I'm intrigued by films that have a singular vision behind them. A lot of studio movies have ten writers by the time they're done. You have a movie testing 200 times, making adjustments according to various people's opinions. It's difficult to have an undistilled vision.
I suppose I'm intrigued with the bad traits of society, because I'm a part of society, and the bad traits pose the dangerous questions for our future.
Since an early age, I've been intrigued by the idea of design evolution.
I've always been intrigued by Stockholm Syndrome. Reminds me of my childhood.
Anyone who claims to be intrigued by the "intellectual challenge of the markets" is not a trader. The markets are as intellectually challenging as a fistfight. Ultimately, trading is an exercise in self-mastery and endurance.
I find myself, at this time in my life, no less challenged, no less plagued, no less intrigued by what I still don't know.
What intrigued me more than anything else was finding out the way in which everything, all of creation - all of it! - was held together by invisible chemical bonds, and I found a strange, inexplicable comfort in knowing that somewhere, even though we couldn't see it in our own world, there was a real stability.
Humans had built a world inside the world, which reflected it in pretty much the same way as a drop of water reflected the landscape. And yet ... and yet ... Inside this little world they had taken pains to put all the things you might think they would want to escape from - hatred, fear, tyranny, and so forth. Death was intrigued. They thought they wanted to be taken out of themselves, and every art humans dreamt up took them further in. He was fascinated.
I've long been really intrigued with what is the ... proper role of faith and religion in public life.
I am intrigued enough to want to continue, and also to try and work with companies like Sony on modifying the cameras and making them more user-friendly and efficient.
I always enjoyed art history because, growing up in California, my exposure was limited, and it was a new experience. To learn the history of art opened up certain things to me, made me see. It intrigued me.
I started using film as part of live theatre performance - what used to be called performance art - and I became intrigued by film.
In other ways, you constantly have to change people's opinion of you as one thing, especially if you want to play different roles. You have to shatter that image sometimes. I've had to do it before with stage roles, to get roles. I'm drawn to kind of darker, misfit things. I would like to, especially in film, play against type and do some heavier stuff. I'm intrigued by projects that deal with problematic people and things.
I think we're always intrigued by things we're not familiar with.
I have always been intrigued with singing and I actually started my career in musical comedies.
My rule of thumb is that if I am interested or intrigued by something, others will be as well.
Ever since I first visited New Orleans back in '89, I've been intrigued by the French Quarter. I always wanted to set something in the Quarter, whether it was historic or contemporary. Unfortunately, I was always tied up with previous commitments - earlier multiple contracts - and could not get a crack at it.
When I first began writing In the Country of Men all I had was the voice of the protagonist. He intrigued me and my desire to want to know him and his world became almost compulsive.
H&M approached us to collaborate, and see if we could translate the dream we created at Lanvin to a wider audience, not just a dress for less. I have said in the past that I would never do a mass-market collection, but what intrigued me was the idea of H&M going luxury rather than Lanvin going public. This has been an exceptional exercise, where two companies at opposite poles can work together because we share the same philosophy of bringing joy and beauty to men and women around the world.
As a professor, millennials intrigued me. I see them as engagement ready - plug-n-play if you will. They want to contribute in the classroom, the workplace and to society.
Audiences are less intrigued, honestly, by battle. They're more intrigued by human relations. If you're making a film about the trappings of the period, and you're forgetting that human relationships are the most engaging part of the storytelling process, then you're in trouble.
I think about some of the novels I love - The Stranger, Disgrace, Quicksand and Passing, Giovanni's Room, The Talented Mr. Ripley. I think I'm more intrigued by characters who don't do the right thing and where we are allowed to identify with their shame/dishonesty/envy... whatever.
I am a huge fan of what Marvel has established. But when they first came to me, Thor and Captain America were not even close to being finished. I thought to myself, 'Okay, you have all these moving parts, but how can you possibly bring them together?' Iron Man, Hulk, Thor and Captain America don't seem like they could co-exist, and ultimately that is what intrigued me and made me think, 'This can be done and this should be done.' You can't put these characters in a movie together without a certain amount of humor. It's an inoculation against the unreality.
Some filmmakers don't want to just entertain, to play with the audience like a little ball and then dump them. They want you to be imaginative, and if you're intrigued, the work will grow on you and you're going to build your own interpretation.
I actually find in America, there's a slight snobbery about actors who go back and forth between big heavy dramas and popcorn fare. That always intrigues me, because that doesn't exist in the same way in Britain. And I imagine it would be worse. In terms of the sort of class, and the sort of snobby, slightly on the back-foot thing Britain has. But it's much more prevalent in America. I'm really intrigued by it. I don't know why that is. But I'm aiming to break down those barriers by being in a Shakespeare film and a Smurfs film within six months of each other.
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