The most skillful flattery is to let a person talk on, and be a listener.
Women are good listeners, but it's a waste of time telling your troubles to a man unless there's something specific you want him to do.
A good story is alive, ever changing and growing as it meets each listener or reader in a spirited and unique encounter, while the moralistic tale is not only dead on arrival, it's already been embalmed. It's safer that way. When a lively story goes dancing out to meet the imagination of a child, the teller loses control over meaning. The child gets to decide what the story means.
Everybody talks, nobody listens. Good listeners are as rare as white crows.
Surely the hold of great music on the listener is precisely this: that the listener is made whole; and at the same time part of an image of infinite grace and grandeur which is creation.
Mozart eliminates the idea of haste from life. His airs could not lag as they make their journey through the listener's attention; they are not the right shape for loitering. But it is as true that they never rush, they are never headlong or helter-skelter, they splash no mud, they raise no dust.
Some of the most successful people managers are also the best listeners.
A good listener: a physical presence that is warm, alert, intelligent - more important than any words.
The source of each accordant strain Lies deeper than the Poet's brain. First from the people's heart must spring The passions which he learns to sing; They are the wind, the harp is he, To voice their fitful melody,-- The language of their varying fate, Their pride, grief, love, ambition, hate,-- The talisman which holds inwrought The touchstone of the listener's thought; That penetrates each vain disguise, And brings his secret to his eyes.
The aging process seems to strike first at the mechanism which warns that we have been talking too much and the listener is growing restless. The signal isn't perfect at any age - drink, for instance, throws it right out of kilter - but it is almost non-existent in old people.
Female listeners are leaving traditional talk radio because of the rough-edged, shouting nature of it. Women want more light and less heat.
Much of appreciating art or music is really the interpretation of the listener. To a certain extent it's projection - it's what people need or lack in themselves that they then put upon these people that they admire.
Woman's work as a listener is never done. ... I thought I'd spent too much of my life listening for some damn man - for my father and now for my husband.
By some mysterious method, Susan Carr's gossip gave the listener a gentler feeling towards his kind. When she spoke of her neighbors' faults, one knew that somehow they were simply virtues gone to seed.
I certainly fall in love with artists. I think that's probably the aspiration of an artist, to make a listener empathize so deeply that they do fall in love with you.
Believe me, nothing is so calculated to lose you audience sympathy as too many tears. Move your listeners all you can but let them do the crying.
When will talkers refrain from evil speaking? When listeners refrain from evil hearing. At present there are many so credulous of evil, they will receive suspicions and impressions against persons whom they don't know, from a person whom they do know--an authority good for nothing.
Story is a relationship between the teller and the listener, a responsibility. After the listening you become accountable for the sacred knowledge that has been shared.
... I have always been a disappointment to my friends. I have no gift of talk, not much to say; and though I have always been an excellent listener, that only succeeds under auspicious circumstances.
It is almost axiomatic that the best conversationalist is really the best listener.
Children, they're the same everywhere. Greedy little creatures but the best listeners in the world - any world. The very best of all.
Radio is truly the theater of the mind. The listener constructs the sets, colors them from his own palette, and sculpts and costumes the characters who perform in them.
Begin your story with a sentence that will immediately grab hold of your listener's ears like a surly nun in a Catholic school.
Music must never offend the ear, but must please the listener, or, in other words, must never cease to be music.
I am a composer first and foremost, and have always believed that being able to write memorable melodies is what sets musicians apart. My songs bring images to the listener's mind. The object is to transport my listeners to another place, some place sacred and spiritual that will make them glad they took the ride.
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