I met a lot of amazing people whose lives were changed (for the better) by the power of music. Music gave them strength to get out of abusive relationships or to just pick up a musical instrument and learn to play.
Usually I'm only using my instruments when I'm recording or playing a gig.
There's something to be said for being classically trained on piano, but not having your whole makeup be tied to one instrument.
I was in a Led Zeppelin cover band in high school, and my highlight was playing "Misty Mountain Hop" at a coffee house in Wayne, Pennsylvania. I wasn't allowed to play any instruments; I could only be the singer because I was a girl.
My whole view of music completely flipped over on its head. I grew up listening to punk rock, SST. I liked people that were making music that weren't necessarily very good at their instruments, it was more about the ideas they had than how well they could play and sing.
I made an instrument which I'm really happy about, because I always wanted to have a machine that did this so once I established it as my unique tool, it was like, now I'm going to master it like a guitar.
Saying that you've got acoustic instruments and that's traditional and so people will think it's more intimate, that will always be the case. It's a more intimate sound, so it's going to sound more direct whatever you're singing about.
My mother would take me to jazz concerts in the park and everybody was smoked out. She gave me the intro and then she forced me to play an instrument to keep me out of trouble.
I was obsessed with the scientific instruments people were building and all the weird experiments they were doing. I did actually wind up working in some of that, but there were whole sections I'd written about these instruments that ultimately had to be abandoned when I realized that the book really was about Margaret Cavendish. I couldn't justify using all of them.
From the 1990s onward, the financial sector created a vast array of instruments designed to separate investors from their money, financial derivatives of an ever-increasing level of complexity. At some point, this complexity reached a point where even the creators of the derivatives themselves didn't understand them.
I love the cello, I love the physical sense of an instrument that's about the size of your body that vibrates enough that even if you play an open string, you feel it.
I like the idea of imagining a sound and feeling a sound and then having it come out through your body, through an instrument. That's an important way to make music.
A piano is a machine, but you've got ivory and there's weight behind the keys and you have this really - you feel the resonance in the instrument, you feel the vibration in the pedal. I mean, these a still very crude.
What is required is faith. Man has body, life and mind but that is not all that constitutes man. He has risen to the mind as a result of evolution. Now a higher consciousness will be evolved - this I call Supermind. It is the instrument of the Divine Consciousness, the Truth-Consciousness.
I put in the sounds of instruments such as the guitar and piano, which everybody hears often, and tried to go with melodies that would sound familiar. Rather than trying to do music that I want to do, I focused on doing music that I want my fans to hear.
The system of technological production that we have today has been justified in terms of creating more goods to feed more people and to meet more needs. But it actually destroys more of the resources that we need in order to meet those multiple needs. If we shift to an ecological perception, a diversity perception, we realize that some of the instruments of which we are very proud are actually extremely primitive for dealing with nature. To me that is the great lesson of ecological awareness at the turn of the millennium.
I'm a member of the Primitive Baptist Church, and they will buy every CD that I have released, but they don't me just to bring the instruments much into the church.
Referendums are a democratic instrument, but so are decisions reached in a parliamentary democracy. I advise extreme caution when it comes to referendums. In Germany too.
I don't see any harm in brining an instrument into the church itself.
When I play, I open up. I'm in the heat of the performance and it's a healing thing. It's great! It's like a spiritual elevation that occurs when you're playing and becoming one with the instrument or players on the stage. It takes on this incredible feeling of levitating and the molecules spin differently in the moment.
I am not proposing to replace war with peace. I propose to replace war with a smarter fight. A fight using other instruments, more intelligent instruments to convince people not to use drugs.
In the Bible, God uses brothel owners, pagan kings, murderers and mercenaries as instruments of good; at one point God even speaks to a guy named Balaam through his donkey.
There were some initial instruments I had when I was young and made some trade-offs. Maybe a guitar I bought in a flea market. They weren't the greatest guitar but they would be cool to still have them. Other than that, not as a professional.
Maybe the same instruments and tools that have been used to keep people in slavery and ignorance could potentially be used to liberate and awaken them.
Genetics and beats? I feel like the drumbeat is a natural thing. Our heartbeat moves at a certain BPM. The drumbeat, being the first instrument, the platform for us, being that we all kind of come from that - it's all beats.
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