One thing I like about jazz, kid, is that I don't know what's going to happen next. Do you?
Count Basie was college, but Duke Ellington was graduate school.
Imitate, assimilate, and innovate.
You may have holes in your shoes, but don't let the people out front know it. Shine the tops.
Jazz is improvisation and syncopation, with resilience and flow, with earthy elegance, nuance and subtlety, with the integrity of individual expression within (usually) a group context, with true democracy in action.
Jazz is neither specific repertoire, nor academic exercise... but a way of life.
I think that a musician is like a doctor, he's supposed to heal people and make them feel better.
Regardless of what you play, the biggest thing is keeping the feel going.
The trouble with this country is that everything is new. We don't have any consideration for the past... Just because something is old, you don't just rip it down. You can renovate it instead of ripping it down and building something new.
If we compel the composer to write in terms of what the listener is able to hear, we flirt with the danger of freezing the evolution of musical language, whose progressive development comes about through transgressions of a given era's perceptual habits."
Jazz has the ability to absorb & transform influences from diverse musical styles.
Sounds of daily life are musical. I try to absorb the intricacies of sounds as if I were listening to music.
Jazz is the continual pulsation of the now.
Monk encouraged me to emancipate the drums from their subservient role as timekeepers.
The people who really got me off were dealing with the musical potential of their instrument.
Jazz is a democratic musical form. We take our respective instruments & collectively create a thing of beauty.
Age enlarges and enriches the powers of some musical instruments - notably those of the violin - but it seems to set a piano's teeth on edge.
Man will become immeasurably stronger, wiser, and subtler; his body will become more harmonious, his movements more rhythmic, his voice more musical. The forms of life will become dynamically dramatic. The average human type will rise to the heights of an Aristotle, a Goethe, or a Marx. And above these heights, new peaks will rise.
Blues is to jazz what yeast is to bread--without it, it's flat.
I always tell people, it took me 10 minutes and 35 years in the business. I get tired of playing it ["Lullaby of Birdland"], but not of collecting the royalties.
When people ask me how is it I was a musician, I facetiously say that I'm a firm believer in reincarnation and in a previous life I was Johann Sebastian Bach's guide dog.
Traveling with a big band is like being an inmate in a traveling zoo.
I would advise you to keep your overhead down; avoid a major drug habit; play everyday, and take it front of other people. They need to hear it, and you need them to hear it.
The reward for playing jazz is playing jazz.
If everyone liked what I did, I probably wouldn't be playing anything of depth.
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