Time is not a great artist but weakens all he touches.
Waiting is one of the great arts.
The great artist is conscious of the talent and power he possesses otherwise he would not see his faults and so would not be able to improve.
The immortality of great art seems bound up with the inevitable loss of its original surface meaning and its rebirth in the spirit of every new age.
Great art does not break with the past. It breaks with the present by emulating the best of the past.
Originality is way overrated. To make, you need to take. All great artists do.
It's not curators, it's not critics, it's not the public, it's not collectors who find great artists - it's other artists.
It's very true that an artist who networks well will have better opportunities than one who doesn't network well. But great networking skills without great art won't change art history.
In war there is but one favorable moment; the great art is to seize it!
Ultimately, it comes down to taste. It comes down to trying to expose yourself to the best things that humans have done and then try to bring those things into what you're doing. Picasso had a saying: good artists copy, great artists steal. And we have always been shameless about stealing great ideas, and I think part of what made the Macintosh great was that the people working on it were musicians and poets and artists and zoologists and historians who also happened to be the best computer scientists in the world.
I think great art should play a part in the ordinary man's life, don't you? It can make his existence so much richer and more meaningful.
When one has praised Turgenev, however, for the beauty of his character and the beautiful truth of his art, one remembers that he, too, was human and therefore less than perfect. His chief failing was, perhaps, that of all the great artists, he was the most lacking in exuberance. That is why he began to be scorned in a world which rated exuberance higher than beauty or love or pity.
He [Benny Carter] is all that every jazz musician the world over wants to be. He's performed 20,000 nights. How many shoes have been shined? How much mascara put on? Rouge? How many of those impossible bowties have been tied? How many love songs have been sung? How many dances have been danced? How many have passed to the sound of his music? It's been said that a man should not be forced to live up to his art. Benny Carter is one of the rare instances when we wonder whether the great art that a man has created can live up to him.
It is necessary that... we should believe that we are as capable of producing great art as we believe we are capable of doing great deeds.
Flaubert spoke true: to succeed a great artist must have both character and fanaticism and few in this country are willing to pay the price. Our writers have either no personality and therefore no style or a false personality and therefore a bad style; they mistake prejudice for energy and accept the sensation of material well-being as a system of thought.
I think that the first responsibility of an artist is to follow truth, and the innate original forces and energies that are within them. At the same time, I also think, collectively, that there has to be a place for artists to reflect and deal with the society they're living in. I think that great art inevitably reflects some of the drama and trauma and conflicts that exist in the outer world.
The truth is . . . that the great artists of the world are never puritans, and seldom ever ordinarily respectable. No virtuous man - that is, virtuous in the YMCA sense - has ever painted a picture worth looking at, or written a symphony worth hearing, or a book worth reading, and it is highly improbable that the thing has ever been done by a virtuous woman.
Yet do I fear thy nature; It is too full o' the milk of human kindness To catch the nearest way: thou wouldst be great; Art not without ambition, but without The illness should attend it: what thou wouldst highly, That wouldst thou holily; wouldst not play false, And yet wouldst wrongly win.
Great art suspends the reverted eye, the lamented past, the anticipated future: we enter with it into the timeless present; we are with God today, perfect in our manner and mode, open to the riches and the glories of a realm that time forgot, but that great art reminds us of: not by its content, but by what it does in us: suspends the desire to be elsewhere. And thus it undoes the agitated grasping in the heart of the suffering self, and releases us - maybe for a second, maybe for a minute, maybe for all eternity - releases us from the coil of ourselves.
One can be a great artist without being a great technician. There have been many famous ballet stars who did not have the ideal body or total mastery of all aspects of the art form, but on the stage they possessed magnetism-true artistry, by which I mean a charismatic quality. You can work with a coach to try and develop it, but a true artist has the ability to express his inner feelings naturally.
I cannot avoid condemning all those who, from self-conceit have the pretension to imitate great artists of the past. If their powers of emotion be weak, their powers of expression will be likewise.
I have never really been a great artist. I have been a human being that has loved art, which is not the same thing. But I have loved and believed in art and the idea of universal brotherhood so much, that I have put everything I have into them, and I have been blessed.
I like Simon Cowell - look at how many great artists have come out of the U.K. because of him.
When I have a creative block, I take walks. I like to see what shapes stick out - so many legs rushing by at once, it can seem abstract. I don't need to see great art to get stirred up. Music does that for me more easily.
What underlies great science is what underlies great art, whether it is visual or written, and that is the ability to distinguish patterns out of chaos.
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