Discreetly keep most of your radical opinions to yourself. When with people be a listener a large part of the time. Be considerate in every word and act, and resist the tendency to say clever things. The best evidence of your culture is the tone and temper of your conversation.
The desire of advising has a very extensive prevalence; and, since advice cannot be given but to those that will hear it, a patient listener is necessary to the accommodation of all those who desire to be confirmed in the opinion of their own wisdom: a patient listener, however, is not always to be had; the present age, whatever age is present, is so vitiated and disordered, that young people are readier to talk than to attend, and good counsel is only thrown away upon those who are full of their own perfections.
Jazz translates the moment into a sense of inspiration for not only the musicians but for the listeners.
Communication can't always follow the top-down model. With the fluidity of information in business today, leaders need to be masterful listeners; they need to be able to receive as well as send.
Great art must proceed to precision and brevity. It presupposes the alert mind of an educated listener who, in a singleact of thinking, includes with every concept all associations pertaining to the complex.
During empathy one is simply 'there for' the other individual, when experiencing their own feelings while listening to the other, i.e. during sympathy, the listener pays attention to something about themselves, and is not 'there for' the client. Consider how you would feel if you sensed that the individual listening to you was getting into their own 'stuff' rather than hearing and reflecting exactly what you were feeling in a moment of need?
It is easy enough to arouse in a listener a desire for what is honorable; for in every one of us nature has laid the foundations or sown the seeds of the virtues. We are born to them all, all of us, and when a person comes along with the necessary stimulus, then those qualities of the personality are awakened, so to speak, from their slumber.
Giving his lecture for the third time freed Dr. Lionel Gift from paying much attention to it. He had a naturally expressive style of delivery, hones over the years in elementary-econ lecture halls. He knew, without even thinking, to address the middle rows of the hall, but to occasionally "shoot" the listeners in the back corners. He knew how to make eye contact and solicit the attention of those who were thinking of other things.
I rap for listeners, blunt heads, fly ladies and prisoners
Just take me home where the mood is mellow And the roses are grown M&M's are yellow And the light bulbs around my mirror don't flicker Everybody gets a nice autograph picture One for you and one for your sister Who had to work tonight but is an avid listener Every song's a favorite song And mics don't feed back.
It always takes two. There's the speaker and the listener, you and the audience. You've worked long hours and it comes down to that moment, that performance. The goal isn't just to improve yourself, but to transport people.
I think the more the listener can contribute to the song, the better; the more they become part of the song, and they fill in the blanks. Rather than tell them everything, you save your details for things that exist. Like what color the ashtray is. How far away the doorway was. So when you're talking about intangible things like emotions, the listener can fill in the blanks and you just draw the foundation.
Make the verses flow together. If a following verse has nothing to do with the previous, you may lose our listener/reader. You want a smooth flow to hear or read, and it's easier to memorize.
Great readers, great listeners, and all have great work ethics. ... They work hard at what they do and they're devout to their reading and listening.
I like using concrete imagery, but I don't feel that's what it's about. It's a combination of concrete and abstract to take the listener somewhere they know better than you. That's true for music, seeing a painting, watching a movie... it's all some kind of an escape.
You can find me in the melodies, the chord progressions, the song style and structure. The lyrical places you fine me most are in the lyrics that 'show' more than 'tell.' I like to describe what the listener is seeing and let them make up the middle rather than telling them.
My biggest lesson ... was to try and create narrators that were believable. ...so the listener becomes really invested in the story or the song.
Anything that happens after I write a song...that's fine with me. It's up to the listener to read into it what they need from it. And that's part of the reason I write like I do, so I can leave the holes in the right places so people can say, 'Yeah, that happened to me,' and they're able to have their own little fantasy about it.
When I create music, the feeling that you get... I get first. You [the listener] have a delayed experience with the feeling I initially get when I have a creative insight. Not just the voice, but all the creativity - the production, the idea, the concept, the music involved. There is a high. There is an emotional experience that happens when everything comes together... I made music as consistently as I did, especially back in the day, because it made me feel so good... When everything is on, it's a wonderful feeling.
I do not choose my listeners. What I mean is, I never write for my listeners. I think about my audience, but I am not writing for them. I have something to tell them, but the audience must also put a certain effort into it. But I never wrote for an audience and never will write for one, because you have to give the listener something and he has to make an effort in order to understand certain things.
There is no essential difference between classical and popular music. Music is music. I want to communicate with the listener who finds Indian classical music remote.
My approach to music is very deep. I do not compromise with anybody or anything else in the world. I do not care. I want to really go beyond this materialistic world...not for the sake of enjoyment, entertainment, no. A musician must lift up the souls of the listeners, and take them towards Space.
A voice can also repel, infuriate or actually make a listener ill.
When you’re married to Miranda Lambert, you've gotta give her her room because she’s a powerful force. I think it’s more about just listening and understanding who she is and what her insecurities may be and how to approach our marriage as an open minded listener and a shoulder to lean on.
The only part of an argument that really matters is what we think of the people arguing. X claims a, Y claims b. They make arguments to support their claims with any number of points. But when their listeners remember the discussion, what matters is simply that X believes a and Y believes b. People then form their judgment on what they think of X and Y.
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