The great artist, whether he be musician, painter, or poet, is known for this absolute unexpectedness.
The underlying purpose of all art is to create patterns of imagery which somehow convey a sense of life set in a framework of order ... all great art ... harmonises consciousness with the ego-transcending Self.
The more you suffer the deeper grows your character, and with the deepening of your character you read the more penetratingly into the secrets of life. All great artists, all great religious leaders, and all great social reformers have come out of the intensest struggles which they fought bravely, quite frequently in tears and with bleeding hearts
A great artist can really enter the logic of any particular mazurka and fully understand the language of Chopin's music.
Some authorities hold that the young ought not to lie at all. That, of course, is putting it rather stronger than necessary; still, while I cannot go quite so far as that, I do maintain, and I believe I am right, that the young ought to be temperate in the use of this great art until practice and experience shall give them that confidence, elegance and precision which alone can make the accomplishment graceful and profitable.
One of the great arts in living is to learn the art of accurately appraising values. Everything that we think, that we earn, that we have given to us, that in any way touches our consciousness, has its own value. These values are apt to change with the mood, with time, or because of circumstances. We cannot safely tie to any material value. The values of all material possessions change continually, sometimes over night. Nothing of this nature has any permanent set value. The real values are those that stay by you, give you happiness and enrich you. They are the human values.
In spite of their obvious differences, folk art and popular art have much in common; they are easy to understand, they are romantic, patriotic, conventionally moral, and they are held in deep affection by those who are suspicious of the great arts. Popular artists can be serious, like Frederick Remington, or trivial, like Charles Dana Gibson; they can be men of genius like Chaplin or men of talent like Harold Lloyd; they can be as uni versal as Dickens or as parochial as E.P. Roe; one thing common to all of them is the power to communicate directly with everyone.
I think a great artist should be able to create any style, any form, anything from rock to pop to gospel to spiritual, just wonderful music where everybody can sing it.
Without the great arts which speak to the sense of beauty, a man seems to me a poor, naked, shivering creature. These are his becoming draperies, which warm and adorn him.
True poets, like great artists, have scarcely any childhood, and no old age.
That amenity which the French have developed into a great art . . . conversation.
Great artists have no country.
That experience of touching down in a totally foreign place is like having a blank canvas: You begin with nothing, but stroke by stroke you build a life. This process requires everything great art requires-risk-tasking, hope, a great deal of imagination, all the qualities that are the building blocks of art. You must be able to dream something nearly impossible and toil to bring it into existence.
Your life is a work of art, and in the end, the underlying theme of great art is bravery and hope and love.
... the great artists ... do not want security, egoistic or materialistic.
Genuinely great humour recognises the world it's describing and yet we are also called into question by it. That's what great art should do. That's what great philosophy should do. The one thing about humour is that this is an everyday practice that does this.
I consider my work great, as I am a great artist.
I'm doing what great artists before me did, like Judy Garland, Sammy Davis, Eddie Cantor. I'm doing what they were doing, not at their level yet, but one day I will be. I'm just happy to be in their company.
Galás is a great artist with a very powerful voice.
I have great artistry, I can spin well, I have good footwork, and I can jump. I can do the quad jump, and I've done it multiple times in competition. It's definitely a jump that I have in my arsenal. I like to think of myself as the complete skater.
I think there's a danger with any great art, that if you begin to test your ideas on other people, and get their opinions before making decisions, or if you pay too much attention to what other people say about what you create, that it really pollutes your expression. I think that I'm much more about pure art and honesty and expressing exactly what I feel, and not caring so much what anyone says. However, I do respect, and I do pay attention to everyone's comments. And I do take them into consideration. But I don't base my decisions by it
To wish for the crazy times one last time and freeze it in the memory of a camera is the least a great artist can do.
No artist produces great art by a deliberate attempt to express his own personality.
As Christians, we must see that just because an artist-even a great artist-portrays a worldview in writing or on canvas, it does not mean that we should automatically accept that worldview. Good art heightens the impact of that worldview, but it does not make it true.
We've always had a tradition in America of hounding our artists to death. Look at the list of our great artists, you see a continual history of defeat, frustration, poverty, alcoholism, drug addiction. The best poets of my generation are all suicides.
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