at least once a week - like a facial or a visit to the osteopath - something to bring myself back into my body.
There are cells in the brain that respond to faces. This is one of the reasons that I deal with portraiture. We can learn a lot about our perception of facial expression from the behavior of these cells.
While voicing animations I use the same acting muscles, even more because you have to channel all into your voice, whereas when you're live-action you get props and scenery and other actors and your facial expressions and what happens to help you. It's not necessarily easier as an actor to do voice-overs, it's easier as a person.
Artificial intelligence is growing up fast, as are robots whose facial expressions can elicit empathy and make your mirror neurons quiver.
Neurologically, I'm a quadriplegic, so virtually everything about my work has been driven by my learning disabilities, which are quite severe, and my lack of facial recognition, which I'm sure is what drove me to paint portraits in the first place.
I have lifestyle requirements. Photos, meetings, lunches, dinners, facial care, tooth care. It requires an exorbitant amount of money.
You can't possibly fathom the ins and outs of a prepubescent beauty treatment until you've felt the strange but exhilarating tingle of a cottage-cheese-and-Pop-Rocks facial.
I don't get facials. The last time I got a facial was when I first started modeling when I was 15 or 16. It made my face completely break out.
The thing about owls is that they do sort of have this facial disc, which is unlike any other bird. They kind of have a face, more than like a dog or a giraffe. They have this weird, alien face that you can actually make expressive.
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