In California, they don't throw their garbage away - they make it into TV shows.
You have to let go of who you were, to become who you will be.
You were doing a TV show - you don't realise that you're also making social commentary at the same time.
I just don't know that a TV show demands a movie ending.
I have no plans to get an iPad. I know it will do more things than my Kindle, but I don’t want more things. If I want other stuff - movies, TV shows, weather forecasts, the forthcoming Josh Ritter album - I have my Mac.
When you do a TV show, there's always the fear that it will become tired and you'll know exactly what's going to happen.
I just watch a lot of different films and different TV shows. Really for me, it's just looking at how people react to different shows in different genres. For me, it's more a study of people than a study of acting.
I don't have a fear factor. Well, not much of one. And I'm willing to risk quite a lot - as a comedian, you're always risking a lot. You're risking failure, especially if you're improvising and going on TV shows trying to make comedy out of thin air. That is quite a risky business.
I want to be like Tom Freston. Tom just flies around everywhere, gets to make movies, gets to start TV shows, hang out with cool people and do whatever he wants.
People think I am America's party girl, which is just stupid. I have done 24 movies and I am creating my own TV show.
I'm doing 5000 seat theaters and audiences are going nuts, it's fantastic and it makes me very happy. I'm dirty, but not like this; I just do comedy that I find funny. I'm working on a new tv show for cable and it's not set up yet.
Yeah, my dad was in the foreign service. We lived in India, Indonesia and Africa, and we traveled a lot from those places. I was 10 when we moved back, and I felt like the odd guy out. It wasn't until later that I appreciated it. But coming back I didn't know any TV shows or music, which was even worse.
If, for some reason, everyone knew who I was without me having to have my own TV show, that's what I would do. That way, I could do less shows a year.
When you have a TV show or when you are running a magazine, you have to remember that your audience isn't rich. They're not made of money.
There are certain economics involved in making a network TV show that you want to amortize the costs of that, so the more episodes you make, the cheaper they all are individually.
When you're a guest star on TV shows - particularly in the 1960s - you're always the villain.
While at college, I did my first lead on a network TV show, Medic.
Well, it was very interesting to play a character and stretch it over such a long time - 12 episodes. I had never done a TV show before, so week to week it was unclear what we would be asked to do.
There's a lot of different parts to me, so it makes total sense to me that I would do a big TV show or studio movie and then do a free comedy show the next day. They both feel equally important to me.
There's so many more better TV shows than films coming out, in my opinion.
The schedule of doing a live TV show every week is very difficult.
I never have kids in movies or in TV shows.
My strangest auditioning experience was when I was reading for a TV show, and right when I started the audition, the casting director left the room and yelled at me from the hallway to keep reading.
I think there are a lot more writers who are actors than you know; they just don't have roles on famous TV shows that you recognize.
The best compliment I ever got from the public or producers or directors is that I just totally blend in and become the character and they don't notice me and that the play happens or the movie happens or the TV show happens.
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