It was by listening to Goodman's band, that I began to notice the guitarist Charlie Christian, who was one of the first musicians to play solos in a big band set-up.
But I say these things in an objective dispassionate manner because, you know, and I can't explain why, but being one of the greatest guitarists in the world simply is not very important to me.
I remember going foraging for breakfast in St. Louis once. I saw this one girl sitting in front of the venue, and she made this pink T-shirt with a big heart in the middle of it and a misty picture of our guitarist Mark [Potter]. She was so embarrassed when she saw me. And I was trying desperately not to laugh.
The harmonic effects produced unconsciously by our guitarists are one of the miracles of natural art.
The jazz guitarist Peter Sprague calls his home recording studio SpragueLand, but sometimes it seems that the moniker better captures the way he has turned the entire southland into his own musical playground. Sprague is a highly versatile musician who draws on the wellsprings of jazz and Brazilian music as primary influences.
I've also been writing with my guitarist, Ted Barnes, and he's amazing. Writing with him has taught me a lot about my own writing process, in the sense that it's incredably personal to write with someone else from scratch.
Giuseppe Continenza is a monster guitarist
I always lived with guitarists. When they would leave, I would just pick up their acoustic guitars and start doing finger picking and write.
An uninhibited, Chuck Berry devotee but experimented with and broke a lot of ground on feedback techniques and solid variations in tonal and dissonant utilizations. I'm one of the best guitarists in the world, and I play with great emotion.
I'm a guitarist by background. That's what I used to do for sessions when I was younger and that sort of thing. We have several pianos in the house and I tend to just sit and fiddle around.
I started out in a heavy metal band with a guy who could really play guitar, and I thought the only thing missing from Guided By Voices was a lead guitarist. In the early days, I would bring people in just to play leads, like Greg Demos and Steve Wilbur.
There are so many good guitarists out there, I am by no means a very good guitar player.
The greatest teacher is just going out and playing.
I never considered myself a songwriter, but now since I've been working with Nick Lowe, I am contributing to an extent. But I'm the guitarist and he's not, so we compliment each other in a way.
I am a self-taught guitarist. I just try to piece together passages that have some melodic value!
During our first meeting, Tony Iommi was a great jazz guitarist, his capabilities cover all styles - Black Sabbath has even narrowed his horizons.
I was really good friends with Matthew Ashman, the guitarist in Bow Wow Wow. He died, unfortunately. He was one of my best friends during my sort of punk period.
Cheers to the albums written fortunes earned lives touched in the millions and generations defined by one lonely person placing an ad in the back of a free paper seeking a guitarist, bassist, and drummer just looking to jam.
A lot of blues guitarists play with only three fingers, and they can't figure out certain runs that require the use of their little fingers. Classical training is good for that.
[Loco De Amor is] a euphoric, melodic romp across the hemisphere... A joyful, fun musician's record from a really good guitarist
There are lots of really good guitarists, but they play with the same pedals that everybody else does. Everybody buys the same pedals, so the sounds tend to be the same. I am looking for different ways of doing that without having to spend days and weeks and months fooling around with pedals, which I don't enjoy.
Learn from the masters, learn from your contemporaries. Always try to update yourself.
If you want to work consistently, you have to be a team player.
I'm sure every pattern has been covered, but it's nice to think you might dwell on some that other people don't.
With his new CD 'Tactiles' Liberty Ellman emerges as one of the most intriguing, albeit unorthodox, guitarists on the New York scene today. An album of original, esoteric compositions marked by dense polyrhythms, dissonant, angular lines and an organic logic that ties the whole thing together in brilliant fashion.
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