I was going round the world searching for an interesting place, when I realized that the place that I was in was already interesting.
I was feeling a bit down, I went to a therapist a few times, at a hundred bucks a pop. But then I realized that no therapy session would ever cheer me up half as much as if I was just strolling along and found a hundred dollar bill.
I wanted to be an actor because I wanted to be onstage. I wanted to do musical theater, and from that I realized I was interested in plays. I never imagined myself on television. I was so lucky to be onstage my whole life.
Vaguely at first, then more distinctly, I realized that man is an eternal stranger on this planet.
I realized that kids everywhere go for the same stuff; and seeing as we'd done it in England, there's no reason why we couldn't do it in America too.
Keeping up with the Joneses was a full-time job with my mother and father. It was not until many years later when I lived alone that I realized how much cheaper it was to drag the Joneses down to my level.
I realized during my time as a chaplain that I didn't want to be a minister.
I realized early on that the academy and the literary world alike
I never had a hat, never wore one, but recently was given a brown suede duck-hunting hat. The moment I put it on I realized I was starved for a hat. I kept it warm by putting it on my head. I made plans to wear it especially when I was going to do any thinking. Somewhere in Virginia, I lost my hat.
Once, I optioned a novel and tried to do a screenplay on it, which was great fun, but I was too respectful. I was only 100 pages into the novel and I had about 90 pages of movie script going. I realized I had a lot to learn.
I began in 1976, with small abstract paintings that allowed me to do what I had never let myself do: put something down at random. And then, of course, I realized that it never can be random. It was all a way of opening a door for me. If I don't know what's coming - that is, if I have no hard-and-fast image, as I have with a photographic original - then arbitrary choice and chance play an important part.
Unlike the photography and prints, I never catalogued, kept track of or exhibited the sketches. I sold some occasionally, but never saw myself as a graphic artist. They became more important to me thanks to the exhibition, however, and I realized that these drawings were quite interesting after all.
I realized that a methane-oxygen rocket engine could achieve a specific impulse greater than 380.
For no sooner had I begun to read this great work [Frasier, The Golden Bough ], than I became immersed in it and enslaved by it. I realized then that anthropology, as presented by Sir James Frazer, is a great science, worthy of as much devotion as any of her elder and more exact sister studies, and I became bound to the service of Frazerian anthropology.
A woman journalist in England asked me why Americans usually wrote about their childhood and a past that happened only in imagination, why they never wrote about the present. This bothered me until I realized why - that a novelist wants to know how it comes out, that he can't be omnipotent writing a book about the present, particularly this one.
I once had an editor advise me, as I was revising one of my early novels, to add more characters. I played around with the idea. As soon as I'd decided a few fresh faces and give them something to do, I realized that what my editor had really asked for was more plot. Ding. More characters equals more action.
The moment that I realized my name was going to be said in the same sentence as children and sex, that's really intense. That's something I knew from that very moment, whatever happens past that point, something's out there in the air that is really bad.
I was endorsed by many corporations to work with their people. Since I had several hundred successful case histories, I realized that it was really valuable and everybody should have access to the information, so I started teaching seminars to groups of people.
There was a point when I was 15 or 16 that I realized that my father wanted me to be a loner. I decided, 'It's okay to be an introvert, but I don't want to be a loner. I want a few other people in my life.
I started writing morning pages just to keep my hand in, you know, just because I was a writer and I didn't know what else to do but write. And then one day as I was writing, a character came sort of strolling in and I realized, Oh my God, I don't have to be just a screenwriter. I can write novels.
Some reporter called me 'the angriest gay man in the world' or some such. Well, it stuck, but I realized it was very useful.
When I got traded to the California Angels, I really wasn't that excited about going to the Angels because it meant changing leagues and also a whole new set of teammates. But shortly after I got there I realized that it was one of the best things that ever happened to me.
My wife's income allowed me to do what I really loved. I realized that women's liberation is men's liberation, too.
And from that nineteen sixty four, this was my goal to go to Olympic Games. And I realized what does it mean, Olympic Games, like big celebration.
I realized that there was a thrilling undiscovered country to be explored in the mechanisms of the mammalian nervous system. Through it, one might approach the mystery of the mind.
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