Writing music and lyrics that mean something personal to me. It's an exciting, intense, cathartic, this-is-who-I-am experience.
I really like the spooky twists and the intense mystery. I think the various plot devices work really well for TV, but they are still also in the spirit of Pretty Little Liars as a whole. I also really liked Spencer's breakdown in the previous season after Toby betrayed her. The girls have had breakdowns of sorts in the books, so it was fun to see that on-screen.
Everything is cyclical. Historical eras go through times of intense cynicism, broken by periods of intense idealism.
I did want to become a novelist, but the program at Waseda was pretty intense in terms of language requirements - two hours of English and four hours of Chinese. I thought, what do I need this for? So I stopped going to class.
New York is such a special place. It's really intense for people because they live here when they're young. On top of the energy of the city there's a visceral experience a lot of people have because it's a time in their lives where they're just absorbing a lot. Things take on a significance that they might not otherwise.
For many years I wrote nothing but "I will not sleep with Steve Almond" over and over again, page after page à la Jack Torrance in The Shining. Finally, hundreds of psychotherapy sessions and an intense shaman-guided DMT sweat lodge experience led to a breakthrough, and I was able to write about other people I would not sleep with, and also about people I would.
That is a horrible thing in a way, but it is the one thing poets can bring back to experience, this intense focus on language, which activates words as a portal back into experience. It's a mysterious process that's very hard to articulate, because it's focused entirely on the material of language in a way, but in the interests not just of language itself whatever that would mean - that's the mistake, by the way, that so many so-called "experimental" poets make - but in service to human experience.
It was tricky [to write about Israelis], because everyone has an opinion about the Arab - Israeli conflict, and when I first started writing these stories, I was working for an Arab - Israeli human rights group. It was during the Second Intifada. It was this totally violent and intense time, and I think there's a part of me where I don't know how to write about that situation without getting my politics out of my messages, and that's something that was important for me not to do in this book.
Obviously, it was a big life change for me and quite a shock to suddenly have these songs I'd written in my bedroom as a far-too-intense teenager all over the airwaves and see my face on buses, especially in a small country like New Zealand, but at the same time it was such a thrill and an honour knowing that my music was reaching people.
Before I had a kid, I was off in some kind of cosmic state all of the time, and thinking about the world beyond, thinking about intellectual stuff. And then, after I had a kid, just the whole process of giving birth is just so earthy and grounding and insane and it's all just an intense physical ordeal.
This is the world. I don't really believe in hell or heaven or an after life at all, I believe this is it. It can be a paradise for you, if you've got the right mindset. Or it can be a total nightmare. The song is just about remembering these moments of, you know, these epiphanies or magical moments of clarity that I think everybody has at some point in their life, often, while they're taking acid or something like that, or while they're doing really intense yoga.
My first months in Sofia were a time of intense disorientation: I had never been to that part of the world before; I could barely speak the language; everything seemed strange to me.
By the time someone gave me some samples of standard screenplays I was already beyond that stuff, because I was not only a tinkerer in ways to do things, I'd started from Dylan Thomas. As a screen dramatist he was a very intense visualist, with great timing and fluency.
LA is an intense city. I was probably a bit too sensitive. I didn't have any friends so I was keeping pretty low key. I just whipped myself up into a bit of an emotional frenzy.
It's intense in every sport. No matter what, USC vs. UCLA is crazy. Especially when it comes down to football and basketball, it's just nuts.
But if you'd only ever lived in small wooden house in the middle of wilderness, it sounded much better. Especially because it provided intense community, and these people lived in incredible isolation.
It's energy intensification, where we essentially have, through our light bulbs and cars, the manpower of [hundreds of] people working on our behalf, helping our food being created, helping our materials like steel and plastic and wood and paper be created. Our lifestyles are incredibly energy intense.
Enthusiasm is when the universe creates through you. You are involved in a creative act. You are bringing something new into this world. When that energy comes in, you feel an intense aliveness that flows into what you do. That is enthusiasm.
VR is a very intense visual experience and having the most powerful PC is the only way to deliver certain experiences.
It's great, it's a creative process! It's something that I've been hungry for and I feel like I'm getting fed every day! We've got Adam and Joe in the room, and it's intense but it's a good intensity, you know? It's kind of like an actor's dream.
Artists freeze themselves into these weird postures that are meant to be impressive and involving, then they fling them out into the world like Polaroids, and then they move on. And I'm stuck in this intense relationship to the Polaroid.
You can't quite believe what you are hearing - and it's not necessarily something that you can listen to all the time because it's too intense - but it changes the way you go about making music.
I don't think lyrics need to be deep - just write whatever comes out of you. You don't need to find intense meaning in everything.
We were pretty normal - suburban kids having a good time playing in bands. We were silly. We weren't dark, intense, humorless people. Humor was one of the connecting forces among us. It was more like camaraderie.
[True Detective] is an intense show, even in terms of the dialogue - there's a little rhythm to it, in particular in his monologues. I think on those days, he [Woody Harrelson] really had to stay in the zone. Because there's a certain cadence in which that character speaks and talks about life, you know? But then there are other days that he was able to be a little more loose.
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