It's a hell of a relief. Especially for a dude like me who is so hands on and I like to pretty much all the way hip-hop. So it's difficult when you're dealing with the majors.
Hip Hop Sisters is going strong. Our signature initiative is #EducateOurMen, whereby we have the pleasure, the enjoyment, as well as having received the blessings from above to send young men to further their education.
I had a really good time on the show [Sisterhood of Hip Hop]. Most of all, what I've learned is I need to share what it is that I know.
Most of all, what I've learned is I need to share what it is that I know. And it's the whole reason I've done what I've done for as long as I've done it. It's that I'm able to use what I know in order to help someone else grow. And that's exactly what happened on Sisterhood of Hip Hop.
We wound up taking my enterprise inside marketing, branding, management, finances. We went in there [Sisterhood of Hip Hop show] and taught them a little bit about everything in hopes of them being able to have some takeaways that they'd be able to use in the future for their own careers. And I think we were pretty successful.
I just got a chance to see strong tenacity and a desire to be on top from some young women who have never seen six, seven women signed at a time to major record labels. But they believe that they can put their footprint in hip hop in a major way.
I'm now becoming a bit more cognizant of what's going on and the responsibility of being a public figure and also being white and being in Hip-Hop.
I'm a positive person. I just want to chill, have fun and be productive. And just hope that through Hip-Hop and different vessels and vehicles we can change people's attitudes.
In 1977, hip-hop literally wasn't outside the boroughs. But I was profoundly aware of the city through films like Saturday Night Fever, The French Connection, and Network. I had a friend who visited New York, and I asked him what it was like. He said, "Oh, it's great. Just wear a coat and don't look anyone in the eye."
I think of every song like a game. It's like a video game: "Okay, I'm going to hop over here and if I press this drum, or if I hit this note, then that doorway opens. Oops, I fell down a trap door but I'm in a whole new world."
I like somebody I can consider edgy, because, I also find that when people see me; the first thing they might think about me, musically, is that I rap or make beats, in the sense of trap or hip-hop or whatever, and when they hear what I actually create, they'll often be like, 'Wait a minute, I wasn't expecting this'.
If anything, I hope being an artist opens up more opportunities 'cause I feel there's a lot of things I could do, like musically and stylistic-wise that I can write, but I don't really have an avenue to show it 'cause most of the things I'm writing are in Hip Hop.
It was actually the production group that ended up producing the show for us...Every musician, especially in the hip-hop community, you always make these show recaps or vlogs, and essentially what "Touring's Boring" was is, we tried to make our vlogs interesting and almost more like a TV show. That's how we got discovered by TV.
If you can make the hits, then you won't be an Internet rapper anymore. It's good for hip-hop.
I love pop music just as much as I like rap music, or ill-ass hip-hop music, or rock music.
If I wasn't involved in this hip-hop sh*t, I'd probably be breakin' the law to eat and feed my family and maintain the lifestyle that I'm used to.
If you're a real hip-hop fan and a real street music fan, and you just love good music, you're gonna play it from top to bottom, and you're gonna get the concept, you're gonna get the story of my life, you're gonna be entertained, you're gonna dance you're gonna feel emotion, you're gonna get the truth, whether you like it or hate it.
I'm a fan of the mythos of Atlanta hip-hop, and it's something I grew up imagining. It was very interesting to get there and see the real version of this world and then reconcile the differences between what's presented as Atlanta hip-hop to the rest of the world and what the real, breathing version of it is.
We listen to the early '90s Hip-Hop that we were raised on. I still think that stuff is better than anything you hear nowadays.
I live or die for hip-hop and it's a beautiful form but you're a writer first and foremost.
I am not of the impression that an overwhelming amount Hip Hop artists are super savvy on Broadway and it's goings-on, but who knows.
It still feels like Hip Hop is in the early '80s on Broadway.
I know now it's a hashtag and people have various feelings about it, but really if you look at all black art, even in hip-hop, it's all about that I exist and these are my feelings and this is what I feel about the world. It's always been an undercurrent.
One of the things that's really the cornerstone of '90s hip-hop is sampling.
If you look at any movement Hip Hop would be the most influential in the last maybe 15, 20 years.
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