All fled—all done, so lift me on the pyre— The Feast is over, and the lamps expire.
For three things I thank God every day of my life: thanks that he has vouchsafed me knowledge of his works; deep thanks that he has set in my darkness the lamp of faith; deep, deepest thanks that I have another life to look forward to--a life joyous with light and flowers and heavenly song.
When the short days of winter came, dusk fell before we had well eaten our dinners. When we met in the street the houses had grown sombre. The space of sky above us was the colour of ever-changing violet and towards it the lamps of the street lifted their feeble lanterns. The cold air stung us and we played till our bodies glowed. Our shouts echoed in the silent street.
Seating themselves on the greensward, they eat while the corks fly and there is talk, laughter and merriment, and perfect freedom, for the universe is their drawing room and the sun their lamp. Besides, they have appetite, Nature's special gift, which lends to such a meal a vivacity unknown indoors, however beautiful the surroundings.
But I won't bore you any longer on the subject of old men. It won't make things any better and all my plans of revenge (such as disconnecting the lamp, shutting the door, hiding his clothes) must be abandoned in order to keep the peace. Oh, I'm becoming so sensible!
The Saint whose water can light lamps, the clairvoyant whose lapse in recall is the breath of God, the true paranoid for whom all is organized in spheres joyful or threatening about the central pulse of himself, the dreamer whose puns probe ancient fetid shafts and tunnels of truth all act in the same special relevance to the word, or whatever it is the word is there, buffering, to protect us from. The act of metaphor than was a thrust at truth and a lie, depending where you were: inside, safe or outside, lost.
I SEE thee better in the dark, I do not need a light. The love of thee a prism be Excelling violet. I see thee better for the years That hunch themselves between, The miner’s lamp sufficient be To nullify the mine. And in the grave I see thee best— Its little panels be A-glow, all ruddy with the light I held so high for thee! What need of day to those whose dark Hath so surpassing sun, It seem it be continually At the meridian?
The way of peace is a soul journey. . . . If you can live from the level of your soul, you are doing something very special. The important thing is how much consciousness you add to the whole of human existence, for that is how eternity expresses itself, like a lamp shining through the window of eternity.
The city man, in his neon-and-mazda glare, knows nothing of nature's midnight. His electric lamps surround him with synthetic sunshine. They push back the dark. They defend him from the realities of the age-old night.
Read poems to yourself in the middle of the night. Turn on a single lamp and read them while you're alone in an otherwise dark room or while someone else sleeps next to you. Read them when you're wide awake in the early morning, fully alert. Say them over to yourself in a place where silence reigns and the din of the culture — the constant buzzing noise that surrounds us — has momentarily stopped. These poems have come from a great distance to find you.
What does a lamp do? The lamp is like a horse that is running but stays put. But by virtue of being a lamp it illuminates the space around it. Therefore, the practice of purifying one's soul, of living virtuously, has tremendous impacts upon the ethics of the surrounding society.
It was a dark and stormy night; the rain fell in torrents - except at occasional intervals, when it was checked by a violent gust of wind which swept up the streets (for it is in London that our scene lies), rattling along the housetops, and fiercely agitating the scanty flame of the lamps that struggled against the darkness.
And there is something profoundly humbling about knowing God. I’m not talking about the trinket God or the genie-in-a-lamp God. I mean the God who invented the tree in my front yard, the beauty of my sweetheart, the taste of a blueberry, the violence of a river at flood. There are a lot of religious trends that would have us controlling God, telling us that if we do this that and the other, God will jump through our hoops like a monkey. But this other God, this real God, is awesome and strong, all-encompassing and passionate, and for reasons I will never understand, he wants to father us.
The Lady with the Lamp, the Statue of Liberty, stands in New York Harbour. Her back is squarely turned on the USA. It’s no wonder, considering what she would have to look upon. She would weep, if she had to face this way.
A yellow fog swirls past the window-pane As night descends upon the fabled street: A lonely hansom splashes through the rain, And ghostly gas lamps fail at twenty feet. Here though the world explode, these two survive, And it is always eighteen ninety-five.
O never star Was lost; here We all aspire to heaven and there is heaven Above us. If I stoop Into a dark tremendous sea of cloud, It is but for a time; I press God's lamp Close to my breast; its splendor soon or late Will pierce the gloom. I shall emerge some day.
And indeed, what is better than to sit by one's fireside in the evening with a book, while the wind beats against the window and the lamp is buring?
Thus, when the lamp that lighted The traveller at first goes out, He feels awhile benighted, And looks around in fear and doubt. But soon, the prospect clearing, By cloudless starlight on he treads, And thinks no lamp so cheering As that light which Heaven sheds.
History is a mighty dramos, enacted upon the theatre of times, with suns for lamps and eternity for a background.
Writing is to descend like a miner to the depths of the mine with a lamp on your forehead, a light whose dubious brightness falsifies everything, whose wick is in permanent danger of explosion, whose blinking illumination in the coal dust exhausts and corrodes your eyes.
From this height the sleeping city seems like a child's construction, a model which has refused to be constrained by imagination. The volcanic plug might be black Plasticine, the castle balanced solidly atop it a skewed rendition of crenellated building bricks. The orange street lamps are crumpled toffee-wrappers glued to lollipop sticks.
But I would rather have snow. Snow is the on.y weather I really like. Nothing makes me less grumpy than snow. I can sit by a window for hours watching it fall. The silence of snowfall. You can use that. It's best when there's background lighting, for example a street lamp. Or when you go outside and let it flutter down on you. That's real riches, that is.
I predict that very shortly the old-fashioned incandescent lamp, having a filament heated to brightness by the passage of electric current through it, will entirely disappear.
A day will come when the civilized world will deny its God, when the Church will doubt as Peter doubted. She will be tempted to believe that man has become God. In our churches, Christians will search in vain for the red lamp where God awaits them. Like Mary Magdalene, weeping before the empty tomb, they will ask, ‘Where have they taken Him?’
Don't worry about your physical shortcomings. I am no Greek god. Don't get too much sleep and don't tell anybody your troubles. Appearances count: Get a sun lamp to keep you looking as though you have just come back from somewhere expensive: maintain an elegant address even if you have to live in the attic. Never nickel when short of cash. Borrow big, but always repay promptly.
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