It's always difficult when you want to do something really new, and you also want it to reach the masses, because the majority of people want to see what they've already seen before, or that they're already familiar with. To open the majority of peoples' minds to something new is difficult.
I read a random issue when I was a kid, but no, I wasn't super familiar with the characters [Captain Victory] until I started researching them. What I found once I started reading back issues however, was this crazy, sprawling, [Jack] Kirby space epic.
Setting off unknown to face the unknown, against parental opposition, with no money, friends, or influence, ran it a close second. Clichés like "blazing trails," flying over "shark-infected seas," "battling with monsoons," and "forced landings amongst savage tribes" became familiar diet for breakfast. Unknown names became household words, whilst others, those of the failures, were forgotten utterly except by kith and kin.
I don't love playing new songs in a festival environment. Because when it comes to a festival a lot of people probably won't know your band really well at all so playing more familiar songs is a little more conducive in having a better show.
When you teach on a familiar text, you're capitalizing on common knowledge. When you teach on an unfamiliar text, you're having to build a bridge of understanding, and we need to do that as well.
You make sexiness strong by balancing it out: something familiar with something unfamiliar, something masculine with something feminine, something streamlined with something rococo. It's a Yin and Yang. Women are made of layers, your mood shifts, no one is neither one extreme nor the other.
You have this idea that you think is awesome. You want to have that broadest group you possibly can. You don't want to just talk to 1 type of person and learn that, you want to get familiar with the space.
As a student in England, I studied French and English literature. I read L'Etranger and the rhythm of the novel felt familiar to me - very African.
If a book has a predictable storyline or familiar situations, there's little satisfaction for me in writing it. A woman deciding which man she'll spend her life with? I've read that story a million times, but a stepmother deciding which of her children she'll save in a freak accident? Now that's a challenge.
In America, there is no racial segregation. I'm not sure I'm quite familiar with this phrase.
I'm always interested in something when it isn't familiar to me.
Having lived in Utah all of my life, I can tell that in many ways I know of no place more lonely, no place more unfamiliar. When I talk about how it is both a blessing and a burden to have those kinds of roots, it can be terribly isolating, because when you are so familiar, you know the shadow.
Now, as Mandelbrot points out, ... Nature has played a joke on the mathematicians. The 19th-century mathematicians may not have been lacking in imagination, but Nature was not. The same pathological structures that the mathematicians invented to break loose from 19th-century naturalism turn out to be inherent in familiar objects all around us.
I'm not really all that familiar with comic book culture. Not because I'm such a high brow intellectual and bloody European. But it's just something that I was never into. Not because of any superiority. I don't know why.
We're all really happy with what's familiar. But what's inevitable in life is change. That's what life is.
The public is more familiar with bad design than good design. It is, in effect, conditioned to prefer bad design, because that is what it lives with. The new becomes threatening, the old reassuring.
Do not choose for your friends and familiar acquaintance those that are of an estate or quality too much above yours...You will hereby accustom yourselves to live after their rate in clothes, in habit, and in expenses, whereby you will learn a fashion and rank of life above your degree and estate, which will in the end be your undoing.
The stabbing horror of life is not contained in calamities and disasters, because these things wake one up and one gets very familiar and intimate with them and finally they become tame again. No, it is more like being in a hotel room in Hoboken let us say, and just enough money in one's pocket for another meal.
I began to write fiction on the assumption that the true enemies of the novel were plot, character, setting and theme, and having once abandoned these familiar ways of thinking about fiction, totality of vision or structure was really all that remained.
The essence of boredom is to be found in the obsessive search for novelty. Satisfaction lies in mindful repetition, the discovery of endless richness in subtle variations on familiar themes.
The question is not, could Utah compete week in and week out in the ACC, SEC, Big Ten, whatever, .. The question is, in a one- game setting, can Utah compete, can Utah get the market share, sell the tickets of one of those more familiar institutions. Nobody knows that answer.
A dreamer of the common dreams, A fisher in familiar streams, He chased the transitory gleams That all pursue; But on his lips the eternal themes Again were new.
The comic edge of Ghostbusters will always be the same. It's still treating the supernatural with a totally mundane sensibility. In the world of ghostbusting, there are certain givens. You're always going to have some new invented technology, some pseudo-science that sounds right because we drop enough familiar terms from physics and engineering, and pseudo-methodology, something that people will think they may have read something about before.
Depression isn't the almighty ruler of your destiny. Even its familiar traits - grief, anger, despair - you find that you can use in other ways. I can create with them in my writing and my life, mix them up with excitement and pleasure. I can name that terrible, numbing paralysis and know it will pass.
Any creative process is about being in a territory which isn't secure, isn't necessarily familiar, and isn't convenient in any sort of way. And that's the excitement of it.
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