Not only has my latest book, The Wandering Who?, rocked the boat, but it also has managed to unite Alan Dershowitz and Abe Foxman with Ali Abunimah and Max Blumenthal. That is pretty encouraging: it means that peace may prevail after all.
Since seeing Max Kirsten for insomnia - I'm finally achieving a good night's sleep, its just wonderful. He's my new secret weapon!
Peace was the one thing that Max (Ernst) needed in order to paint, and love was the one thing I needed in order to live. As neither of us gave the other what he most desired, our union was doomed to failure.
I was in New York, miserable because I was working supper clubs but I wasn't expressing myself. I was really unhappy with my life. I saw Max Roach again and he told me I didn't have to do things like that. He made me an honest woman on the stage. I have been performing in that tradition since. I feel that I'm a serious performer now whereas then I wanted to be but I didn't know how.
I was devastated. I'm still devastated to this day. When talent like that disappears in a flash, you can't believe it. You deny it. Max Roach, who, of course, played with him on all those EmArcy recordings, held a concert in Baltimore for Clifford long after Clifford died. Max was still disbelieving so many years later. The concert was supposed to bring closure. But Max was so outrageously emotional that day. He had quite a few eruptions and was very emotional about what had happened so many years earlier. Like everyone, he remained disbelieving.
I wanted to write something that was very entertaining to read. The hardest part of this novel [The Yoga of Max's Discontent] was how to make a deeply spiritual transformation journey page-turning and adventurous. That was the hardest part to crack for me.
[Larry Kramer] thinks Charles de Gaulle was gay. He thinks Max Schmeling was gay.
A lot of the book [The Yoga of Max's Discontent] is about karma and rebirth. Things like that are very attuned to my life as an Indian, but when I approach it from a perspective of a Westerner, then I have a skeptical, yet kind of novice view on it. I think that choice really liberated the story to be its own story. A lot of the conclusions that Max reaches on his own are not mine at all. So, I think that allowed the story to take on its own momentum, to have its own propulsive force.
Almost every yogi that appeared in the book [The Yoga of Max's Discontent] is either somebody I have seen and met and spoken to, or someone who is in my three degrees of separation - I know the source who talks to me about it so well that I believe his story.
The sight of a certain depressed-to-the-max head of seaweed has made me quite ill.
After I had my son, Max, I knew I wanted to get involved in causes that help children.
An office is a place to... live life to the fullest. To the max. To... an office is a place where dreams come true.
The main jobs would be The New Yorker, The Village Voice, The Washington Post and - I'm thinking of The Reporter when Max Askeli was there, but I got fired from The Reporter.
My son, Max, was born the day Princess Di died.
I feel like the original 'Mad Max' created such a vivid world, that to go back and re-imagine it and kind of replay in that sandbox sounds like fun to me.
I was very much against the Vietnam War, and Max Askeli was visiting Lyndon Johnson in the White House cheering him on, writing editorials. And in The Voice one day I once referred to him as Commander Askeli. And I called in to The Reporter to go over the galleys of a music piece I had written, and the editor whispered to me, `It's not gonna run. You're not gonna run. Max Askeli has fired you because of what you said about him.'
Max Kozloff said to me one day, ‘You’re not really a photographer. You do photography, but you do it for your own purposes – your purposes are not the same as others’. I’m not quite sure what he meant, but I like that. I like the way he put it.
Any property that's open to common use gets destroyed. Because everyone has incentive to use it to the max, but no one has incentive to maintain it.
I tend to be a loner I think a lot of social theorists are like that. On one level, the majority of the most important people to me are people who I have imaginary conversations with in the deep of the night: I'm often in conversation with Max Weber or Karl Marx or someone like that. Those are the people I'm closest to and that have had the most influence on me!
I have to pinch myself because I always had a dream of having a make-up campaign. I love make-up, I'm such a girl in that way. I love it so much and to be a part of Max Factor and to represent them is such an honour.
In the academic setting, you take (typically) lonely, interesting middle-aged men and beautiful, intelligent young women, and everybody's motivations for display and conquest are engaged to the max. Sublimated, this can be a powerful force for the good - Plato had a lot to say about that - but acted upon it can bring evils without end.
I think you could say every pastor is writing this book [ Max on Life]; for many it just never gets published.
It was a matter of going back through a lot of sermons and remembering the questions and conversations, where these ideas came from. So the book [Max on Life] is really kind of a second chance to answer these questions.
I mean, 3-D adds a whole level of 'oh my goodness' to the movie in good ways and bad ways that you have to deal with. We've overcome any obstacle that we've ever had because we have a great 3-D crew, Max and the guys at Paradise 3-D.
Having done television, I was used to either being aware whether I got the part within the same day, or within two, three days max.
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