I like all of the mental, psychological thriller movies too. I enjoy horror movies across the board.
But my problem with fantasy, and horror, and related genres, is that sometimes the problems are illogical.
The true face of smoking is disease, death and horror - not the glamour and sophistication the pushers in the tobacco industry try to portray.
I like fantasy. I like horror, science fiction because I can get avant-garde with those performances in those movies.
I'm an enormous admirer of Christopher Lee. He's somebody, along with Vincent Price, who I celebrate, and I wanted my movies to show that celebration and that honoring of these great film stars that were unafraid to go into horror and Grand Guignol and the macabre.
I have always had a horror and detestation of poverty.
People who sleep around to get roles are frail and scared and most likely without talent. It's their own little horror show that only they can deal with.
It's a very good time for horror. This business certainly has changed, but there's still room for serious horror films. Look at 28 Days Later, that's not a tongue-in-cheek picture.
I am, after all, a thriller writer. I routinely delve into the darkest chambers of the human heart. I've written about murder, kidnapping, depravity, horror, violence, and disfigurement.
That's also why comedy and horror are my two favorite genres of film to write, because you get these outbursts of emotion from people, laughter and shock, and it's really thrilling, and I like to be thrilled.
All of us have our individual curses, something that we are uncomfortable with and something that we have to deal with, like me making horror films, perhaps.
The enemy fought with savage fury, and met death with all its horrors, without shrinking or complaining: not one asked to be spared, but fought as long as they could stand or sit.
I think of horror films as art, as films of confrontation. Films that make you confront aspects of your own life that are difficult to face. Just because you're making a horror film doesn't mean you can't make an artful film.
Part of the public horror of sexual irregularity so-called is due to the fact that everyone knows himself essentially guilty.
The reason bin Laden staggered the planes going into the towers was so every camera would be focused on the second tower when the plane hit. It was not only the murder, but the perpetual image of the horror that permeated into people's consciousness.
I think that, back in the day, there used to be a lot of horror films that kind of had a checklist of what went into making the 'perfect horror film', and I think now people are raising the bar in the industry, as far as the types of horror films that are being made.
I took my mother-in-law to Madame Tussaud's Chamber of Horrors, and one of the attendants said: 'Keep her moving sir; we're stock-taking.'
The focus of tolerance education is to deal with the concept of equality and fairness. We need to establish confidence with children that there is more goodness than horror in this world.
When I was a little kid, I loved horror films. I always liked being scared.
My interest in film is sort of catholic - apart from science fiction and horror movies, I'll watch almost everything.
Horror fans are a particular breed. They analyze films with such detail and expertise that I am reminded of the Canadian literary critic Northrup Frye, who approached literature with similar archetypal analysis.
There is no great sport in having bullets flying about one in every direction, but I find they have less horror when among them than when in anticipation.
I once asked my father what he wanted me to be. To my horror, he said, 'sociologist.'
I like making sci-fi movies because I like watching sci-fi movies. I like watching horror. I like being in a horror movie. I'm a fan. My perspective's a little different just because I get to participate as well as spectate.
I've had horror movies thrown at me and I just don't want to do any because violence isn't really good for society.
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