I put up with the music business because I understand that I'm in the tradition, I'm in a tradition that's of far greater importance than the business I seem to be in. Everywhere I go in the world, people ask me about the business that I seem to be in, but I'm not really in that business.
To come out in the music business, you only really get one shot. A lot of people get to play small gigs first, and build up that way, without anyone really seeing them.
The problem that I have is with the music business. For some reason it seems almost impossible to get anything, any music, released which includes improvisation or soloing.
I think that you have to bear in mind that music is about escape, and it's not unreasonable to think the music business would be based around escapism.
The music business doesn't take up that much of my time. I probably should put a little more energy into it.
It's a small percentile of people who see one dime out of the music business.
The music business has changed incredibly. There used to be 50 record companies. Now there's only three, and it's just getting smaller and smaller. But then again, you have the Internet, so anybody who has music can get it out there.
There's also, I think more so in the music business and especially for women, this ceiling that people put on you if you have children or a family and decide to spend time with them.
I think the music business is probably not happy with what we've done, because the people buying the record have actually got to pick what they want to buy, rather than being told what they should buy.
The whole point of 'Acid Rap' was just to ask people a question: does the music business side of this dictate what type of project this is? If it's all original music and it's got this much emotion around it and it connects this way with this many people, is it a mixtape? What's an 'album' these days, anyways?
I was always a singer. But I was always focused on being an actor as my trade. Music I do just for me. The movie business is very difficult but the music business is just impossible.
What happens in the music business is that if you step out of your little spot to do something else, the sand falls right into where you stood and you're gone, you're history.
I finished high school, moved to Nashville for college, and set out to break into the music business. Every night when I called home with news of my experiences, my mom and dad would encourage me to keep taking those small steps.
The best decision I ever made, period, was to get into the music business.
I love the music business very much.
I certainly have gotten caught up in the music business at various times in my life, mostly because you want to get along with whatever record company you're dealing with. I don't want to be flaky. I don't want to be some temperamental, hard-to-work-with musician.
If you had ever heard my album you would know that I could never consider the music business!
The music business has let me touch a lot of people with my talent.
I'm a good listener, you know. My gran used to say that's why you've got two ears and one mouth. I just truly love what I do and treat it with a lot of respect and all these relationships in the music business that people talk about.
Since I have spent many years of my life living in Los Angeles, and since I'm also in the music business, I know that much more is talked about in Los Angeles than ever really occurs.
The bigtime for you is just around the corner. They told me that first in 1952 - boy, its been a long corner. If I dont hit the bigtime in the next 25 or 30 years, Im gonna pack in the music business and become a full-time gigolo.
I'm into indie music. I think indie is going to bring back the spirit in music. There was a time when it was all about accommodating the music business, the music was getting tasteless, but the spirit is back.
In the music business I am surrounded by people who don't view music as a sacred voice. They view music as something that they can use and exploit, often times lazily. They have no sense of the tradition, they have no sense of honor about those who came before and charted the path.
I'm still as fascinated with the music business as ever. I'd love to do an electronic album like Prodigy or Underworld. I really like that sort of music.
The music business will be revitalized by musicians, not the labels or Live Nation. When the musicians decide to put music first, instead of money, the public will flock to the fruits and the scene will be healthy again.
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