I like you and your book, ingenious Hone! In whose capacious all-embracing leaves The very marrow of tradition 's shown; And all that history, much that fiction weaves.
There's that saying, "I don't know art, but I know what I like." The inverse is kind of true. I know art, but I don't know what I like. You get so immersed in it that nothing appeals to you.
Sometimes I forget what I put in. I want to capture things in that way, where you're looking into your memory, a dream or hallucination. The characters become a mixture of archetypes, [and] that's what I like. You're trying to figure it out and your brain wants to categorize things, but it can't because of this motion. You want to solve the problem, but it never gets solved. It's like when you read a really good book and the story never leaves you.
I'm a pretty aggressive girl in general. So if there's a boy that I like, you're going to know how I feel. I just put it out there.
I'm a talkative person because I like to get to know a person and I like you to get to know me.
Jackson Pollock said once, "I don't really feel that many people in this world are alive." He said, "That's why I like you, Tom. You're alive."
I adore dogs to the extent I think they are much more important than human beings. I like your dog much more than I like you.
I go out in the streets, and I go to shows, and I see my fans turn from "I like your last rap" to "I feel your movement; you're keeping it all the way real." One thing I've always said is that's never been my story, and I'm not going to go back on my word.
I like youth, and I like stories about feeling things intensely and about transitional moments in human life. I reflect on my life and that's just a moment when I felt things probably the most intensely.
I like your own shows because you can have a bit more fun and extend your set, you can go a bit over if you want because it's your show. Whereas at festivals it's very strict, like if you go like two minutes over they get ready to pull the plug kind-of-thing. They're both good and bad.
I'm not very nostalgic, you see. I just don't think anybody has that kind of thing anymore. By culture, by breeding, by whatever, it's not there. The kids today-what the hell are they going to be? I like young people - yes, I do. But when I talk to people at the schools, and they say, "I saw you on the Twit," I don't even know what they are talking about.
One of my thrills of the business is to find young people, there's a window. I like young people who are in that brief window between on their-way-up and rehab. In that window I can make stars. It's not really true but it's not so far off.
If people are talking about my weight cut all the time and are telling me how skinny I like, you have to respect the audience. You also have to respect all of the fighters who do this.
Why don't I like you?" "Because you think I'm an asshole, and I'm not really, I'm just British and, well, you're not.
I opine-I think you're a woman of your world,' he said from the far end of the couch. 'I would have a hard time seeing you pressed and powdered, dreading a life of servitude under the name of marriage. You'd die in that mold. I like you as you are, fiery and ill tempered.
"I like you," he said. He made it sound as if she was bound to disagree with him. She nodded. His face said he was telling her something very important. He said, "I mean it. Whatever happens, you have to believe that."
Let me also say I wanna make you sandwhiches, And soup, And peanut butter cookies, Though, the truth is peanutbutter is actually really bad for you 'cause they grow peanuts in old cotton fields to clean the toxins out of the soil, But hey, you like peanutbutter and I like you!
You're a rotten driver,' I protested. 'Either you ought to be more careful or you oughtn't to drive at all.' 'I am careful.' 'No, you're not.' 'Well, other people are,' she said lightly. 'What's that got to do with it?' 'They'll keep out of my way,' she insisted. 'It takes two to make an accident.' 'Suppose you met somebody just as careless as yourself.' 'I hope I never will,' she answered. 'I hate careless people. That's why I like you.' Her grey, sun-strained eyes stared straight ahead, but she had deliberately shifted our relations, and for a moment I thought I loved her.
I like you; your eyes are full of language." [Letter to Anne Clarke, July 3, 1964.]
Will you listen to me just this once?” he nearly yelled. “I . . . I like you, Maddy. I mean, more than just as a friend. Are you so stubborn you can’t see that? Maybe last night meant nothing to you, but it meant something to me.” His eyes were vulnerable, almost tortured. “Did you ever even consider that I might love you, you stubborn, impossible girl?
I like you angry better than weepy.
You are being self-pitying." "I'm nearly done. You don't have much more of this to bear." "I like you better this way." "Crushed and broken," Gansey said. "Just the way women like 'em.
Sanguine chuckled. "I like you, boy. You got optimism in these bones. I like you so much that I ain't gonna tell you what I did to poor old Jethro, the first Jethro, may he rest in peace, may they someday find his head.
I've always been the guy who doesn't necessarily get it with women. A woman would have to say, 'I like you, I want to go out with you, you can ask me.' And still I would question it. Did she mean it?
I like young actors because they're so unspoiled, not like some of those actors who are about half an hour into their fifteen minutes of fame by the time they get to me.
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