Launching a new TV show is probably one of the most difficult things that a writer can do.
I watched American TV shows: Starsky & Hutch, Dallas, Rockford Files, Bonanza. And for many summers growing up, I worked on my aunt and uncle's farm in East Anglia. Down the street was an American cemetery for the Second World War, and every Memorial Day an American bomber would fly over that cemetery and drop rose petals.
And so as a director, as a leader, and myself as a director and a leader, I kind of try to make sure that we hold onto the vision and kind of corral it, but by the time you finish whatever the project is, a TV show, a series, a movie, a stage show, it should be a product of what all those people can do, and therefore, it can never be what you imagined it would be in the beginning.
In France, anyone can use your music on like a TV show or whatever - they don't need to ask permission. It's almost like a child when it has its own life.
I know artists that have tried for a long time in the Christian industry and then they were on a TV show and all of the sudden the doors swing wide open. Christians want to connect with things that are mainstream.
Thanks to NBC News and thanks to the NBC primetime TV network, Donald Trump has been in living rooms for 11 years being who he is. The Donald Trump running for president is not an unknown quantity. The Donald Trump running for president is the Donald Trump everybody's gotten to know, and quite a lot of people watch those Donald Trump TV shows, The Apprentice and whatever else on there.
Something economically changed. It used to be that you needed 20 million people to watch a TV show for it to be a hit. Now, with just a few million people watching, you're considered very successful, for a lot of these streaming services, or cable channels. Now, that allows people to do much more creatively ambitious work, because it's not lowest common denominator.
I was raised in the theater and, as it turned out, a TV show was like performing a new one-act play. So, it was really no different.
I said, I'm on this TV show and I love doing it, but I don't want to be known always as the silly "Scrubs" guy... So part of me was like, You know what? Life's short. Let's go for it.
I couldn't take my eyes off of Stan [Lee]! As good as the movie is, all I could think about is, "What's he thinking?" So the movie ended, and then he, very whimsically, expressed all of his feelings about how long he waited, and how the TV shows in the '70s were all, "If only they could do this," and now they could. And he didn't get choked up and blubbery, but he was moved. Like, "Ohmigod, it happened while I was alive." And I can't believe I got to see that. He was very raw. It was quite beautiful.
Writing for television is a great job. And it's a job. Most people watch TV and have a comment about one or two moments of an episode - whether they love it or hate it or something in between. To come up with every moment of an entire season of a TV shows is heavy lifting.
There are so many shoot-'em-up, action, jingoistic TV shows and movies that are made every year. I think the final line is that Hollywood is populist.
Before the TV show of Jessica Jones, the response to Miles [Morales] is so overwhelming, and so constant, and it's been five years now. I can't even express to you how powerful it is on my end. It's overwhelming how much it was needed, that I didn't know that's what was needed.
I do think a lot of sexual violence stems from experiences in childhood or at puberty. Some people become sadistic after suffering early abuse at the hands of parents, relatives or friends. But for others, the seed is planted in the formative years by the conflation of images of violence with those of sexual arousal. Magazines, TV shows and, especially, slasher movies are masters at doing this.
I love Godzilla, but my favorite was on this TV Show, Johnny Sokko and His Flying Robot. I used to love the idea of having a giant robot under my control. That was like a dream come true for a kid.
Way back in 1979, as a guest on a local TV show in Arkansas, then Hillary Rodham was quizzed about not taking her husband's last name when they got married and keeping her job as a lawyer while being first lady of the state.
In the middle of Beaches there's a scene from the "Laverne & Shirley" TV show so they see some history of my work in each film.
I like working on the house, small carpentry stuff. I also like working on the van. That's about as quiet as my mind gets, I think. I always loved working on the How's Your News? TV show and at Camp Jabberwocky too.
This is the contradiction we have in the media. We love vigilantes: Batman, Tarzan, Green Arrow - the comic books and the TV shows are filled with vigilantes. We love to promote it. Jesus Christ was a vigilante. We admire these people, but we don't want to be associated with them.
Every TV show I've ever made, every game I've ever built, and every book I've ever published has had the common thread of building the biggest, brightest spotlight imaginable and then flipping it around to shine on you.
My grandfather used to say 'Eat the biggest crabs first, that way you're always eating the biggest crabs.' In making a TV show, that means if you have a big funny or smart idea for an episode or a scene or a joke, go for it. Don't save it for another season or another episode, because you may not have the right time again. It's good advice for television, but truly stellar advice for eating crabs.
I never skimp on TV. I watch an embarrassing amount of TV shows. I don't even know how I do it.
It's just interesting how people relate my success when I would like to think that I worked my ass off for a reason and that it's about the music and not because I was on a TV show.
Twenty years after the Andy Griffith Show when Andy did Matlock, he hired me for four episodes. I told him I wanted to develop an Aunt Bea type role for Matlock, but he was against it. I did appear on other popular TV shows, like Family Affair, My Three Sons, Barnaby Jones and Little House on the Prairie.
For years while I was working as a waitress, all I wanted to do was get on a TV show. You think, "This will solve all the problems. I'm making more than 400 dollars a week; I don't have to worry about money ever again," but it's just not true.
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