There really is no such thing as art. There are only artists.
Musicians should never forget that we're blessed. We have a special gift that people can enjoy through us. We've had the good fortune to receive this and pass it along to others.
As it enters the ear, does it come in like broken glass, or does it come in like honey?
They flat their fifths, we drink ours.
Finally Beiderbecke came out with a silver cornet. He put it to his lips and blew a phrase. The sound came out like a girl saying 'yes'.
I feel very, very gratified when people are complimentary to what I have done or appreciated it with sincerity... It makes me feel that maybe I did do something that was proper and that was right.
Film is one of the three universal languages, the other two: mathematics and music.
Music is my religion. Music is the only thing that has never failed me. People let you down, music won't.
The technical history of modern harmony is a history of growth of toleration by the human ear of chords that at first sounded discordant and senseless to the main body of contemporary professional musicians.
Regarding jam sessions: Jazz musicians are the only workers I can think of who are willing to put in a full shift for pay and then go somewhere else and continue to work for free.
The history of a people are found in its songs.
I don't just write music to esthetically satisfy somebody. The reason I write music is that I feel it's a vehicle or channel which leads to your true self, your essence.
If America has a future, Jazz has a future. The two are inseparable.
I think there are only three things that America will be known for 2,000 years from now when they study this civilization: the Constitution, jazz music and baseball. They're the three most beautifully designed things this culture has ever produced.
Life on the road is murder. It's as though life begins and ends when you have your horn in your mouth.
Art leaves something to the listener; that's what separates art from craft.
We all have to open our minds, stretch forth, take chances and venture out musically to try and arrive at something new and different.
I want to play music that draws a picture of the world and its space.
Technically, I'm not a guitar player, all I play is truth and emotion.
Anytime a person can play the blues, he has a soul and he has a 'lift' to play anything else he wants to play. It's sort of like the foundation to a building.
The hardest thing for a musician to learn is how to play WITH people. That's what made the Basie rhythm section.
If you're going to make a mistake, make it loud so everybody else sounds wrong.
Sometimes I wish I could walk up to my music as if for the first time, as if I had never heard it before. Being so inescapably a part of it, I'll never know what the listener gets, what the listener feels, and that's too bad.
When you begin to see the possibilities of music, you desire to do something really good for people.
I'm into scales right now.
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