Designers take care of everything around us. Everything that is around us, this table, this chair, this lamp, this pen has been designed. All of these things, everything has been designed by somebody.
As one lamp lights another, nor grows less,So nobleness enkindleth nobleness.
Thus, when the lamp that lighted The traveller at first goes out, He feels awhile benighted, And looks around in fear and doubt. But soon, the prospect clearing, By cloudless starlight on he treads, And thinks no lamp so cheering As that light which Heaven sheds.
History is a mighty dramos, enacted upon the theatre of times, with suns for lamps and eternity for a background.
Writing is to descend like a miner to the depths of the mine with a lamp on your forehead, a light whose dubious brightness falsifies everything, whose wick is in permanent danger of explosion, whose blinking illumination in the coal dust exhausts and corrodes your eyes.
From this height the sleeping city seems like a child's construction, a model which has refused to be constrained by imagination. The volcanic plug might be black Plasticine, the castle balanced solidly atop it a skewed rendition of crenellated building bricks. The orange street lamps are crumpled toffee-wrappers glued to lollipop sticks.
But I would rather have snow. Snow is the on.y weather I really like. Nothing makes me less grumpy than snow. I can sit by a window for hours watching it fall. The silence of snowfall. You can use that. It's best when there's background lighting, for example a street lamp. Or when you go outside and let it flutter down on you. That's real riches, that is.
I predict that very shortly the old-fashioned incandescent lamp, having a filament heated to brightness by the passage of electric current through it, will entirely disappear.
A day will come when the civilized world will deny its God, when the Church will doubt as Peter doubted. She will be tempted to believe that man has become God. In our churches, Christians will search in vain for the red lamp where God awaits them. Like Mary Magdalene, weeping before the empty tomb, they will ask, ‘Where have they taken Him?’
Don't worry about your physical shortcomings. I am no Greek god. Don't get too much sleep and don't tell anybody your troubles. Appearances count: Get a sun lamp to keep you looking as though you have just come back from somewhere expensive: maintain an elegant address even if you have to live in the attic. Never nickel when short of cash. Borrow big, but always repay promptly.
A teacher can never truly teach unless he is still learning himself. A lamp can never light another lamp unless it continues to burn its own flame. The teacher who has come to the end of his subject, who has no living traffic with his knowledge but merely repeats his lesson to his students, can only load their minds, he cannot quicken them.
The city man, in his neon-and-mazda glare, knows nothing of nature's midnight. His electric lamps surround him with synthetic sunshine. They push back the dark. They defend him from the realities of the age-old night.
Faith, amid the disorders of a sinful life, is like the lamp burning in an ancient tomb.
Read poems to yourself in the middle of the night. Turn on a single lamp and read them while you're alone in an otherwise dark room or while someone else sleeps next to you. Read them when you're wide awake in the early morning, fully alert. Say them over to yourself in a place where silence reigns and the din of the culture — the constant buzzing noise that surrounds us — has momentarily stopped. These poems have come from a great distance to find you.
Nobody has a magic lamp which can tell you in advance whether what you say will be effective in persuading an audience.
Every step you take, a million doors open in front of you like poppies; your next step closes them, and another million bloom. You get on a train, you pick up a lamp, you speak, you don’t. What decides why one thing gets picked to be the way it will be? Accident? Fate? Some weakness in ourselves? Forget your harps, your tin-foil angels—the only heaven worth having would be the heaven of answers.
It was a dark and stormy night; the rain fell in torrents - except at occasional intervals, when it was checked by a violent gust of wind which swept up the streets (for it is in London that our scene lies), rattling along the housetops, and fiercely agitating the scanty flame of the lamps that struggled against the darkness.
And there is something profoundly humbling about knowing God. I’m not talking about the trinket God or the genie-in-a-lamp God. I mean the God who invented the tree in my front yard, the beauty of my sweetheart, the taste of a blueberry, the violence of a river at flood. There are a lot of religious trends that would have us controlling God, telling us that if we do this that and the other, God will jump through our hoops like a monkey. But this other God, this real God, is awesome and strong, all-encompassing and passionate, and for reasons I will never understand, he wants to father us.
The Lady with the Lamp, the Statue of Liberty, stands in New York Harbour. Her back is squarely turned on the USA. It’s no wonder, considering what she would have to look upon. She would weep, if she had to face this way.
The young May moon is beaming, love. The glow-worm's lamp is gleaming, love. How sweet to rove, Through Morna's grove, When the drowsy world is dreaming, love! Then awake! - the heavens look bright, my dear, 'Tis never too late for delight, my dear, And the best of all ways To lengthen our days Is to steal a few hours from the night, my dear!
A yellow fog swirls past the window-pane As night descends upon the fabled street: A lonely hansom splashes through the rain, And ghostly gas lamps fail at twenty feet. Here though the world explode, these two survive, And it is always eighteen ninety-five.
The sacred lamp of day Now dipt in Western clouds his parting day.
O never star Was lost; here We all aspire to heaven and there is heaven Above us. If I stoop Into a dark tremendous sea of cloud, It is but for a time; I press God's lamp Close to my breast; its splendor soon or late Will pierce the gloom. I shall emerge some day.
Neither in environment nor in heredity can I find the exact instrument that fashioned me, the a.non.y.muse roller that passed upon my life a certain intricate watermark whose unique design becomes visible when the lamp of art is made to shine through life's foolscap.
Politicians use statistics in the same way that a drunk uses lamp-postsfor support rather than illumination.
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