I am now considered such a monster, that I hesitate to darken with my shadow, the doors of those I love, lest I should bring upon them misfortune.
If we say that monsters [people who do terrible evil] are beyond forgiving, we give them a power they should never have...they are given the power to keep their evil alive in the hearts of those who suffered most. We give them power to condemn their victims to live forever with the hurting memory of their painful pasts. We give the monsters the last word.
With a little time, and a little more insight, we begin to see both ourselves and our enemies in humbler profiles. We are not really as innocent as we felt when we were first hurt. And we do not usually have a gigantic monster to forgive; we have a weak, needy, and somewhat stupid human being. When you see your enemy and yourself in the weakness and silliness of the humanity you share, you will make the miracle of forgiving a little easier.
The emotions of the ignorant man are continuously kept at a pitch by the most blood-curdling stories about Anarchism. Not a thing too outrageous to be employed against this philosophy and its exponents. Therefore Anarchism represents to the unthinking what the proverbial bad man does to the child,-a black monster bent on swallowing everything; in short, destruction and violence.
If the sleep of reason produces monsters, what does the sleep of unreason produce?
The Monster’s crimes were so horrific that a mere man could not possibly have committed them. Satan, in the end, had to be invoked.
You know, in the horror movie you kill the monster, and the hand re-emerges. And if you're not looking, the hand grows back and then the monster's there again. That cannot be allowed to happen.
I know now that the mythic monster I created was largely a fiction.
Ive never been a big believer in ghosts or the spirit world, and for me, that was part of the point of the movie, ... What the Ghostbusters represented was the triumph of human courage and human ingenuity. People create their own monsters. Our fears come from within us, not outside.
I'm so powerful in stage that I seem to have created a monster. When I'm performing I'm an extrovert, yet inside I'm a completely different man.
The monster does not need the hero. it is the hero who needs him for his very existence. When the hero confronts the monster, he has yet neither power nor knowledge, the monster is his secret father who will invest him with a power and knowledge that can belong to one man only, and that only the monster can give.
Television is like a great monster, eating your gags as fast as you say them.
I like something where I can really use my imagination and be an active participant in the construction of the monster and usually that's in the world of the supernatural or the world of the fantastic, so that's why those kinds of stories about demons and the supernatural appeal to me or maybe I'm really interested in that subject.
It is part of the pholosophic dullness of our time that there are millions of rational monsters walking about on their hind legs, observing the world through pairs of flexible little lenses, periodically supplying themselves with energy by pushing organic substances through holes in their faces, who see nothing fabulous whatever about themselves.
There are some power-abusing, corrupt monsters in our federal government that despise me because I have the audacity to speak the truth.
Now our world is at the present time firmly in the grip of a mechanical monster, whose head - if you want to call it that - is the World Engineer's Complex. That monster is opposed to us and can keep all too good a tab on us through every purchase we make with our credit numbers, every time we use the public transportation or eat a meal or rent a place to live.
Somewhere in the land, a monster lurked.
Man should not be in the service of society, society should be in the service of man. When man is in the service of society, you have a monster state, and that's what is threatening the world at this minute.
People are fools, not monsters
A generic vampire tale in the Underworld vein that comes closer to the infamous Van Helsing than a memorable re-interpretation of a legendary monster.
I am the Terrible Trivium, demon of petty tasks and worthless jobs, ogre of wasted effort, and monster of habit.
A non-writing writer is a monster courting insanity.
The monsters in my head are scared of love.
And now, what has Anarchism to say to all this, this bankruptcy of republicanism, this modern empire that has grown up on the ruins of our early freedom? We say this, that the sin our fathers sinned was that they did not trust liberty wholly. They thought it possible to compromise between liberty and government, believing the latter to be 'a necessary evil,' and the moment the compromise was made, the whole misbegotten monster of our present tyranny began to grow. Instruments which are set up to safeguard rights become the very whip with which the free are struck.
When I was nine, I played the demon king in "Cinderella" and it launched me on a long and happy life of being a monster.
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