... the great artists ... do not want security, egoistic or materialistic.
All the children of America, up to age seven or eight or nine or ten - they're really great artists. So here we've got this amazing work that very few people pay any attention to, and it's not valued by the culture.
I was an artist, but not a self-proclaimed great artist, just a common man who was working in a form of art which is universal.
[Stanley] Kubrick was a great artist and a perfectionist. He always wanted the exact right thing. He did a million takes. Everything had to be perfect. I'm an imperfectionist. I don't really care that much about the work. I write quickly. I'm careless. I shoot carelessly.
Individuality and originality is was separates good and great artists! How much they can move people with what they do! If they can shake the heart with what they do, is the key!
Great artists are people who find the way to be themselves in their art. Any sort of pretension induces mediocrity in art and life alike.
All great artists draw from the same resource: the human heart, which tells us that we are all more alike than we are unalike.
The artists who the world has always recognized as the greatest are those with the widest sympathy. The greatness of the great artist depends precisely on the width and the intensity of his sympathy.
I am a leader. Leaders always get heat. They're always going against the grain. Jimi Hendrix got heat; Bob Marley got heat; Miles Davis got heat. Every great artist got heat. Heat means you're doing something right.
You can go down the list of great artists and kind of understand that they are products of their environment. Whether it's U2 or Henry Rollins or myself or Johnny Lydon, they're gonna be products of their environment.
It feels like my job is to support people. I support great artists. When I worked with a symphony, I sat in the third chair, not the first chair.
As nearly as possible in the spirit of Matthew Salinger, age one, urging a luncheon companion to accept a cool lima bean, I urge my editor, mentor and (heaven help him) closest friend, William Shawn, genius domus of The New Yorker, lover of the long shot, protector of the unprolific, defender of the hopelessly flamboyant, most unreasonably modest of born great artist-editors to accept this pretty skimpy-looking book.
The only true voyage, the only bath in the Fountain of Youth, would be not to visit strange lands but to possess other eyes, to see the universe through the eyes of another, of a hundred others, to see the hundred universes that each of them sees, that each of them is; and this we do [with great artists]; with artists like these we do really fly from star to star.
People have libraries at home, they have bookshelves, they have CDs. And they sort of try, people try to bring great artists into their lives, into their physical houses and sort of live with portions of them. But they're not really deeply engaging with them.
Memory is a great artist. For every man and for every woman it makes the recollection of his or her life a work of art and an unfaithful record.
The great artist, whether he be musician, painter, or poet, is known for this absolute unexpectedness.
I do strongly feel that among the greatest pieces of luck for high achievement is ordeal. Certain great artists can make out without it, Titian and others, but mostly you need ordeal. My idea is this: the artist is extremely lucky who is presented with the worst possible ordeal which will not actually kill him. At that point, he's in business: Beethoven's deafness, Goya's deafness, Milton's blindness, that kind of thing.
A little artist has all the tragic unhappiness and the sorrows of a great artist and he is not a great artist.
The need to be a great artist makes it hard to be an artist. The need to produce a great work of art makes it hard to produce any art at all.
Austrian public-opinion pollsters recently reported that those held in highest esteem by most of the people interviewed are neither the great artists nor the great scientists, neither the great statesmen nor the great sport figures, but those who master a hard lot with their heads held high.
Bad artists ignore the darkness of human existence. Good artists often get stuck there. Great artists embrace the full catastrophe of our condition and find beyond it an even deeper truth of peace, healing, and redemption.
A great artist can paint a great picture on a small canvas.
Great artists make the roads; good teachers and good companions can point them out. But there ain't no free rides, baby. No hitchhiking. And if you want to strike out in any new direction — you go alone. With a machete in your hand and the fear of God in your heart.
When I'm dead and no longer the threat. My comfort is that all the great artists since the beginning of time have always been completely misunderstood and never fully appreciated until they were dead.
I attended the High School of Industrial Arts and studied with many great artists as painting is something that you never stop learning about. Actually, in high school there was a time that I was thinking about just concentrating on painting and I asked my music teacher, Mr. Sondberg, for advice and he encouraged me to stick with the music as well. So all my life I have been singing and painting.
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