Kiss me, and smile for me, tell me that you'll wait for me. Hold me like you'll never let me go.
Lenny Kravitz was the biggest gentleman on set. He always helped the ladies, like by pulling out the chair for them. If we were both walking, he would always stop and let me go before him-little things like that.
Deep greens and blues are the colors I choose Won't you let me go down in my dreams?
Don't lose the wonder in your eyes It's right there when you smile... If we go back, for a while Let me go back, for a while To that magic time
When I do a 30-minute meal, for instance, on Food Network, that's my food you see at the end of the show and it's not perfect. And if sometimes things break or drop or the pasta hits the wall when I'm draining it, they never stop tape. They just kind of let me go with it.
Now shut the engines off. Come down and flatten out, feel the long float, and at the given moment pull the stick right home. She's down. Now taxi in. Switch off. It's over - but not quite, for the port engine, just as if it knew, as if reluctant at the last to let me go, kicked, kicked, and kicked again, as overheated engines will, then backfired with an angry snorting: Fool! The best is over ...But I did not hear.
Build your world around me, and promise to never let me go, and if ever their comes a time it may seem crowded, may we expand so love may grow.
Everybody wears an unseen sign that reads: Inspire me. Remind me that my life matters; call me to be my best self; appeal to whatever in me is most noble and honorable. Don't let me go down the path of least resistance. Challenge me to make my life about something more than the acquisition of money or success
I knew it in my bones. That this time was it. I had finally made my choice, and so had he. He let me go. I was relieved, which I expected. What I didn't expect was to feel so much grief.
All my friends went to the Madonna concert when I was in, maybe, the 9th grade, and my mother refused to let me go.
I can be negatively criticised, but this is actually a positive thing, especially if the critic is smart, and helpful. I am very attentive to critics, they let me go ahead and push myself harder to continue.
In L.A., I called every scrap yard and surplus place that was listed, about 50 or 60 places, and only at one of them did the owner get intrigued and let me go around the yard to find stuff. Because the insurance regulations are such that you can't go into the places anymore.
My agent in London told me, after Never Let Me Go, because I loved doing that so much, "If you're on a lucky streak and you're doing well, you should only take a part, if you can't bear the idea of anyone else doing it." That's been the case since then, with Drive and Shame and the play (The Seagull), and the stuff that's going on, like Gatsby. I would have been devastated, if I hadn't gotten those jobs.
I wasn't playing mind games with anybody, I just said what I said. I am responsible for it, but I wish everybody would fall asleep for that one and let me go out there and do my thing.
I don't want to take all the time. I just want to do what you wrote and let me go from there. I don't want to miss something. You know, I'm not really a writer per se, but I can write. But I can't put a script together like they can.
I was fourteen years old when I went to my first suffrage meeting. Returning from school one day, I met my mother just setting out for the meeting, and I begged her to let me go along.
Ever since I was a little kid and first heard Jimmy Reed's 'Honey, Don't Let Me Go,' the blues has been in my blood.
Love me tender, love me sweet, never let me go.
Originally the dream was about traveling and developing a job that would permit me to travel. And I decided to go into street performing because it was a traveling job; it would let me go around the world.
God loves me enough to let me go through all the lessons I came here to learn, even the ones that hurt the most. His presence doesn't deny me. It's always there to help me see and understand what I came to this planet to learn.
After another half second, he's locked me in a bear hug, crushing me into his chest and lifting my feet a couple inches off the ground as I kick furiously with my heels, twisting my head back and forth, snapping at his forearm with my teeth. And the whole time his lips tickling the delicate skin of my ear. "Cassie. Don't. Cassie..." "Let...me...go." "That's been the whole problem. I can't.
If I am good enough and quiet enough, perhaps after all they will let me go; but it’s not easy being quiet and good, it’s like hanging on to the edge of a bridge when you’ve already fallen over; you don’t seem to be moving, just dangling there, and yet it is taking all your strength.
Here I am, your one man circus freak show, having bled out for mother Russia, having desperately tried to get to you, now on top of you with this scourge marks, and you, who used to love me, who was sympathized, internalized, normalized everything, you are not allowed to turn away from me....this is what I am going to look like until the day I die. I can't get any peace from you ever unless you find away to make peace with this. Make peace with me. Or let me go for good.
Remember me, even if it's only in a corner and secretly. Don't let me go.
I could, I think, quite easily have gone to Oxford. I got four good A levels, but my father's income was such that I wouldn't have got a grant, and he wouldn't let me go to university, and that was the end of it.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: