Pretty soon I think you'll have Republicans, Democrats and Hip Hop as a party.
Now, [hip-hop/grime artists] Stormzy, Skepta, or the Section Boyz have to be validated by Drake, Rihanna or Beyoncé. They're rolled into this one urban culture bubble; it's not really to do with, "I'm specifically f - ked off about my country and what's going on in my town." We're very much only showing success to artists who impress American artists, and I'm one of them.
I keep waiting to be invited to the hip hop party, I've never been. So if there's anyone out there who is having a hip hop party, I'd like to come.
Hip-hop has permeated pop culture for decades. For a long time, though, it seemed to permeate it in a such a way that it never really got its just due. Now, hip-hop seems to be getting that recognition and is more widely accepted, which is great.
I think that any story that intends on being culturally authentic and true to life experiences will be a great story. Even if that culture isn't a hip-hop-centric one.
Hip-hop was the culture that I grew up with; I am part of this culture.
I do think that hip-hop has a relationship with comic book culture, and Kung Fu movies too, for that matter.
The basic idea of a hero rising up to represent an oppressed or disenfranchised group of people is as true to hip-hop as it is comic book lore.
Take emceeing, one of the foundations of hip-hop culture. A guy grabs a mic, steps up on stage and becomes a spokesman; the voice of the people. If anything, that might be the strongest similarity between hip-hop and comic books, with super heroes, like many rappers, fighting to make a change.
There have been a lot of hip-hop artists who have made a difference to people's lives, spreading the message of the struggle and representing for those who have overcome adversity.
There's the shared imagery between hip-hop and comics, with some producers and emcees taking on super hero personas.
Much of hip-hop, like comic books, is fantastical by nature, too.
It's very rare that people let me hop off the crazy wagon.
Rhyme is cool again. It's because of hip-hop. Bless you, hip-hop.
I think hip-hop needs a little bit of diversity.
New York has changed a whole lot. For worse I think because back when I was growing up in New York we were always the trendsetters. I don't care if it was from clothes to hip-hop music, to whatever. Right now New York is a bunch of followers. A lot of them are. It's really not the same.
New York City pretty much reeked of music. Reeked of rap and hip-hop. As for me, growing up in a strict West Indian, Trinidadian household, and a Christian household as well, I had to fight for the right to go and actually be a part of it.
I listen to so much, I listen to a lot of reggae. Obviously I listen to hip-hop, that's what I make. I listen to soul. I love jazz. I love all types of music.
I am proud of the hip hop generation. They are good business people and, actually, good people. It's strange that the only time the major press talks about them is when someone gets killed or does drugs or something; yet these are the same press people who made heroes out of the Mafia and other crooks, you know.
Once you're done in hip-hop, you're done.
Did the record [Danger] do well? I believe it did what it should have. It showed the hip hop community that Tony Sunshine is doing well and looking great.
I don't care who you talk about down south, Boosie gonna win. I'm the only one to put out a whole album, with more songs, so I don't care who said what. The fans tell the truth. I got real fans - more fans than everybody, so Boosie gonna win [in Hip Hop Survivor: Down South Edition.].
Having grown up far, far away in a small country town in Australia, I was only slightly aware of hip-hop.
I've always been a fan of hip hop and there are cats out there that I admire.
Hopefully we get back to the raw essence of hip hop again.
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