Even I had no opportunity to conduct very many concerts after World War II.
I probably went to musique concrete concerts - though not the very first ones - at the beginning of the 50s.
You can't be pregnant in leotards, and this is the last chance for us to get our bodies into the shape of concert dancers and capture it with the magic of film.
When preparing for a concert, I do lots of training. I work with a choreographer to create great moves and then I have to keep my voice strong with lessons.
My parents told me I would become a doctor and then in my spare time I would become a concert pianist. So, both my day job and my spare time were sort of taken care of.
Country fans need to support country music by buying albums and concert tickets for traditional artists or the music will just fade away. And that would be really sad.
My job in this life is to give people spiritual ecstasy through music. In my concerts people cry, laugh, dance. If they climaxed spiritually, I did my job. I did it decently and honestly.
To come to a concert and hear a lot of songs from a female perspective should not make men say, 'Oh well, that's for women'.
I was a tough kid with the jeans, the concert shirt with the flannel over it, the comb in the back pocket and the feathered hair.
Politics in a literary work, is like a gun shot in the middle of a concert, something vulgar, and however, something which is impossible to ignore.
Being famous gets me good concert tickets, good tables in restaurants, good seats at sporting events and that's really about it.
So okay, I accepted, and I realized while working for that concert that I'd been missing something very important and vital to me, and that something was music.
The great problem of the concert hall is that the shoebox is the ideal shape for acoustics but that no architect worth their names wants to build a shoebox.
I had a number of very strong personalities in my family. My father was a concert flutist, the solo flute for Toscanini.
Do you know how many concerts I've done in my whole life, in more than 35 years of performing? Sixty-four.
And it wasn't until '84 when I was first asked to come to Sweden and do an album and concert tour.
Nobody notices me. Nobody thinks I'm me. But then I look less like me than most of the people coming to our concerts.
Because I don't take money, I'll go anywhere and do a benefit concert with almost any orchestra.
Instinct taught me 20 years ago to pace a song or a concert performance. That translates into pacing a story, pleasing a reading audience.
A concert is a concert is a concert is a concert. An album is an album is an album is an album. Musically, both have nothing in common.
It's the whole Nietzche philosophy of you are your own God. That's why I debase myself in the concerts and tell people to spit on me. I'm saying to them 'You are no different from me'.
I'm approaching a period in my life though where I'd like to be totally absorbed into music, doing concerts, writing something. Basically, that IS what I am doing.
I say what's in my heart, and I do it in my concerts.
I've seen the Mass For The End Of Time in concert but my brother's the more musical one really.
Providence School of Art students used to sneak into P Funk concerts.
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