I spoke to my agent and learned that a Hollywood scout had seen my proposal in one of the publishing houses, and had faxed it to Hollywood, where it was generating a lot of interest
Hollywood sold its stars on good looks and personality buildups. We weren't really actresses in a true sense, we were just big names - the products of a good publicity department.
I was supposed to go to drama school and then go to New York and do theatre. But I grew up on all those fabulous movies and had read all the bold Hollywood books, and I thought I just had to take a look.
Media companies, under the guise of piracy, are asking congress to give them more control over fair use. Hollywood wants to control innovation.
There's a real separation between actors and all the other functions of Hollywood. If you're an actor you're somehow not a member of the crew. You're somehow more special. I hate that.
This same habitual blindness to spiritual, substantive dimensions of every significant challenge continues to handicap Hollywood.
Ive been told that if I lose weight Id have more work, but I refuse to submit myself to Hollywood standards. To the rest of the world I am slim and I like the way I am.
What audiences end up with word-wise is a hackneyed, completely derivative copy of old Hollywood romances, a movie that reeks of phoniness and lacks even minimal originality.
Silence is the sure sign that youre on your way out in Hollywood.
Some people in Hollywood think of me as a model for dramatic midlife transitions: suburban housewife to Emmy-winning actress. But I never plotted out a master plan for following my dreams.
Eventually I got asked to be in a Michael J. Fox sitcom called High School U.S.A. I didn’t think it was funny and said no. They doubled the money, and that kind of offended me. I realized, oh, that’s right, my opinion means nothing in Hollywood. I’d seen other people compromise, and I felt that once you gave up on what you wanted to do, you couldn’t go back. It was selling out. So I decided to go back to Minneapolis.
Hollywood is yesterday, forever catching up tomorrow with what's happening today.
Just like those other black holes from outer space, Hollywood is postmodern to this extent: it has no center, only a spreading dead zone of exhaustion, inertia, and brilliant decay.
Unfortunately my career began in Hollywood, doing a negative pickup for Universal pictures.
Well, it's a lot less dangerous - working with snakes and mountaibn lions and dangerous animals - than working in Hollywood [laughs]. Hollwood will kill you.
There is this idea in Hollywood, and I've seen it work for people, where the unspoken rule is 'Do two for them and one for yourself.' And that's kind of considered a fact. I've never really found that to be true for me. I've gotten more opportunities out of working on things I believed in than I ever did on things that weren't special to me.
I have friends who have a CD mastering plant in Hollywood and they are very sceptical about European record labels' understanding of digital technology.
I was truly thrilled when Alex-Zsolt played for my tribute concert titled, 'A Tribute to Richard M. Sherman.' This special concert event was held at Disney's Historic El Capitan Theatre in Hollywood, CA. Alex was great and he played my songs very musically and in supercalifragilisticexpialidocious style!
At times I think I actually hate Hollywood. I have many acquaintances there, but few friends.
I was minding my own business, really, and then all of a sudden, Hollywood approached me.
Johnny Rivers...returned to L.A. to accept a lucrative offer from Elmer Valentine to open at his lavish new nightclub based upon the popular European discotheque concept. Johnny Rivers at the Whisky A Go-Go turned Hollywood upside down. His first Imperial album, "Johnny Rivers At The Whisky A Go-Go," (produced by Lou Adler) was high in the charts for 45 weeks in 1964.
He wanted us to play whatever we played in the most characteristic and appropriate style. Even it was the theme from 'The Godfather,' you needed to play that then the way that a Hollywood producer would expect it to be played. Whether it was that or the posthorn solo from Mahler's Symphony No. 3, he would expect that to be played in the way that Leonard Bernstein wanted to hear it. In retrospect, I think it was a sensational way to teach this particular group of students. By the time you graduated you could absolutely read anything with any trumpet.
It goes back to all of us wanting to be in Hollywood. We're all dying to win an Oscar.
I wasn't campaigning for a role in a Hollywood television series, it was a fluke. So you've got to have a measure of good luck, you really have, being in the right place at the right time.
My folks came to U.S. as immigrants, aliens, and became citizens. I was born in Boston, a citizen, went to Hollywood and became an alien.
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