I love artists who have spirituality. Jonathan Coulton is the man, I love his melodies and lyrics. Chap-hop is the bomb!
Being materialistic is part of the hip-hop community's nature, because jazz and blues and rock 'n' roll, when they started out in the urban communities, were about the American Dream, and the lack of opportunity in that structure. So they talked about everything - uplifting and getting what is perceived as success in America.
Hip-hop is about tearing down the system to better it, tearing down the system to better themselves. No matter how flimsy it might seem, they always wanted the finer things in life.
Hip-hop took some lessons from rock 'n' roll, and rock 'n' roll took some lessons from hip-hop.
Hip-hop is such a wide statement of culture that everyone is not the same, and it's impossible to put it into one box.
Unfortunately hip-hop is so competitive that in order for fringe groups to get in, you gotta be better than whoever's the best. So before Eminem, the idea that there would be a white rapper that anybody would really check for was fantastic or amazing or impossible.
My sound has changed. It's still hiphop, but it's more of like a rock/hip-hop show. It's high energy, stage diving, pyrotechnics, girls showing their breasts. It's crazy party atmosphere.
With rock music, it usually revolves around the band. You go in as a band and probably take about a year to record an album. But for a hip-hop song, you can create a track and an idea with verses and choruses in a day, and get three different people on it. It seems like you're able to do more with hip-hop.
Purpose! Purposes are for animals with a hell of a lot more dignity than the human race! Just hop on that strange torpedo and ride it to wherever it's going.
I think I'm the future of hip-hop. You know, I feel bad for saying that. That's unfortunate, but that's a fact. You can't compare my model of hip-hop with what I'm about to come out with versus anything in the game.
I would say Diddy is the most interesting Twitter-er. I definitely will follow the hip-hop circle now that I have infiltrated the game, just so that I can be aware of my rivals and what my competitors are doing.
Everyone's been on the "hip-hop is dead" campaign for years, and now it's the most unsure-of-itself genre ever.
The thing about the state of hip-hop is that people are too concerned. I don't think that there's a problem with being too concerned about videogames, especially for me, because I'm not in the industry. I'm just a consumer. But hip-hop is constantly like, "What are you doing for the scene?"
I think music gives so much inspiration. I listen to all kinds of music: pop, hip-hop, everything. I also love classical music.
I love listening to old records to keep nostalgic feeling; it allows me to not lose the love for hip-hop.
A lot of times when people listen to music it's because they feel down, and that's when serious hip-hop comes into play. When times is hard, people can hear a rapper that inspires them to do what they [are] supposed to do.
There are so many different musicians I look up to for different reasons - from hip-hop to rock to pop. Some are Alanis Morissette, Michael Jackson, Aerosmith, Pink, Avril Lavigne, Beyoncé, Lil Wayne.
There was a time when hip-hop was its own musical principle, aside from sampling. Like the entire Wild Style break is instrumental. Kurtis Blow's earliest stuff was studio musicians playing. Whodini had a real clear sound, things like "five minutes of funk," stuff that you could write really beautiful, lush string and horn arrangements around, stuff that was just music.
The big change was reggae and hip-hop, which came along after Split Enz had started. When Bob Marley first visited New Zealand, he lit a fuse that is still burning very brightly. The Maori people particularly honor reggae music in a very big way. So there is a strong reggae scene and a strong hip-hop scene, especially among Samoans. There's still plenty of quirky stuff around. No one expects to make much money here, so it definitely does encourage an underground sense.
Well, we have to realize the truth about the person who is a hip-hop insider. Most of these people are not really insiders. They are people who are chosen to do an interview and they will make a statement and say that they are a part of the hip-hop culture, but from an intellectual standpoint, they are not very sharp, because back in '1990..'91 one would criticize somebody for doing one type of commercial and say that's not real hip-hop and then another rapper turns around and sell them malt liquor and say that's real hip hop.
We have been lead as the hip hop generation. We have been once again lead by people who are under qualified. It's like they just got a pair of new jeans..They just started wearing them below their belt 2 months ago.
I have always been involved with radio, whether it was as an artist talking to radio about my own songs, or as a promotion man at Def Jam to working records through my company. In 2000 I was asked to host a show in Norfolk VA and through that show I was then asked to host the morning show in Detroit. The concept of the show was around Hip Hop. We were active in the community and we wanted to do a local show that had a hip hop feel around it.
I really like John Legend as an artist and as a person. As well as Lyfe Jennings. Jeezy is good people as well. I like to interview Nick Cannon. He always has something interesting to say. I still enjoy talking to Jay-Z or Nas which was weird since we had so much history. I also enjoyed talking to the Mayor of Detroit as politicians because they need to hear the hip hop side of the community that they don't hear from on a regular basis.
Hip hop is just a reflection of what's going on, or where the art is....Technology definitely gives artists a new mind, new voice and creativity. Right now people need to be more places at once....so whatever can get people to the next level to be efficient is how technology is going to be used......The danger is if people are relying too much on the machines, that new mind and new voice always has to come from within.
My forte is the music. But obviously if ya don't keep up with the business, then your kinda doing it for nothing. So I do plan on being well off doing, maximizing what I do now. I heard Jimmy Kimmel describe being in your thirties in hip-hop is like the equivalent to being 300 yrs. old; almost like a dinosaur.
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