My favorite roles usually have to do with the story, if it's a good story I usually enjoy doing the character.
When I read good stories, I want to write good stories too.
I think that emotion and good stories can cross the times.
I'm just trying to write a good story, strictly from imagination. People just think it's random, they don't see the rewriting, phrasing of characters, choosing the words, bringing the world to light in which the characters live in. That creates an illusion that this is real.
If it's a good story, then everybody is trying to tell it, everybody is better for it, and it's just more fun.
I just like a good story. I want the story to be good and I want the character to be different than the last one I played. That's not always possible, but that's what I want.
In the past, if you did film, you couldn't do stage, and if you did film, you certainly didn't do television. You had to pick what you wanted to be. Now it seems like we can bounce around, not only between genres, but between mediums, and I like that. I like change and I like a good story.
Be unpredictable, be real, be interesting. Tell a good story.
It's hard enough to tell good stories about people who analyze information for a living. It's even harder to do a good show about people who think for a living.
I want a body of work; I want a good story after a good story.
Audiences are harder to please if you're just giving them effects, but they're easy to please if it's a good story.
You try to pick good stories, and that's pretty much all the control you have as an actor.
You set out to tell a good story. You don't do it because there is a deep message involved because the movie is almost always bad when you do that.
People still love a good story, and I don't think that will change.
I like good stories. Quality products and character are what's important. Even if the script isn't that strong, if I challenge myself with a great character, I'll go for it.
There is no Idea Dump, no Story Central, no Island of the Buried Bestsellers; good stories seem to come quite literally from nowhere, sailing at you right out of the empty sky.
You can take a handful of dollars, a good story, and people with passion and make a movie that will stand up against any $70 million movie.
There are a lot of good stories out there, but I haven't found too many great scripts.
In documentary films, you're a storyteller using found objects. You still have to have a story arc and all the elements that make a good story. It really helped me mature as a storyteller.
The important thing about any book is that you have to have a good story and that it has to be exciting. Then it's nice to add other levels underneath that people can pick up on.
I was a better writer when I was teaching. I was constantly going over the basics and constantly reminding myself, as I reminded my students, what made a good story, a good poem.
Good stories are driven by conflict, tension, and high stakes.
If you have a beautiful story, it has to have conflict. If you don't have conflict, it can't be a good story.
I think that's a hallmark of a really good story that it has readers that it speaks to more than others.
I value humor, kindness, and the ability to tell a good story far more than money, status, or the kind of car someone drives.
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