I love pitching in front of big crowds and in huge stadiums.
The more people challenge us, the more power we gain. We become stronger not under the tiny raindrops but under the huge hailstone!
There is much to be learned from the little kids and from the little animals! Little things teach us big things! Small candles too challenge the huge darknesses!
Sure enough, as merger has followed merger, journalism has been driven further down the hierarchy of values in the huge conglomerates that dominate what we see, read and hear. And to feed the profit margins journalism has been directed to other priorities than "the news we need to know to keep our freedoms"
'Catch-22' was a huge failure, and it rubbed off on everybody connected to it. I had a bunch of lean years where I had to do things, a lot of which I wasn't wildly enthusiastic about.
Oh, and one more thing: If I try something that I've never done before, something that's particularly difficult for me, and it doesn't work out, that doesn't make it a failure. The fact that I actually succeeded in finishing it makes it a huge success. Think of all the people who never even try.
The whole tape [Dedication 5] is amazing. It's my favourite accomplishment [working with Lil Wayne] and I say that with thought. It's the biggest accomplishment I've made today, because Lil Wayne is probably the biggest reason why I'm sitting here right now, rapping and doing what I do. I'm a huge Wayne fan forever.
I am a huge Eminem fan and find it flattering that he would rap about me. Personally, I'm honored.
I'm not sure if my involvement in causes, benefits, marches, and demonstrations has made a huge difference, but I know one thing: that involvement has connected me with the good people: people with the live hearts, the live eyes, the live heads.
My first time acting for camera really was for Steven Spielberg in War Horse. I was trained in theater and I was actually working in theater at the time. I had a small role with the Royal Shakespeare Company, which is a huge prestigious theater company back in England. I honestly thought that was as good as it got.
It was a movie [The Railway Man] that stayed with me a long time. It's still one of the things I'm most proud of. I got to know the man that I was playing and unfortunately he passed away just before the movie came out. It's one that meant a huge amount to me, and one that I'm particularly proud of.
I've never been a huge prog fan. My background is punk. My background is learning how to play a bar chord and listen to Discharge records when I was a kid.
The story revolved around this universal identifiable fear that we must all have, at some point, when you commit yourself to being with another person, to have and to hold until death do us part. It's a huge thing. I just felt like it was a brilliant examination of what would happen, if the person that you trusted implicitly and thought you knew every follicle and pour of, inside and out, started to not be that person anymore, inside. Physically, they're still there, but they're not there mentally.
The actor's relationship to the crew is really a big dynamic that influences everything. When actors are assholes, it becomes problematic. When actors are great and sensitive and prepared, it makes a huge difference.
I'm not a huge fan of plastic surgery, for either guys or girls.
Imagine you have six loans, small to huge. People want to close loans and because of that, they try to pay off the small loans, but that's not the right strategy. The right strategy, of course, is to pay the loan with the highest interest rate. People make this mistake and it costs them lots and lots of money, it's a very expensive mistake because interest rates accumulate and become very, very expensive very quickly.
Linking financial element to energy consumption I think has a huge role if you think about a display instrument that could teach us about what we are using, how much it costs us, how much it is saving, and therefore change our decisions.
There was a huge period where I was filming and studying. But then we went into summer and it became easier. I did find combining the two difficult and I haven't figured out how to do it effortlessly just yet.
We haven't really changed, we've just gotten better at executing what we've always been trying to do. We're not really a band that has undergone huge stylistic decisions to change, we're just trying to follow the song. More and more, we let the song lead us - we don't try and put the song into a structure of our taste or our fashion.
Almost everything official in America is a huge fraud.
I would never be able to live in a huge city. I'd feel like one of 100,000 people doing the same thing.
I've done a lot of very low-budget indie films, so it was just really exciting and fun to be doing a film where there's a lot more time and these huge, vast sets. I was like a kid in a playground. It was amazing!
It helps so much being on location. It's like the difference between performing for the rectangle of the camera versus a world being created and then the camera finds things within that. There's a huge difference in that, because what it takes away is performance. You don't feel like performing. You're just kind of doing it. You're existing.
My hands are huge. When I was on 'Scrubs,' Zach Braff used to make fun of them all the time. And now I made some list. I guess Jennifer Garner is on the top of the list for best hands and I'm fourth down. But that's for people who really like an NBA star's hands.
London grew into something huge and contradictory. It was a good place, and a fine city, but there is a price to be paid for all good places, and a price that all good places have to pay.
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