The devotion of democracy to education is a familiar fact. . . . [A] government resting upon popular suffrage cannot be successful unless those who elect . . . their governors are educated.
I have learned nothing in twenty years that would suggest that evil people can be rapidly influenced by any means other than raw power. They do not respond, at least in the short run, to either gentle kindness or any form of spiritual persuasion with which I am familiar.
You're talking to someone who has been married to various people for the last 40 years of her life. Dating is not really something familiar. I've never really been a dater.
Though Jack Nubbins was extremely talented, Quenten Cassidy had viewed the Specter; when he reached down through the familiar layers of gloom and fatigue he generally found more there than a nameless and transient desire to acquire plastic trophies. He and Nubbins were not even in the same ball park.
Careless of waste, wallowing in refuse, exterminating the enemies . . . despising age, denying human natural history, fabricating pseudotraditions, swamped in the repeated personal crises of the aging preadolescent; all are familiar images of American society. They are signs of private nightmares of incoherence and disorder in broken climaxes where technologies in pursuit of mastery create ever-worsening problems - private nightmares expanded to a social level.
To be alone in the air at night is to be very much alone indeed. . . cut off from everything and everyone . . . nothing is 'familiar' any longer . . . . I think that unfamiliarity is the most difficult thing to face; one feels rather like Alice in Wonderland after she has nibbled the toadstool that made her grow smaller - and like Alice, one hopes that the process will stop while there is still something left!
I think the only choice that will enable us to hold to our vision. . . is one that abandons the concept of naming enemies and adopts a concept familiar to the nonviolent tradition: naming behavior that is oppressive.
Hashish will be, indeed, for the impressions and familiar thoughts of the man, a mirror which magnifies, yet no more than a mirror.
Hardcover books are fairly expensive these days and to read one requires a significant commitment of time in our busy society. So I want to make sure that when readers buy one of my books they get something they're familiar with.
It's truly gratifying to see my films reach beyond a familiar public, to get a chance to move new audiences. It's nuts. It's extraordinary.
Today I am so at home in Dublin, more than in any other city, that I feel it has always been familiar to me. But, as with Belfast it took me years to penetrate its outer ugliness and dourness, so with Dublin it took me years to see through its soft charm to its bitter prickly kernel - which I quite like too.
I think of my life as a unity of circles. Some are concentric, others overlap, but they all connect in some way. Sometimes the connections don't happen for years. But when they do, I marvel. As in a shimmering kaleidoscope, familiar patterns keep unfolding
The more we incline our hearts and minds toward God, the more heavenly light distills upon our souls. Gradually, things that before seemed hazy, dark, and remote become clear, bright and familiar with us.
We don't only invent God; we also discover God. Looking at the creation, we strive to deduce the nature of the creator. We take familiar images of power and expand them until they become big enough to encompass the divine.
There’s beauty all around our paths, If but our watchful eyes Can trace it ’midst familiar things, And through their lowly guise.
It seems to me that on one page I recognized a portion of an old diary of mine which mysteriously disappeared shortly after my marriage, and, also, scraps of letters which, though considerably edited, sound to me vaguely familiar. In fact, Mr. Fitzgerald (I believe that is how he spells his name) seems to believe that plagiarism begins at home.
Art is a foreign city, and we deceive ourselves when we think it familiar. We have to recognize that the language of art, all art, is not our mother tongue.
The conventional mind is passive - it consumes information and regurgitates it in familiar forms. The dimensional mind is active, transforming everything it digests into something new and original, creating instead of consuming.
When a man’s heart is cold and unconcerned about religion – when his hands are never employed in doing God’s work – when his feet are not familiar with God’s ways – when his tongue is seldom or never used in prayer and praise – when his eyes are blind to the beauty of the kingdom of heaven – when his mind is full of the world, and has no room for spiritual things – when these marks are to be found in a man the word of the Bible is the right word to use about him, and that word is, ‘Dead.’
If you or I want to be healthy (whether it's our digestion, our reproduction, our skin, or anything) we have to assume greater responsibility for our wellness. One of the best ways to do that is to be familiar with and to use on a regular basis, plant medicines.
Successfully functioning in a society with diverse values, traditions and lifestyles requires us to have a relationship to our own reactions rather than be captive of them. To resist our tendencies to make right or true, that which is nearly familiar, and wrong or false, that which is only strange.
... being perpetually charmed by his familiar siren, that is, by his geometry, he neglected to eat and drink and took no care of his person; that he was often carried by force to the baths, and when there he would trace geometrical figures in the ashes of the fire, and with his finger draws lines upon his body when it was anointed with oil, being in a state of great ecstasy and divinely possessed by his science.
. . . I do think that deep down, a lot of my work is about people trying to make reasonable accommodations of situations that are insane or absurd. . . . At first I thought the events had power in themselves, that I would just present them. I really wasn't aware of the things that finally became central issues to me - the shifting alliances, the way people hardly even know they've shifted. That part of [A QUESTION OF MERCY] is very familiar to me in terms of my other plays.
Well I know Gyuri [the familiar diminutive of Georg or György], that human beings are unapproachable, that their souls are as far from each other as stars; only the remote radiance reaches to the other. I know that human beings are surrounded by dark, great seas, and thus they look across to one another, yearning but never reaching one another
Memories do not change, and change is the law of existence. If our dead, the closest, the most beloved, were to return to us after a long absence and instead of the old, familiar trees were to find in our souls English gardens and stone walls - that is to say, other loves, other tastes, other interests, they would gaze upon us sadly and tenderly for a moment, wiping away their tears, and then return to their tombs to rest.
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