When he said to give him the sword, I don’t think he meant for you to stick it in his guts.
We fear discovering that we are more than we think we are. More than our parents/children/teachers think we are. We fear that we actually possess the talent that our still, small voice tells us. That we actually have the guts, the perseverance, the capacity. We fear that we truly can steer our ship, plant our flag, reach our Promised Land. We fear this because, if it’s true, then we become estranged from all we know. We pass through a membrane. We become monsters and monstrous.
If you are going to be courageous, an example for all those who are ready to step into their power, then you must be willing to show the world all of who you are. You must have the guts to throw off the chains of modesty and mediocrity in order to be the light that the world needs.
I tell young people: If you make a job choice on the basis of something other than your nose or your gut, it's unlikely to work out.... It's perilous to look ahead and be like, "I'd like to be ambassador." I would never have gone to Bosnia or spent years writing about genocide. Do it on the basis of what you can learn.... It's like falling in love. Your whole dating life, you're thinking, On the one hand, on the other hand. Then you meet the right guy, and you're not in list-making mode; you're just with the person you're supposed to be with. Jobs are like that too.
In business, you take a swing and you hope that you hit a home run, but sometimes you strike out. Strikeouts and failures are important. Being down, getting punched in the gut every once in a while by life and coming back up, that's accomplishment.
Some think guts is sprinting at the end of a race. But guts is what got you there to begin with. Guts start back in the hills with 6 miles to go and you're thinking of how you can get out of this race without anyone noticing. Guts begin when you still have forty minutes of torture left and you're already hurting more than you ever remember.
I was in college in Washington, D.C. I did three years full-time. I did all my requirements and my senior year was really a gut year. And I said, law school will always be there. I was in no hurry to get right into that.
I had to learn how to trust my gut. Trust what I know to be right... not right, but not waver on who I am. Know who I am, know what I want, and know it. Not waver on it and be secure in that. And I still struggle with it. But I really... I can't be moved. You can't move me, and that all comes with loving myself, and I'm like my best buddy.
I don't do any research. It's all about gut. Editing - it's always about gut.
I like pressure. Pressure doesn't make me crack. It's enabling. I eat pressure, and there might be times when I get a bad feeling in my gut that this might be too much, but you feel pressure when you're not doing something, you know?
I think making a movie or a record, the best things happen by accident - and those end up being the magic. Every time I've followed my gut it's been better than when I've tried to do what I was supposed to do.
We are a people that let the small things just go by because it's a little uncomfortable and nobody wants to ruffle a feather. If you're quiet and you're watching it, you're just as much at fault as the person there. You're watching a victim be berated and you're standing by, knowing that feeling in your gut that it's wrong. Now you have a tool in order to change that.
I've done really well on one core principle which is, I think I have an intuitive ability to understand consumer behavior more than the average bear, and I'm not scared to bet the farm on that gut feeling.
My gut reaction [on Betsy DeVos] was, oh, my God. We are now back into the education wars.
If you cannot always elicit a straight answer from the unconscious brain, how can you access its knowledge? Sometimes the trick is merely to probe what your gut is telling you. So the next time a friend laments that she cannot decide between two options, tell her the easiest way to solve her problem: flip a coin. She should specify which option belongs to heads and which to tails, and then let the coin fly. The important part is to assess her gut feeling after the coin lands. If she feels a subtle sense of relief at being "told" what to do by the coin, that's the right choice for her.
It's a moment that I will be asked about for the rest of my life as an actor, and I carry that moment with pride, that Rita [in Dexter] had such an impact and that it was such a gut-wrenching moment for audience members.
Sometimes you gotta go with your first instinct. You gotta go with your gut. That's kind of how I live my life, you gotta go with your gut.
[You should] see everything about your life as a lesson. Ask, "Am I empowering myself?" Even for a tiny thing, like if you're in the grocery store and you're thinking, "Should I buy that?" And your gut says, "You know you can't eat that." If you decide not to listen, you've harmed yourself by blocking your intuitive voice.
Irish music is guts, balls and feet music, yeah? It's frenetic dance music, yeah? Or it's impossibly sad like slow music, yeah? Yeah? And it also handles all sorts of subjects, from rebel songs to comical songs about sex, you know what I mean, yeah? Which I don't think people realize how much innuendo there is in Irish music.
We have an almost desperate need for more women to run for office and for more women to really gut it out after they have kids and stay in their jobs and get to high positions in companies. We need women at the top more than ever. We need women's voices there because they are very different than men's voices and they bring a very valuable and necessary point of view to the table.
To understand something changing form as a destructive act is a very modern, Western gut reaction to things, and I get it. But what I'm suggesting is nothing radical, this notion of things constantly changing, and that the change is not inherently destructive.
I believe there are two types of decision-makers - those who lead with their gut and those who make lists of pros and cons, and fully anticipate the consequences.
There is always the working out of things, and you have to have sort of a gut response to it. And an intellectual response. And an aesthetic response. All that comes from having done this for a long time. Instead of saying, "That's a really good rock track, and that will do," I'm looking for something that is more original and fresh. There are a lot of elements to get into it: a level or sophistication, passion and excitement.
I read reviews, I'm not going to lie to y'all. Like you know, I'll read 'em, but then, the next day I'm able to sort of shrug them off. But if something sort of sticks the next day, there's probably something to it. I just sort of really try to trust my gut on, on all that stuff.
I'm gut all the way, which is why I think I'm so connected to shows like Falling Water and even The Walking Dead, which is all about the mortal consequences of our actions. Generally, we act first and realize the consequences later.
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