I guess I was a nice girl with a nice figure, because I just had to wear a bathing suit and dive in the pool. I was kind of candy, eye candy.
I think treating a model as nothing but a collection of tendons is done to lessen people's discomfort with the fact that they are looking at a naked person. They think it makes the audience and model more comfortable. But that was not the case when I modeled and I find that others agree. I feel that the sexual component is essential. I feel it is much more objectifying to be a table than a beautiful naked girl.
I'm sort of coming of age into a different time of acting, and I feel kind of like a kid again. I used to think that I could climb anything, do anything. But I've just been like a skinny white girl my whole life.
I'm working for a woman, not a lady. What I hate the most is that "lady" talk. You know, when I read a review, "The lady wears a Bottega Veneta. . . ." What lady? It's the same girls who are walking the runway an hour later elsewhere. But probably it is just the sophistication in our material, the nuance of the color, or the quality of the makeup or the hair that make people think that way. Most people just don't understand simplicity.
I think it's a really excellent time to be a woman in music. A lot of the past was women fighting to be where women are now. Every once in a while I'll get the, "Oh, you're a pretty good guitar player for a girl," bullshit like that. But that's all changing.
Even in the first world, expectations are not as high for women as they are for men. We get that message subtly, but in the third world, it isn't subtle. Girls are isolated and encouraged not to talk to one another.
Italians don't have a unique style like France or Spain or Germany or the UK, it's different everywhere you go. The style of the girl in Milan is really architectural and modern. In Naples it's a completely different style, it's more dark. I'm sure our style was more precise in the past in the '50s or '60s where everything was very Sophia Loren. It's weird because obviously outside of Italy you think of one country, but when you're in the country you know how different the country is from the north to the center to the south to the island. There are so many differences.
The word C.R.E.A.M. - which stands for "Cash Rules Everything Around Me" - is from Wu Tang Clan. This song is about a prostitute who falls in love with her client, who winds up being a drug girl in New York. It's an ode to the girl who works in the streets; it gives her a face and a name and a story. I used to go and admire those girls. I was inspired by their bravery and their femininity, and how they were just putting themselves out there. It was intense to see. It's strange, but they kind of inspired me in a way. I felt it was so bold.
If I have a family down the road, I don't know if I could ever raise them in the city because I am a small town girl at heart. I definitely long for the mountains.
I was bullied badly as a kid, but I could always change schools. I could always go home. Now you can't, because of cyberbullying. When bullying follows you home, and there's no escape and no end, to me, that's horror. And to so many girls, that's just life.
One of the elements of photography is, just by nature, journalistic. It's some kind of documentation. The most successful pictures to me are with an interesting looking girl. They're not being provocative. They're just presenting their drugs to you, showing you what they take. There's a good-looking girl, but here's this thing about her that's not so cool. It makes you feel a little uneasy.
I was born in Tehran at a time when women's rights were deteriorating at a rampant rate. My parents didn't want to raise their daughter in a social, political, and religious climate that was growing increasingly oppressive toward women and girls, so they emigrated to London. But the struggle of the Iranian people was permanently etched in my social consciousness from a young age.
One of the reasons why I fought for my roles is that I think there are so many things about them that are just human, but people like to label them as weird or bad or wrong because they're scared of them. I don't consider them bad - they're girls. They're going to make mistakes, but the films show the repercussions and show that they're going to learn. A lot of people are made to feel bad for being sad, so on top of already being unhappy, you're gonna hate yourself for it.
I'm really proud to be a woman making music. Nothing makes me happier than when other women approach me at shows and say, "You've inspired me to start writing music," or, "I feel like we could be best friends." Music is a male-dominated business, so it's nice to see bands with girls in them, and not just a bunch of dudes with beards in flannel shirts.
Looking good kept me out of trouble. When I worked for Michael Alig, everybody was overdoing partying. It would take me so long to get ready, because I was never one of those girls that were naturally the cover of Vogue. I had to really work hard to look nice. I would take hours and hours to get ready. If you have high heels on, if you're dressed nice, you really can't be drunk or sloppy because it's dangerous. It's part of being a lady, so it really kept me out of trouble.
I've always been into the not stereotypical hunk guy - I'm into dorky, like I call it adorkable. And I think that a lot of girls are into that. I think there's something disarming about it and endearing and also puts you at ease and there's an attractiveness there - it's like a good sense of humor, self-deprecating, weirdness. You know? Because I think we all have that in ourselves, but we just try to hide it because it's not "cool," but a lot of people can kind of relate to that feeling or the outsider feeling.
You're taught that you need to please magazines, to please the fashion elite, and that if you do everything the right way, everyone is going to love you. But I decided not to follow some of the rules. My girls from the runway were not just models - they were soldiers. They helped me bring my ideas to life. I was talking about sexiness, about diversity, about different shapes of bodies. I was following my instincts and learning that it would not please the fashion elite. And I think this is the real luxury, to be free to express yourself. Freedom is luxury to me.
Every woman deals with sexism most every day of their lives. Growing up, it's just in your day-to-day. There are all these preconceived notions of what it means to be a woman or a girl, and straying from those ideas of femininity is sort of shocking to people. I felt angered by that as a kid. I felt like that was unjust. Like that was not right.
As a female athlete, you're always fighting to be on a level playing field with your male counterparts. But I believe the Olympics is great for young girls; they get to be exposed to so many different sports and to these really strong women. It's an opportunity to showcase what we do, which is something that men get the opportunity to do on a pretty regular basis.
I think we all want to find the love of our life and live our fantasies. What art student hasn't used his art to get girls? What journalists or actors haven't used their craft as well? It's a very human instinct to pursue.
When Gaddafi came to Paris in 2007, he was supposed to stay at the Hôtel de Marigny, which is the best hotel. But Gaddafi came with a tent. It was this huge flagged tent - just him and his army guards, who were all girls. They were in these crazy leopard outfits. I mean, Gaddafi is way better dressed than any pop star in the world.
I've been an artist forever. I started when I was in the third grade. I drew drawings of monsters and I sold them to my classmates for a dime. I studied painting. Originally I was a design and illustration major, but I met this girl. Back then, if you were a designer, you were a real sellout, and she was a real hardcore painter. I knew she would never take me seriously unless I was an art major, so I switched majors to fine arts. Anyway, we're married now. So it worked. How I got to my style? I'm a weird artist in that everything I do looks a little different.
I do think girls in their twenties accept certain kinds of lesser treatment than they would at other times in their lives.
I think I have a part of myself which is a woman. When girls are together, they speak completely differently than when there is a guy around. But, with me, they don't see this masculine thing stopping them, and there is not this boundary.
Everyone has the bully or the mean girl or the ex-boyfriend who tried to bring them down.
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