I began working quite young, writing, growing, maturing, always striving to top myself - to make people laugh hard at things they know and believe deep in their hearts to be true.
There's a beauty to wisdom and experience that cannot be faked. It's impossible to be mature without having lived.
Women cannot claim the right to be considered mature and responsible until they decide the course of their lives for themselves and refuse to be a "manipulated group." They will not be truly emancipated untilthe right to work is a matter of course and not of discussion.
A psychologically engrossing novel about the homes we make-in our houses, in our neighborhoods, and in the hearts of our loved ones. Laken takes on that great unspoken American subject-class-and does so with frankness, acuity and surpassing feeling. DREAM HOUSE is a memorable debut novel from a fully mature talent.
Forty-years-old these days is the beginning of people's lives. I've found myself, I'm confident, I'm mature, I've been through some stuff, I'm ready to write my book.
People will ask me, "How do you approach writing books for young readers differently than for adults?" My answer is always: I don't change anything about the story itself. I'm going to tell kids the way things really were. What I don't do - and this is the only thing I do differently in writing for kids - is that I don't revel in the gory details. I allow readers to fill in the details as necessary. But I don’t force kids to have to digest something they’re not mature enough or ready for yet. If they are, they can fill in the details even better than I could, just with their imaginations.
My studio works in cycles. I am consistent with all of the practices, but I give attention to one part for a certain amount of time. I say, "Okay, I'm making performances," and sometimes that means I can't be making photographic works. As I'm maturing as an artist, years have passed and I feel that I'm becoming a better craftsperson in multiple fields, but that takes time. Also, because I trained as an actor, I hold this thing about how an actor prepares and therefore I try to prepare for all of my tasks.
I'm too mature to be angry.
Real, sane, mature love—the kind that pays the mortgage year after year and picks up the kids after school—is not based on infatuation but on affection and respect.
I think when people make a record with a goal in mind - like taking it to the next level or making them seem more mature - that gets in the way of writing great songs.
Turning 40 is often a big symbolic point in one's life. In the 20s we feel we can do anything, but as the 30s progress we become more mature emotionally, and in terms of work tend to focus. These two things combined: emotional maturity and career focus, often produced an explosion of self-purpose in our 40s.
We thought we were being mature when we were only being safe. We imagined we were being responsible but were only being cowardly. What we called realism turned out to be a way of avoiding things rather than facing them.
Our deepest mature conviction is that finite and infinite interpenetrate, as time and eternity interpenetrate, and our problems must be solved in the light of that conviction.
He doesn’t have to love your CD collection. He doesn’t have to love your shoes. But any good, mature guy better make an attempt to love your friends and family—especially when they’re great.
When I approach a more mature age, I am not going to live in America. Visiting my grandmother, when she was 94, which is a very long life in Cambodia, I saw how important it was that she was in a community with my sisters, brothers and all grandchildren were so involved in her life. I liked that experience so much more than visiting my sister-in-law's grandparents in a nursing home. It's about looking at a community through your window versus being part of a community that's alive, that is youthful and old and hungry and smelly and loud, where everything is vibrant and colorful.
My sound is constantly progressing and maturing. It's hard with all the songs that I have written over the years to compile them all into one album. It's almost impossible to categorize them into one genre.
If you want to write in a mature and interesting way, you have to have sympathy for everyone that's involved.
Accumulating years in the act of living is no guarantee of maturity. In fact, it is possible to be born, grow old and die without ever maturing.
The art path leads you to be increasingly free. And what does "because of being increasingly free" mean? Julio Ramón Ribeyro used to say a mature novel demands the author's death, not literal death but metaphoric death, which is the author has to truly erase himself. Therefore, to be truly free, you have to break free from internal and external pressures, to erase the self completely and become a sort of medium, let the story pass through yourself and let the story dance with you.
If your subject is crime, then you know at least that you're going to have a real story. If your subject is the maturing of a college boy, you may never stumble across a story while you're telling that. But if your story is a college boy dead in his dorm room, you know there's a story in there, someplace.
As we mature in Christ, it is actually possible to outgrow fear.
Do they merit vitriol, even a drop of it? Yes, because they corrupt the young, persuading them that the mature world, which produced Beethoven and Schweitzer, sets an even higher value on the transient anodynes of youth than does youth itself.... They are the Hollow Men. They are electronic lice.
Writers have to keep on writing if they want to mature, like caterpillars endlessly chewing on leaves.
I think the dot-com boom and bust represented the end of the beginning. The industry is more mature today.
I've never had tastes of people my own age. All of my friends when I was 15 were in their 40s. I'm not actually mature, just very self-conscious around people my own age because I feel like I'm supposed to act the same way they act and I don't know how.
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