I'm trying to keep it fresh for me. I'm just trying to not bore myself. And if I can do a detective novel, and if I can do a horror novel, then why do it again? To keep the work challenging I have to keep moving.
There's a young Danish guy who has done a lot of work from an evolutionary perspective, Mathias Clasen. Basically, his argument is we've evolved to fear the monstrous, to be very wary of large, unknown, life-threatening forces. In art, we can play with these things in ways that allow us to feel the intensity of the horror, but in "safe mode," if you like, detached from real consequences.
I think that's an important part of art in general. Especially in literature, in stories, we play with eventualities that may put us through a lot of intense negative feelings - say, in horror films or tragedies as intense as King Lear - but we come out feeling richer. We've lived to the fullest, we've tested ourselves in these environments.
I've been fortunate in that the films I've worked on in the horror genre are themselves not pure horror, and have allowed me to write in a wide variety of styles. Those scores contain elements of fantasy, drama, action, comedy... really all types of scoring, and that gives the horror moments more impact. As for scoring the horror moments, I do like approaching the music from the psychological aspect, scoring to the characters' thoughts, emotions, motivations and such.
I had a teacher once who said, "If you are going to write fiction, you should only read poetry." I have always been interested in the writers who care about their sentences and who really work on that level. I have always said that I hate writing, I love revision. So, the language is really important to me. And the comedy and the horror that come out of the language.
In one sense, no act of reparation will be satisfactory for those whose lives were so under-valued both as human beings held in slavery and then as human chattel to satisfy the financial indebtedness of a Catholic institution. Nonetheless, the university must also put into place - as it is attempting to do - a program that both admits the horror and error of its past actions and directs its students, faculty, and administrations to an awareness of the dignity of all people, especially those who even today are often considered less than worthy of respect and dignity.
What I like is horror movies, including '80s slasher movies that politically I have all kinds of problems with. Which is an interesting balance, because I have this leftist puritan strain that, well, if you like something that goes against your politics, maybe you should train yourself not to like it. But I know that I like horror movies and that's what I watch when I get a moment.
Horror movies are always a solid dollar. But a movie about Groucho Marx is a gamble. These things just are. Doesn't matter who you are.
I've always been an escapist, I guess, and I spend so much time on the internet absorbing ideas and processing the horrors of the world that when I'm actually going to read for pleasure, it's always something ridiculous about a dragon. I'm so saturated with the injustice and torment of the real world that it's really hard for me to get myself to read anything that's even set in our universe, because I'm exhausted by our universe.
I think we stumbled onto our own sort of lore back in high school. We weren't with the drinkers, we were more the psychedelic warriors. We sat around watching horror films.
I'd love to do a movie where the monster is human, where the issue is not otherworldly, or horror or science fiction.
I wanted to get back to my style of 20 years ago after a long period of exploring horror and fantasy themes.
I think in the case of horror, it's a chance to confront a lot of your worse fears and those fears usually have to do, ironically, with powerlessness and isolation.
I was born in 1950 and watched science fiction and horror movies on TV and was always really fascinated by them.
For horror movies, color is reassuring because, at least in older films, it adds to the fakey-ness.
Part of a horror movie has to be a bit fakey for me to really enjoy it. The new ones are so realistic that they distract me from the ride through the horror.
Any newspaper, from the first line to the last, is nothing but a web of horrors, I cannot understand how an innocent hand can touch a newspaper without convulsing in disgust.
France at the dinner table in faraway places; but here, among ourselves, in the family, let us face the facts: France is not poetic; to tell the truth, she even feels a congenital horror of poetry. Among the writers who use verse, those whom she will always prefer are the most prosaic.
I think when the full horror of being fifty hits you, you should stay home and have a good cry.
I have never read horror, nor do I consider The Exorcist to be such, but rather as a suspenseful supernatural detective story, or paranormal police procedural.
The beginning of love is a horror of emptiness.
For most people, chemotherapy is no longer the chamber of horrors we often conceive it to be. Yes, it is an ordeal for some people, but it wasn't for me, nor for most of the patients I got to know during my four months of periodic visits to the chemo suite.
Our national drug is alcohol. We tend to regard the use of any other drug with special horror.
Americans have a special horror of giving up control, of letting things happen in their own way without interference.
I think I've only done one horror movie, Psycho III. That was a walk in the park compared to a romantic comedy.
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