Walk out,” he repeated. “We need to talk.” “About how you need to sacrifice me to get a human body?” I asked, my tone light, my insides feeling leaden. “That might be cute if you thought it was true.
I still think of myself as a house. Ravan tried to fix this problem of self-image, as he called it. To teach me to phrase my communication in terms of a human body. To say: let us hold hands instead of let us hold kitchens. To say put our heads together and not put our parlors together. But it is not as simple as replacing words anymore. Ravan is gone. My hearth is broken.
We live in a society whose whole policy is to excite every nerve in the human body and keep it at the highest pitch of artificial tension, to strain every human desire to the limit and to create as many new desires and synthetic passions as possible, in order to cater to them with the products of our factories and printing presses and movie studios and all the rest.
The main courtyard was filled with warriors - mermen with fish tails from the waist down and human bodies from the waist up, except their skin was blue, which I'd never known before.Some were tending the wounded. Some were sharpening spears and swords. One passed us, swimming in a hurry. His eyes were bright green, like that stuff they put in glo-sticks, and his teeth were shark teeth. They don't show you stuff like that in "The Little Mermaid.
Catastrophe, riots, factories blowing up, armies in flight, flood - the ear can detect a whole apocalypse in the starry night of the human body.
I'm a werewolf trapped in a human body." "Well, yeah, that's kind of the definition." "No, really. I'm trapped." "Oh? When was the last time you shape-shifted?" "That's just it - I've never shape-shifted." "So you're not really a werewolf." "Not yet. But I was meant to be one, I just know it. How do I get a werewolf to attack me?" Stand in the middle of a forest under a full moon with a raw steak tied to your face, holding a sign that says, 'Eat me; I'm stupid'?
Now take a human body. Why wouldn't you like to see a human body with a curling tail with a crest of ostrich feathers at the end? And with ears shaped like acanthus leaves? It would be ornamental, you know, instead of the stark, bare ugliness we have now. Well, why don't you like the idea? Because it would be useless and pointless. Because the beauty of the human body is that is hasn't a single muscle which doesn't serve its purpose; that there's not a line wasted; that every detail of it fits one idea, the idea of a man and the life of a man.
But the rhythm of the mix tape is the rhythm of romance, the analog hum of a physical connection between two sloppy, human bodies.
A faith without some doubts is like a human body with no antobodies in it. People who blithely go through life too busy or indifferent to ask the hard questions about why they believe as they do will find themselves defenseless against either the experience of tragedy or the probing questions of a smart skeptic. A person's faith can collapse almost overnight if she failed over the years to listen patiently to her own doubts, which should only be discarded after long reflection.
The human body is always treated as an image of society.
The master maker of the human body did not create you and then run off and leave you masterless. He stayed on the job as innate, as the fellow within, as nerve transmission controlling every function of life, as spirit from above-down, inside-out, expressing, creating, exploring, directing you in every field and phase of experience so that your home is truly the world and the world is your home.
I think the more rational explanation is that the excision of a five-to-six-foot leech from the surface of a human body means that that body is going to have more of its own blood in its own veins. Unless the leech finds another body, it is going to go hungry.
My holy of holies is the human body.
Ganapati, the one with the human body and the head of a Gana, became a tremendous possibility.
Many healings of other physical troubles have occurred in my clients after they started to integrate breathing practices into their lives. There is a simple but encompassing reason that may explain this. The human body is designed to discharge 70% of its toxins through breathing. Only a small percentage of toxins are discharged through sweat, defecation and urination. If your breathing is not operating at peak efficiency, you are not ridding yourself of toxins properly.
You are a multidimensiona l being because your human body houses your spirit body, and your spirit body is not limited by dimensions of time, space, or form. As you grow spiritually, you become more perceptive of these other dimensions.
Other anatomical changes associated with long-duration space flight are definitely negative: the immune system weakens, the heart shrinks because it doesn't have to strain against gravity, eyesight tends to degrade, sometimes markedly (no one's exactly sure why yet). The spine lengthens as the little sacs of fluid between the vertebrae expand, and bone mass decreases as the body sheds calcium. Without gravity, we don't need muscle and bone mass to support our own weight, which is what makes life in space so much fun but also so inherently bad for the human body, long-term.
All types of knowledge ultimately lead to self-knowledge. So, therefore, these people are asking me to teach them, not so much how to defend themselves or how to do somebody in. Rather, they want to learn to express themselves through some movement, be it anger, be it determination or whatever. So, in other words, they're paying me to show them, in combative form, the art of expressing the human body.
Every great artist must begin by learning to draw with the single line, and my advice to young animators is to learn how to live with that razor-sharp instrument or art. An artist who comes to me with eight or ten good drawings of the human figure in simple lines has a good chance of being hired. But I will tell the artist who comes with a bunch of drawings of Bugs Bunny to go back and learn how to draw the human body. An artist who knows that can learn how to draw ANYTHING, including Bugs Bunny.
The human body is a magazine of inventions, the patent office, where are the models from which every hint is taken. All the tools and engines on earth are only extensions of its limbs and senses.
Hands, are the most honest part of the human body, they cannot lie as laughing eyes and the mouth can.
It is a constant change. Not one body is constant.
In this body, He resides, the Lord of souls and the King of kings.
Lenelle Moïse's poems render the abstract - policy, disaster, history, diaspora - specific. Her words make the political not just personal, but corporeal: the beautiful system of the human body as canvas and subject, perfect in all its attendant complications and complexity, and still ruled, undeniably, by a warm, beating heart.
Since the human body tends to move in the direction of its expectations- plus or minus-it is important to know that attitudes of confidence and determination are no less a part of the treatment program than medical science and technology.
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