When people ask that question, it's very hard to nail down a formula or a circumstance that I always write in, but I definitely do believe that there have been moments, musically, when I have channeled something, you know?
Fiction is always a utopian task, in that there's an ideal you hold in your head as you write which inevitably fails in the moment of creation, in the insufficiency of words to convey meaning, or in the way the work is completed in the reader's head.
My mum passing away wasn't funny, but that funeral and what I went through, the things that happened, looking back at it, there were funny moments. You have to be strong enough to look back at it, to sit and assess the situation.
That's the dream scenario: when people approach these stressful situations not focused on that concrete outcome but just focused on being there and being themselves and enjoying connecting with people. You're not going to be present all the time, but if you can figure out how to connect with yourself and bring that self forth in those moments, you will probably be feeling a lot better over time, and it's likely that even though you're not focused on the outcome, the outcomes will be better.
If I stop today at a protest and I read a speech, it is a speech that remains in that moment, and whoever captures it does, and whoever doesn't, doesn't, and just keeps walking. It is very sterile, and it can seem even inaccessible and boring for a community.
I believe the advantage music has is the capacity to multiply itself, the capacity to keep itself in space and access itself at different times and in different processes and to make profound analyses, analyses that through musicality would be able to connect with people who don't necessarily have the energy or wish in any exact moment to connect to well-read or critical analysis.
Music is my catharsis for that. It's an incredible blessing that I have this way of expressing myself through music and lyric, and I'm so grateful for that in moments of pain or of suffering - that I have this means of channeling it; it's really amazing. My band as well - having them around and being able to jump on stage and bond together and share that energy is really uplifting as well.
I think escape is sort of like coming to a show with ten thousand other people and responding to that moment. Sharing that moment - that's escape.
It used to be that I could talk to someone in Texas and nobody would hear about it. Now, the moment I open my mouth it's all over the world. The second I say something, guys in Germany know about it. It's basically a wonderful thing because more information is spread, but you have to keep your mouth shut.
I want to make good films; I don't want to make films for the moment.
If you get yourself out of politics, religion, everything, and think as a human, think based on love to everybody, at that moment you have a choice: to be an animal, or to be a human. I choose to be a human being, with conscience and responsibility.
When I got the call from [Hugh] Hefner... I thought, "Wow - at 40, they still want me?" And I thought it's almost an inspiration - like a "you go, girl" moment. I feel empowered that you can be married and and have three children and still be sexy and confident and look great.
I think my first big heartbreak made me more compassionate about other people's heartaches. It enabled me to feel more for others when they are in moments of pain.
What is important is that our optical awareness rids itself of classical notions of beauty and opens itself more and more to the beauty of the instant and of these surprising points of view that appear for a brief moment and never return; those are what make photography an art.
It was a proud moment in giving me the confidence, that I was 'stamped' in the offices as much, you know, as I would get from the streets. To where it's like I'm getting the love from the streets and from the people in the building - and that's kinda dope.
My earliest musical memory was getting to watch my dad play drums in a local band. He's a banker by trade, but a drummer at heart. I remember seeing the guitar player do the solo from "Werewolves of London" with his teeth, and that was the moment that had me hooked.
For me, love is very non-academic. Love, it’s a very physical thing. I don’t mean physical in terms of - I mean, it can be sexual. But those moments when I’m aware of the fact that I love someone or love something, it really manifests physically.
There are so many causes. Gun control, climate change, deforestation, animal welfare, human welfare, education. Working on the big issues is noble and great, but being aware of what’s going on around you right at this moment, being kind to the people around you, extending compassion and decency, not just to everyone you meet but also to yourself—I think that’s one of the biggest challenges most people face.
I think the biggest, saddest thing that happens in our lives is that we just don't embrace the things that could make it better because they don't seem to make it better at any given moment or we can't decide how to get across the aisle to that person.
Time seems to slow down for me when I focus on staying in the moment and that helps me maintain a sense of balance.
Let me put it in a rather larger picture framework. Let's go to the longest time frame, the time frame of the life of our sun. As a star, our sun is about halfway through its life cycle. In the long run, we only have a couple of billion more years likely that we can inhabit this planet. By that time, we're going to have to be out of here before our sun dies. Now, I don't think we need to wait that long, and we certainly shouldn't wait that long. At the moment, we are not on a sustainable path.
I listen to old Idaho, and there are moments of true inspiration there. I think the music is speaking on its own a little bit more. It's evolving, it's not losing its heart.
Everything that you do in your life that helps you sweat is good for you. Whenever you're sweating, you're adding to your potential to enjoy the day or enjoy the moment or enjoy your life.
Feminine spirituality is much more about the emanation of love in this moment, feeling into this moment, feeling the texture of this moment through the skin, through the body, and then letting your life become an emanation of love.
Well, there's lots of different things going on at the moment, I'm in talks with some people from Japan to do something and I'm also talking to Hugo Boss to do a very small line, which I want to keep to just 10-12 pieces, but what I want to do is sit with the designers for a couple of days bashing some stuff out.
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