Kenny Dalglish is a hero of mine and is the best player to ever wear a red shirt.
Before we make love my husband takes a pain killer. I blame my mother for my poor sex life. All she told me was, 'the man goes on top and the woman underneath'. For three years my husband and I slept on bunk beds. I'm a double bagger. Not only does my husband put a bag over my face when we're making love, but he also puts a bag over his head in case mine falls off. It's so long since I've had sex, I've forgotten who ties up whom. My best birth control now is to leave the lights on.
The whole world is looking for miracles. Every day it is dying to see miracles. But can there be any miracle More challenging, more illumining And more fulfilling Than to see and feel the infinite Beauty Of my Beloved Supreme Inside this tinier than the tiniest Gratitude-heart of mine?
We are individualized aspects of that oversoul, and the individualized soul - yours and mine and everyone else's on the planet - incarnates over and over and over again in a physical body, emotional astral body and mental body. These three bodies are temporary bodies that the soul creates and uses for a given time, long or short.
Just before I began doing this show [The Last Word ], a dear friend of mine, Karen Russell, asked me what I was going to do with the show.She meant how was I going to use this platform to do something important, something that I wouldn`t be able to do without an hour of real estate in cable news prime time.The K.I.N.D. fund is my answer to Karen Russell`s question, what are you going to do with this show?
I'm not beholden to the public, and neither are the public beholden to me or my songs. I'm very much of a populist on those terms, I believe that the song is no longer mine anyway. I like to process the dispossession that happens when you play something live. I don't have a clue as to how these songs are going to plan out, whether they're going to be on a record. I don't know yet.
There are certain phrases in books of mine, and I don't know where they came from, or how I was capable of thinking up these formulations. It's only in the heat of composition that these things occur to you.
I think there are people who do write regionally, because that's their subject matter - the way the sunset looks over a strip mall, memories of flirting at the ice rink, waking up to a deer at the window... Up to now, that hasn't been mine.
On a micro level, if we're not terribly lucky, this sort of thing can happen to us quite frequently - the political becoming the personal in dramatic and irreparable ways. I remember the first time I went out into the desert, passing by all these mine fields and getting the history on them from my guide and realizing all these murderous mechanisms were real, were just sitting out there waiting for a victim, and some of them had been for sixty, seventy, eighty years.
That said, I'm embarrassed and furious that so many coal-state Democrats in the U.S. Senate are paralyzing international progress to protect the short term interests of a dying industry that ravages the environment from mine to slag heap.
The more subtle thing is more speculative. The world is well past its long-term carrying capacity for human beings living a European, much less an American, lifestyle predicated on planned obsolescence. International economic growth is largely a matter of accelerated movement of materials from mines and forests to the dump. Instead of saving and buying decent furniture we can pass on to our children, we charge our credit cards for shaped heaps of sawdust and glue that fall apart in less than three or four years.
To go back to my childhood, I experienced lots of different family cultures, all the while feeling like none of them were mine.
I think it's a huge shortcoming of mine - this disconnect between the world of human and animals. We are animals.
I'm very committed to its educational institutions, including my alma mater Central Falls High School's drama program, because I know that's what got me my start. I do everything I can to keep it alive since it made me feel like I had something to give to the world. I also support the Segue Institute for Learning, a charter school in Central Falls run by a friend of mine that my niece attends. I'm committed to that because of its proven results. They have the highest math scores of any charter school in Rhode Island.
A friend of mine gave me a very good piece of advice, which is if you don't think your kids are going to want it, don't take it.
If somebody wanted to go and find songs of mine to fill an iPod, that aren't on any records. They could probably find dozens of songs besides the ones that are on records.
Everybody's got a dark side, but mine doesn't include being around people who are mean.
The facts, however, are unimportant in fiction. It's not the events of my life that I mine, but the emotional experiences I've had.
Ariana is a huge supporter of mine; she's a big fan - she told me that when I met her. She's cool, her voice is crazy, she's got a great, great voice.
The other reason I didn't want to fictionalize it is because one of the main points of publishing a memoir in nonfiction was that I wanted to write about what had been a very lonely experience. The books that most saved my life as a kid were the ones that articulated lonely experiences that I had thought were mine alone.
A friend of mine urged me to see my pain as an opportunity. And since the same psychic that contacted Dion Fortune had told me that I was a "teacher" - she didn't mean at Columbia, she meant in the spiritual sense - I decided my affliction was the universe telling me that it was time to stop writing fiction and become the spiritual guru I was clearly meant to be.
I'm just like anyone else. I have ideals that I grasp onto but I try not to grasp on too tightly and to be open to other people's thoughts and opinions even if they're completely different than mine.
If I'm not writing about myself, then I sit down with people I really dig writing with and throw 'em out and see if something sticks. Their brain plus mine hopefully will make something interesting and cool and it will just snowball and we'll have a unique song by the end of it.
P.I.L. has been a favorite of mine since high school especially there metal box album. The guitarist Keith Levine gets some of the best sounds ever to come out of a guitar. The songs are really free form and experimental and have a heavy dub influence.
I never dealt with fame. It was never a goal of mine to become famous.
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