The harp was so much more gestural and physical for me than the piano - something about bringing this instrument into your body.
I've been playing one way or another since I was about three years old. I don't remember not knowing how to play any instruments.
I'll write and make chords with my voice sometimes if I don't have an instrument even though it takes a million times longer.
The fact of playing an instrument and singing... that I can try to make my dream of singing and becoming a professional musician come true is linked probably to the fact that I traveled a lot, which gave me an open mind and an ability to push my limits.
I wanted to come back to the guitar after three albums and almost 10 years. I started to miss this instrument and I wanted to come back to the guitar.
I met a lot of amazing people whose lives were changed (for the better) by the power of music. Music gave them strength to get out of abusive relationships or to just pick up a musical instrument and learn to play.
Usually I'm only using my instruments when I'm recording or playing a gig.
There's something to be said for being classically trained on piano, but not having your whole makeup be tied to one instrument.
I was in a Led Zeppelin cover band in high school, and my highlight was playing "Misty Mountain Hop" at a coffee house in Wayne, Pennsylvania. I wasn't allowed to play any instruments; I could only be the singer because I was a girl.
My mother would take me to jazz concerts in the park and everybody was smoked out. She gave me the intro and then she forced me to play an instrument to keep me out of trouble.
I was obsessed with the scientific instruments people were building and all the weird experiments they were doing. I did actually wind up working in some of that, but there were whole sections I'd written about these instruments that ultimately had to be abandoned when I realized that the book really was about Margaret Cavendish. I couldn't justify using all of them.
I regret my lack of options. I regret being painted into a corner and having that be the only instrument to get me from point A to point B.
I'm not angry. I can't sing that loud for that long anyway, I'll start coughing - I don't have the instrument for it. I don't feel that emotional. I'm at peace.
I love the cello, I love the physical sense of an instrument that's about the size of your body that vibrates enough that even if you play an open string, you feel it.
I like the idea of imagining a sound and feeling a sound and then having it come out through your body, through an instrument. That's an important way to make music.
A piano is a machine, but you've got ivory and there's weight behind the keys and you have this really - you feel the resonance in the instrument, you feel the vibration in the pedal. I mean, these a still very crude.
Whatever instrument I play, I always try to keep it unreal.
What is required is faith. Man has body, life and mind but that is not all that constitutes man. He has risen to the mind as a result of evolution. Now a higher consciousness will be evolved - this I call Supermind. It is the instrument of the Divine Consciousness, the Truth-Consciousness.
With slide guitar, you're just hanging this piece of glass on your hand. It's a really beautiful instrument in that it's so responsive, you're just slipping your hand back and forth.
The system of technological production that we have today has been justified in terms of creating more goods to feed more people and to meet more needs. But it actually destroys more of the resources that we need in order to meet those multiple needs. If we shift to an ecological perception, a diversity perception, we realize that some of the instruments of which we are very proud are actually extremely primitive for dealing with nature. To me that is the great lesson of ecological awareness at the turn of the millennium.
You know, if you use instrument, why, you have to stay on perfect time - timing. And if you do a cappella - I'm so bad, just wonder, you know, maybe I'll sing one verse this way and one verse another. And if you're doing it a capella, you don't have to keep any time. You can just go out as far as you want to with it.
Referendums are a democratic instrument, but so are decisions reached in a parliamentary democracy. I advise extreme caution when it comes to referendums. In Germany too.
I still go to that church now, and they don't believe in instruments in the church. But, my brothers and sisters in the church will listen to me. They will come out to a place to see me play. They will buy all of my records and everything, but they don't believe in bringing that instrument in the church. But, they'll come and watch me somewhere else. Why that is, I don't know.
I don't see any harm in brining an instrument into the church itself.
When I play, I open up. I'm in the heat of the performance and it's a healing thing. It's great! It's like a spiritual elevation that occurs when you're playing and becoming one with the instrument or players on the stage. It takes on this incredible feeling of levitating and the molecules spin differently in the moment.
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