It's an indication of how cynical our society has become that any kind of love story with a sad theme is automatically ridiculed as sentimental junk.
I want to turn my attention to movies about love relationships. Exploring the female psyche - there ought to be some interesting discoveries there. Love stories. If you do it right, people want to hear romantic dialog.
'Love Story' is actually about a guy that I almost dated. But when I introduced him to my family and my friends, they all said they didn't like him. All of them!
'Cabin Fever' was very much inspired by 'The Thing.' It's really a perfect guy's horror movie: There's no love story, it's just straight-up horror. And it's so well-done. It moves at a slow pace, but it's really terrific.
It wasn't a love story." -Tar's dad It was a love story. Me, Gemma, and junk." -Tar
I've yet to read a love story that compares with mine.
A good love story always keeps the pot boiling.
A romantic relationship might very well have been initiated by God, but the moment our focus moves from our Prince to a human love story is the moment we cease to guard our sanctuary, and our entire foundation for success crumbles into ashes. A relationship that leads us closer to our Prince and carefully protects our inner sanctuary is the key to discovering romance as it was truly intended to be...a little taste of heaven on earth.
If you look at the Bible as a whole, it's redemptive and beautiful, and it's God's love story to mankind.
Born and raised in Paris, I am deeply attached to my city; we almost have half a century of love story together, where I have been truly completely faithful! The most beautiful city in the world is my city, yeepeeee!
In all love stories the theme is love and tragedy, so by writing these types of stories, I have to include tragedy.
Russian law on banning nontraditional relationships basically says you cannot have any portrayal, neutral or positive, of homosexual relationships or nontraditional families, period. And you also cannot have negative portrayals of heterosexual relationships. So along the way, the law completely quashes any kind of public discussion on domestic violence. No discussion of relationships at all, unless you want to showcase a heterosexual love story, that preferably involves reproduction.
I love storytelling. I love stories, and I love the way in which we connect through stories.
Writing about racism requires a directness that writing a love story does not.
The trouble with Hollywood is that it has poisoned us. If you see a poster of a movie it is mainly the picture of a woman and a man. Always a love story. Yes. But it shouldn't be that way. It should be another (way).
What's hardest for me to swallow is when there is a love story, say, with a really high-profile male star and there's no reason I can't play the part. They say, 'Oh, we love Halle, we just don't want to go black with this part.'
You know, we love stories and we love narrative; we love to get lost in an author's world.
Every movie is a love story.
I'd never done nudity in a movie; I've never sort of condoned it for myself, but David Lynch wanted it, and I was completely comfortable with it because that love story was so protected. There's never a moment where you feel anything is exploited.
Probably Lloyd in 'Say Anything' is the closest to me - or to who I was at the time. It was just a great love story about people in the '80s, and we all tried to make it feel as real as possible. It was such a wonderful time. We didn't leave anything in the gym; we put it all out there.
No love story worth telling is easy. The hills and valleys that make a relationship, in my opinion, is really a dynamic worth watching.
The earliest influence on me was the movies of the thirties when I was growing up. Those were stories. If you look at them now, you see the development of character and the twists of plot; but essentially they told stories. My mother didn't go to the movies because of a religious promise she made early in her life, and I used to go to movies and come home and tell her the plots of those old Warner Brothers/James Cagney movies, the old romantic love stories. Through these movies that had real characters, I absorbed drama, sense of pacing, and plot.
The desire to express in an art form and to compose a tableau and vignette whether it's humorous, burlesque, or poetic comes simply from a desire to compose an image for cinema. It is not my fault that when I go to Ramallah there is a checkpoint and therefore it enters my film. Tell me a way to avoid that politicized image. The fact is that the police are everywhere, the army everywhere and occupation is total. Whether it's a love story or a thriller, you place the camera and these realities will cross the frame.
My love stories are about people who are reluctant to actualize what they so desperately want. They are timid, cautious, but eventually they dare to speak. My characters are not only hesitant; they are ambivalent about which way their libido flows: toward men or women? They are fluid in their sexuality, and this ambivalence says more about how we think about sex today than, say, Tinder. And this is a truly modern idea: Most of us don't know who we are sexually.
I'm someone who is pretty modest and doesn't like to talk about my love stories. Songs bring a lyrical quality to it, simply. It allows the audience to perceive the characters' love life in a way that is much more obvious than it might have been.
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