After all my years of doing instrumental music I still like just a simple instrumental song with a nice catchy melody and an opportunity to play a solo over a harmonic structure.
The character of instrumental music... lets the emotions radiate and shine in their own character without presuming to display them as real or imaginary representations.
Instrumental music can spread the international language.
Where words fail, music speaks.
Instrumental music is increasingly marginalized.
Music produces a kind of pleasure which human nature cannot do without.
Music is the universal language of mankind.
I really love the fact that instrumental music can have you do your own inner-movies or your own visuals to the sound. There's not lyrics dictating what you should feel.
Singing instrumental music is most important because, while you play an instrument, you are singing through the instrument... actually, you are singing inside.
Instrumental music is increasingly marginalized and there's just no outlet, there's no venue for it, in terms of media.
It's easy to play any musical instrument: all you have to do is touch the right key at the right time and the instrument will play itself.
Music is your own experience, your own thoughts, your wisdom.
I probably listen to more instrumental music than music with lyrics, but at the same time I do love both.
If music be the food of love, play on.
The essence of higher instrumental music lays herein that one is able to express in tones that what one is unable to say in words.
I really feel instrumental music can speak - can contain tremendous amounts of information - but it's speaking to your subconscious.
I realised a long time ago that instrumental music speaks a lot more clearly than English, Spanish, Yiddish, Swahili, any other language. Pure melody goes outside time.
If you don't live it, it won't come out your horn.
Yeah, on the records, the guitars are made melodic, and I try to make it memorable. There's not much just wanking, to be honest - it's mostly melodic parts. I try not to play too many notes. It's just more instrumental music. It's a totally valid criticism if you don't like that kind of thing. It also is maybe a little anachronistic or unnecessary in a certain way.
When the sexes differ in beauty, in the power of singing, or in producing what I have called instrumental music, it is almost invariably the male which excels the female.
It's always made me feel odd when I'd get a Dove Award for an instrumental album that has nothing to do with gospel. When I think of gospel music, I think of spreading the Good News with words. But maybe it's just because I was heralded once upon a time as one of theirs. The category of instrumental music seems sort of important to the big picture, but I felt a little embarrassed at the same time.
You look back, and it was important to bring back instrumental music, and it was great to be a part of that wave of instrumental rock music. And clearly it was something I was destined to do.
The development of new instrumental and vocal idioms has been one of the remarkable phenomena of recent music.
I gave up language for a while, and I started painting.And then I only listened to Miles Davis and other instrumental music to see how it felt to be without words.
I write a lot of more instrumental music than I do vocal music. It's because I come out of a background of playing piano and then playing sax for a number of years. I kind of got into rock backwards. A lot of guys go into rock and then get sick of it and then go into something else. I came the other way, so I've always just had a lot more stuff lying around.
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