There's a danger our fiscal bankruptcy might overtake our moral bankruptcy.
Man's material discoveries have outpaced his moral progress.
The morals of yesterday are no more. They are as dead as the day they were lived. Economic independence has put woman on exactly the same footing as man.
There's this whole sense of judgment and who's right and who's wrong and who's moral and who's going to be punished.
If we are now holding late-night talk-show hosts to the same moral accountability as we hold politicians or clergymen, I'm out. I'm gone.
Nowadays, especially in big commercial films it's much easier for the audience, and they tend to get spoonfed. It's much more interesting to me, people leave the theater and they start asking themselves questions and find their own moral compass about what these characters have been doing.
The pope has been called many things, historic figure, spiritual leader, moral force. But a growing chorus of voices has begun to refer to him as John Paul II the Great, in other words, as a saint.
Guinevere is just head over heels and doesn't know how to handle these new emotions that she's feeling, as a young woman. Unfortunately, she can't reign it all in, all the time. And, even though she tries to do the right thing and be the good girlfriend and have her morals, she slips up a little bit.
I think that Hollywood is sort of guilty of having a moral blind eye on this subject. While at the same time, you know, being involved in a lot of liberal causes and being involved very militantly, Hollywood is, in fact, guilty of helping to addict people to smoke.
Joe Lieberman was threatening censorship. What I'm arguing is that if the creative people in Hollywood themselves have a responsibility, have a moral responsibility in terms of smoking, not to show smoking in movies.
In America, a metrical poem is likely to conjure up the idea of the sort of poet who wears ties and lunches at the faculty club. In Russia it suggests the moral force of an art practiced against the greatest personal odds, as a discipline, solitary and intense.
It's partly the fault of the institutions of education. But it's partly the decision to be relieved of responsibility. Literature is simply the most focused form of the demands on the evolution of the species. It imposes a certain responsibility, moral, ethical and esthetic responsibility, and the species simply doesn't want to oblige.
Addiction is a brain disease. This is not a moral failing. This is not about bad people who are choosing to continue to use drugs because they lack willpower.
To this day, we get letters at Alternative Tentacles from young teenagers who hide their Dead Kennedys albums behind their mirror or in the mattress of their bed. Wouldn't it be better if the parents just discussed this with the kids instead of creating this culture of sneaking and dishonesty within the family? The moral of the story being, you don't hide reality from your kids because then they grow up to be smarter, more aware adults.
I think I'm more grounded, you know, and I know what I want out of life and I'm, you know, my morals are really, you know, strong and I have major beliefs about certain things and I think that has helped me, you know, from being, you know, coming from a really small town.
What's the big deal? I have really strong morals, and just because I look sexy on the cover of Rolling Stone doesn't mean I'm a naughty girl. I'd do it again. I thought the pictures were fine. And I was tired of being compared to Debbie Gibson and all of this bubblegum pop all the time.
The middle years - the eighteen-seventies, 'eighties, 'nineties - were a time of moral bankruptcy when men stole millions by a stroke of the pen or by the simple expedient of printing tons of worthless paper.
Catholic Church reasserts its moral authority on contraception: If God believed in birth control, altar boys would have a uterus.
Nudity in photography, whether involving adults or children, is a subject sinking under a freight of political and moral disapproval it could never hope to support, and this is not the place for me to get out the bilge pump. I will only say that critics who tremble so fiercely at the thought of the voyeuristic male gaze miss the point that distance generates mystery and enchantment, and expresses the awe with which the male imagination regards all women.
I was twenty when I discovered war and photography. I can't say that I wanted to bear witness and change the world. I had no good moral reasons: I just loved adventure, I loved the poetry of war, the poetry of chaos, and I found that there was a kind of grace in weaving between the bullets.
Among photojournalists there is still a sense that doing a photomontage is far graver than adding a filter. I am against this type of hierarchy that demonizes some options over others, demonizes them in respect to, what - ideology or moral code?
The thought for us [street photographers] was always: How much could we absorb and embrace of a moment of existence that would disappear in an instant? And, Could we really make it live as art? There was an almost moral dimension.
I've always been accused by my detractors of some sort of moral failure, cowardice, or even lack of humanity by not portraying the human form. I respond that I do better by portraying traces of character and intentions of human volition that no mug or body shot can ever exude.
As Plato insisted two thousand years ago, it is not by means of the image that moral, ethical, or political knowledge is produced.
Please don't invent a debt that does not exist, or next you will be trying to feel gratitude - and that is the treacherous first step toward complete moral degradation.
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