In Los Angeles, I'm always in Fred Segal. It's become a ritual. I have lunch and then buy lots of things I don't need. Usually tons of clothes for the kids that they grow out of in 10 seconds.
Acting is attached to almost everyone in Los Angeles. Everyone has stars in their eyes when they come out here. I have an expression... it's like if you turn to the left and if you turn the right; if they're not an actor, you are. It's essentially true.
England never felt claustrophobic for me at all. I think it would feel more difficult for me if I lived in mainland Europe. America I think is really easy because Los Angeles has film stars everywhere and musicians and Santa Barbara a lot of people have homes there even if they don't live there. You are kind of inconsequential, no one cares.
Not to bash Los Angeles, but there is always a feeling in LA of where your stock is. Are you the top of the heap at the moment or do you have the blockbuster, did you get cast in that thing?
I don't do costumes, I don't do sh_t like that. I love Halloween as a concept, but do I actually go out and do things? No. Trick or treating? Pain in the ass. Hate answering the door all night long. I do love fall, which is bad because I live in Los Angeles.
I moved from Boston to Los Angeles, and took every opportunity that came along my way, trusting that God had a great plan for my life, giving me the willpower to move forward in a positive direction that gave me a feeling of purpose, joy and artistic freedom to fully express myself.
When the government picked companies and gave them monopoly rights to frequencies in San Francisco and Los Angeles and New York and Chicago, it was picking the winners of the competition; it wasn't setting the terms of the competition.
Well, this week for example, I was just in Los Angeles making a documentary for German television on whales. They had tried to get me in England where they missed me.
Even in Los Angeles, where we lived, when we would date somebody or go out with them, if we went out with somebody else the next night, we often found that women were banging on our windows while we were bedded down with other women!
It was a department where you had honesty and integrity stamped right on you when you came into the Los Angeles Police Department. If you violated that, or if you were a dishonest cop, you were terrible. We got rid of you as quickly as possible.
And new people come in, and it doesn't go along with their politics, and they fire me, end the column, silence a voice in Los Angeles. They can't silence it nationally, but they are able to do it there.
I think we need to have stories about women that don't necessarily fit the trope of the classic woman, because they do exist. We have to show real life on TV and film. And we don't. We only see maybe 5 percent of what real people are really like. I mean, movies set in Los Angeles that don't have any minorities in them - how does that happen?
I think Los Angeles certainly grew out and grew up, but I don't think it matured. It lost the appeal and the hunger and the beauty of its adolescence and went straight to a middle-aged ugly, overfed monster seeking mindless pleasure and being obsessively acquisitive. It's so materialistic. It grew up, but it didn't mature.
All of a sudden I got a vision of Guernica - Pablo Picasso's painting, which is one of my all-time favorite paintings in the world. I remember reading that it was very controversial at the time - some people said even used the word "childlike drawing" - and all of a sudden I thought, "This is like Guernica in Los Angeles!" And then it all made sense to me. It was all the elements that are the Southland.
The subject [of Los Angeles] became a general metaphor for anxiety and the speed of modern life.
So, I completely and utterly support David and Gillian's decision to go to Los Angeles, but I think that Vancouver is the perfect location for the show.
Vampires have bright eyes glistening white teeth unnaturally smooth skin and a certain animal magnetism. If they aren't pretty they starve. It's sort of like life in Los Angeles.
Fortunately, I was still living in Los Angeles at the time. So I went out to World Gym and got a membership.
Missing Persons was based in Los Angeles.
For me, Los Angeles, New York, where I don't know my neighbors, where people don't necessarily care if they know their neighbors, I'm missing things that truly fed my soul when I was younger, the exchanges between people, the caring and the shared history with people.
If there were a major earthquake in Los Angeles, with bridges and highways and railroads and airports all shut down and huge buildings collapsing, I don't care how much planning you do, the first 72 hours is going to be chaotic.
Cities are distinguished by the catastrophic forms they presuppose and which are a vital part of their essential charm. New York is King Kong, or the blackout, or vertical bombardment: Towering Inferno. Los Angeles is the horizontal fault, California breaking off and sliding into the Pacific: Earthquake.
In those days, in 80th, people were really hungry for information - and, somehow, I had pretty good access because I had friends in London, New York, Los Angeles, everywhere. I'd been visiting many places and talking with people, so I had a constant flow of new info. I sometimes did articles for magazines and things, and people started to say, "If you want to know what's going on, ask Hiroshi." So that was the beginning with Goodenough.
Toronto won't topple New York or London as a financial center, nor will it dethrone Los Angeles as the international entertainment capital, but with its large and stable banks, numerous knowledge-based industries thriving in the surrounding mega-regions, and an increasingly diverse population, it will gain ground. And with employment opportunities in the largest centers eroding, it can make a big move on top global talent. It stands as a model of an older, once heavily industrial Frostbelt city that has not only turned itself around but continues to grow and thrive.
My parents moved to Los Angeles when I was really young, but I spent every summer with my grandparents, and I'd stay with my grandfather on the farm in Longview. He was retired from the railroad, and he had a small farm with some cows and some pigs. I remember part of my youth was feeding hogs and plowing fields and stuff, so that's a part of me.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: