Jazz is a good barometer of freedom.
Jazz is the big brother of the blues. If a guy's playing blues like we play, he's in high school. When he starts playing jazz it's like going on to college, to a school of higher learning.
Jazz does not belong to one race or culture, but is a gift that America has given the world.
I don't know where jazz is going. Maybe it's going to hell. You can't make anything go anywhere. It just happens.
I believe that regardless of how many people you've listened to or emulated over the years, your sound is you and what you really feel inside.
We're having a hard time understanding where jazz is going. What happened to jazz?
In classical music, love is based on bitin' -- imitation. It's not based on interpretation. A jazz musician, if he plays someone else's song, has a responsibility to make a distinct and original statement.
Jazz is not a 'form' but a collection of tags and tricks.
Paul Desmond sounds like a female alcoholic.
You don't rehearse jazz to death to get the camera angles.
I don't care much about music. What I like is sounds.
What 'jazz' means to me is the worst kind of working conditions, the worst in cultural prejudice. The term 'jazz' has come to mean the abuse and exploitation of black musicians.
The further jazz moves away from the stark blue continuum and the collective realities of Afro-American and American life, the more it moves into academic concert-hall lifelessness, which can be replicated by any middle class showing off its music lessons.
The memory of things gone is important to a jazz musician. Things like old folks singing in the moonlight in the back yard on a hot night or something said long ago.
You've got to learn your instrument.
...to me if it's anything, jazz is a verb-it's more like a process than it is a thing.
It occurred to me by intuition, and music was the driving force behind that intuition. My discovery was the result of musical perception.
When you hear music, after it's over, it's gone, in the air. You can never capture it again.
Tastes are created by the business interests. How else can you explain the popularity of Al Hirt?
It's easy to play any musical instrument: all you have to do is touch the right key at the right time and the instrument will play itself.
Every man's work, whether it be literature, or music or pictures or architecture or anything else, is always a portrait of himself.
Boxing is like jazz. The better it is, the less people appreciate it.
I have to admit that more and more lately, the whole idea of jazz as an idiom is one that I've completely rejected. I just don't see it as an idiomatic thing any more...To me, if jazz is anything, it's a process, and maybe a verb, but it's not a thing. It's a form that demands that you bring to it things athat are valuable to you, that are personal to you. That, for me, is a pretty serious distinction that doesn't have anything to do with blues, or swing, or any of these other things that tend to be listed as essentials in order for music to be jazz with a capital J.
It's the honesty you apply to your playing that makes music enjoyable. The style of the music has little to do with it. It's only honesty makes it beautiful.
There are only two things: love, all sorts of love, with pretty girls, and the music of New Orleans or Duke Ellington. Everything else ought to go, because everything else is ugly.
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